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MEMBACA BAHASA RUPA SASTRA VISUAL GAMBAR DINDING KOMUNITAS SUKU DAYAK HINDU BUDHA BUMI SEGANDU INDRAMAYU Asep Deni Iskandar
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol 6, No 3 (2010)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Representation of teaching in the form of literary visualization of panel wall picture alongside fortress of Padepokan at Suku Dayak Bumi Segandu Indramayu community. The visual form at overall panel wall pictures still be shown the existence of touch by way of drawing typically used by the past ancestors with the system space-time-plane (STP). The use of system STP at wall picture become the evidence that the tradition pattern still exist in the middle of domination of the visual language of the West with the system naturalistic-perspective-moment opname (NPM) that assumed universal and modern. Keyword : The wall picture, literary visualization, space-time-plane, naturalistic-perspectivemoment opname

Main Characters and Relief of the Ramayana Story at the Siwa Temple of Prambanan Asep Deni Iskandar
Gondang: Jurnal Seni dan Budaya Vol 8, No 1 (2024): GONDANG: JURNAL SENI DAN BUDAYA
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i1.53701

The Ramayana story reliefs in the Prambanan temple, which are considered artifacts of the past, not only present information about the heroic Ramayana story, but also present a way of drawing that was considered modern at that time. The way of drawing done by the carvers is very distinctive, which is very different from the modern way of drawing or the Western naturalist-perspective-momentopname drawing system. With the typical way of drawing, the carvers can tell many events in one relief panel. The scenes depicted in the relief panels are the embodiment of selected scenes in the Old Javanese Ramayana literature. The transformation from literature into a relief story is similar to a movie derived from a novel. Filmic in the relief of the story can be seen in the selection of the right scene in the literature and the series of scenes arranged into a unified story. The carvers at that time tried to draw the character of each character according to their imagination and used a unique way of drawing. This way of drawing is used to examine the reliefs of the Ramayana story at Prambanan Shiva temple. This research uses qualitative methods and data is obtained through observation and literature review. Research to reveal how to draw the main character and the arrangement of each object based on the Old Javanese Ramayana literature. From the results of the analysis, it can be seen that the previous sculptors have described the character and relief depiction of the Ramayana story by adjusting to the existing literature.The Ramayana story reliefs in the Prambanan temple, which are considered artifacts of the past, not only present information about the heroic Ramayana story, but also present a way of drawing that was considered modern at that time. The way of drawing done by the carvers is very distinctive, which is very different from the modern way of drawing or the Western naturalist-perspective-momentopname drawing system. With the typical way of drawing, the carvers can tell many events in one relief panel. The scenes depicted in the relief panels are the embodiment of selected scenes in the Old Javanese Ramayana literature. The transformation from literature into a relief story is similar to a movie derived from a novel. Filmic in the relief of the story can be seen in the selection of the right scene in the literature and the series of scenes arranged into a unified story. The carvers at that time tried to draw the character of each character according to their imagination and used a unique way of drawing. This way of drawing is used to examine the reliefs of the Ramayana story at Prambanan Shiva temple. This research uses qualitative methods and data is obtained through observation and literature review. Research to reveal how to draw the main character and the arrangement of each object based on the Old Javanese Ramayana literature. From the results of the analysis, it can be seen that the previous sculptors have described the character and relief depiction of the Ramayana story by adjusting to the existing literature.

Bahasa Rupa Relief Cerita Kresnayana Candi Prambanan Deni Iskandar, Asep; Supandi, Fajar Persada
Jurnal Bahasa Rupa Vol. 7 No. 1 (2023): Bahasa Rupa Desember 2023
Publisher : Prahasta Publisher (manage by: DRPM Institut Bisnis dan Teknologi Indonesia)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31598/bahasarupa.v7i1.1424

The Kresnayana story relief in the Prambanan temple complex is considered by researchers as a past artifact that can provide information. The information presented is in the form of visuals that tell the Kresnayana epic. The Kresnayana story relief is a transformation of a literature (kitab) originating from India. The carvers select the scene in the most appropriate paragraph, then visualize and arrange the composition of each image in each panel. The selected scenes in each panel are then assembled into a complete Kresnayana story. In a modern visual context, the series of scenes arranged into a unified story is like a movie. In order to depict all the scenes within the limited picture plane, the sculptors used a typical drawing method with the space-time-flat system. The way of drawing done by the carvers is very different from the modern Western way of drawing. The distinctive way of drawing on each relief panel is then considered to be strange and makes it difficult to read the story scene. This way of drawing is used to examine the reliefs of the Kresnayana story. This research uses descriptive and qualitative methods. How to draw space-time-flat needs to be analyzed so that it can be utilized in the process of working on various media. How to draw space-time-flat needs to be analyzed so that it can be utilized in the process of creating works in various visual media. From the results of the analysis, information on the typical drawing method that was used before the discovery of the Western drawing method with the naturalist-perspective-moment opname system can be found.

Bahasa Rupa Relief Cerita Kresnayana Candi Prambanan Asep Deni Iskandar; Fajar Persada Supandi
Jurnal Bahasa Rupa Vol. 7 No. 1 (2023): Bahasa Rupa Desember 2023
Publisher : Prahasta Publisher (manage by: DRPM Institut Bisnis dan Teknologi Indonesia)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31598/bahasarupa.v7i1.1424

The Kresnayana story relief in the Prambanan temple complex is considered by researchers as a past artifact that can provide information. The information presented is in the form of visuals that tell the Kresnayana epic. The Kresnayana story relief is a transformation of a literature (kitab) originating from India. The carvers select the scene in the most appropriate paragraph, then visualize and arrange the composition of each image in each panel. The selected scenes in each panel are then assembled into a complete Kresnayana story. In a modern visual context, the series of scenes arranged into a unified story is like a movie. In order to depict all the scenes within the limited picture plane, the sculptors used a typical drawing method with the space-time-flat system. The way of drawing done by the carvers is very different from the modern Western way of drawing. The distinctive way of drawing on each relief panel is then considered to be strange and makes it difficult to read the story scene. This way of drawing is used to examine the reliefs of the Kresnayana story. This research uses descriptive and qualitative methods. How to draw space-time-flat needs to be analyzed so that it can be utilized in the process of working on various media. How to draw space-time-flat needs to be analyzed so that it can be utilized in the process of creating works in various visual media. From the results of the analysis, information on the typical drawing method that was used before the discovery of the Western drawing method with the naturalist-perspective-moment opname system can be found.

Visual Analysis and the application of Islamic law in farm animal vocabulary learning videos for children Pertiwi, Annisa Bela; Budiman, Budiman; Iskandar, Asep Deni; Supandi, Fajar Persada
International Journal of Visual and Performing Arts Vol 6, No 2 (2024)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v6i2.1697

This study analyzes the visual expression and application of Islamic legal principles, particularly iqtina ash-shurah, in the animated video "Learning Vocabulary: Names of Farm Animals" produced by Yufid Kids. This video serves as an educational medium for early childhood learners to acquire vocabulary related to farm animals. The study is important as it addresses the intersection of Islamic legal principles and visual media, providing a framework for creating educational content that aligns with sharia while remaining engaging and effective. The content of the wimba used is a visual representation of livestock depicted in a simple and unrealistic way, adhering to sharia principles and avoiding realistic depictions of living beings. Visual expressions in the video consist of four types: first, expressing space, which clearly displays the location and environment of animals; second, expressing motion, which includes animations that illustrate animal activities, making it easier for children to grasp vocabulary; third, external expressions that indicate time and space through scene transitions, facilitating contextual shifts in the narrative; and finally, stating importance, which emphasizes key information through visual elements such as color and size to draw attention to essential learning components. From the perspective of Islamic law, the analysis focuses on the application of iqtina ash-shurah, which permits the use of simplified and non-detailed images of living beings, and the inclusion of thayyibah sentences to reinforce Islamic values. The research uses a qualitative descriptive method through visual and sharia analysis. The findings demonstrate that the video successfully integrates effective visual expressions with adherence to Islamic principles, providing an interactive, educational, and Islamic learning experience. This research contributes to the field of Islamic education and visual media by offering a model for developing sharia-compliant educational content, highlighting the theoretical and practical value of visual expressions in reinforcing Islamic values in early childhood learning.

The Role of HR Practices in Enhancing Firm Supply Chain Performance Sinaga, Obsatar; Nurfarina, Anne; Iskandar, Asep Deni; Mozammel, Soleman; Rosita, Ai
International Journal of Supply Chain Management Vol 8, No 2 (2019): International Journal of Supply Chain Management (IJSCM)
Publisher : ExcelingTech

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59160/ijscm.v8i2.2980

The supply chain management is an emerging discipline, which during the course of three decades has emerged from an operational function to a competitive strategy. The authors have employed different theoretical models to explain the success factors of supply chain management. The current study is carried out to explain the relationship between HR practices and supply chain performance. In addition to that the current study, is also interested in finding the impact of organizational culture in the relationship between a set of HR practices and supply chain performance. To achieve the research objectives, we have employed two step smart PLS technique, which is one of the robust SEM technique of recent times. We have used the smart PLS as statistical tool to achieve the research objectives the data by mean of an adapted survey instrument in the form of questionnaire is collectedfrom the operation and finance managers of Indonesian manufacturing firms. The results of the current study are providing support to the hypothesized results. The direct and indirect relations appear positive and significant. The current study which in author knowledge is among few pioneering studies on this issue, will be helpful for financial experts, operation managers, academicians, researchers and other policy makers in formulating policies.

Supply Chain Financing as an Antecedent of Supply Chain Success: An Indonesian Perspective Juniati, Sri; Iskandar, Asep Deni; Rosita, Ai; Alaeddin, Omar
International Journal of Supply Chain Management Vol 8, No 2 (2019): International Journal of Supply Chain Management (IJSCM)
Publisher : ExcelingTech

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59160/ijscm.v8i2.2989

The prime objective of this empirical research is exploring the role of supply chain financing in enhancing the supply chain management performance of the firms operating in the manufacturing sector of Indonesia. In addition to that the current study has also intended to study the impact of firm cash flow on supply chain management performance. Finally, the study has also examined the mediating role of firm cash flow in the relationship between supply chain financing and supply chain management performance. The multiple regression is used to achieve the novel objectives of the current study. The data by means of an adapted questionnaire is collected form the finance and operation managers of manufacturing firms listed in Indonesian stock exchange. Prior to regression analysis the data has undergone basic diagnostic test and after confirmation of reliability, validity and multicollinearity we have carried out a regression analysis. The direct relations of hypotheses H1,H2,and H3 are significant and positive, whereas the results of H4 are also significant, Which indicates that the firms cash flow mediates the relationship between supply chain financing and supply chain management performance

Main Characters and Relief of the Ramayana Story at the Siwa Temple of Prambanan Iskandar, Asep Deni
Gondang: Jurnal Seni dan Budaya Vol. 8 No. 1 (2024): GONDANG: JURNAL SENI DAN BUDAYA, JUNE 2024
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i1.53701

The Ramayana story reliefs in the Prambanan temple, which are considered artifacts of the past, not only present information about the heroic Ramayana story, but also present a way of drawing that was considered modern at that time. The way of drawing done by the carvers is very distinctive, which is very different from the modern way of drawing or the Western naturalist-perspective-momentopname drawing system. With the typical way of drawing, the carvers can tell many events in one relief panel. The scenes depicted in the relief panels are the embodiment of selected scenes in the Old Javanese Ramayana literature. The transformation from literature into a relief story is similar to a movie derived from a novel. Filmic in the relief of the story can be seen in the selection of the right scene in the literature and the series of scenes arranged into a unified story. The carvers at that time tried to draw the character of each character according to their imagination and used a unique way of drawing. This way of drawing is used to examine the reliefs of the Ramayana story at Prambanan Shiva temple. This research uses qualitative methods and data is obtained through observation and literature review. Research to reveal how to draw the main character and the arrangement of each object based on the Old Javanese Ramayana literature. From the results of the analysis, it can be seen that the previous sculptors have described the character and relief depiction of the Ramayana story by adjusting to the existing literature.The Ramayana story reliefs in the Prambanan temple, which are considered artifacts of the past, not only present information about the heroic Ramayana story, but also present a way of drawing that was considered modern at that time. The way of drawing done by the carvers is very distinctive, which is very different from the modern way of drawing or the Western naturalist-perspective-momentopname drawing system. With the typical way of drawing, the carvers can tell many events in one relief panel. The scenes depicted in the relief panels are the embodiment of selected scenes in the Old Javanese Ramayana literature. The transformation from literature into a relief story is similar to a movie derived from a novel. Filmic in the relief of the story can be seen in the selection of the right scene in the literature and the series of scenes arranged into a unified story. The carvers at that time tried to draw the character of each character according to their imagination and used a unique way of drawing. This way of drawing is used to examine the reliefs of the Ramayana story at Prambanan Shiva temple. This research uses qualitative methods and data is obtained through observation and literature review. Research to reveal how to draw the main character and the arrangement of each object based on the Old Javanese Ramayana literature. From the results of the analysis, it can be seen that the previous sculptors have described the character and relief depiction of the Ramayana story by adjusting to the existing literature.

Pengembangan Media Promosi Potensi Wisata di Desa Karyawangi melalui Pelatihan Mobile Videografi Kepada Kelompok Sadar Wisata Iskandar, Asep Deni; Setyadharma, I Gede Nyoman Wisnu
Jurnal Kreativitas Pengabdian Kepada Masyarakat (PKM) Vol 7, No 9 (2024): Volume 7 No 9 (2024)
Publisher : Universitas Malahayati Lampung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33024/jkpm.v7i9.15265

ABSTRAK Desa wisata yang dibangun dengan menggunakan strategi berbasis masyarakat harus melibatkan peran serta warga. Dengan demikian, masyarakat yang tinggal di desa, seperti halnya di desa Karyawangi Kecamatan Parongpong, Kabupaten Bandung Barat menjadi subjek yang sangat penting dalam pengembangan desa wisata. Masyarakat yang berperan langsung harus memasarkan atau mempromosikan objek yang berpotensi dapat dijadikan distinasi wisata kepada dunia luar. Salah satu media untuk mempromosikan tempat wisata melalui videografi. Permasalahan yang timbul, masyarakat di desa Karyawangi kurang terampil dalam membuat konten video yang menarik. Untuk meningkatkan kemampuan masyarakat dalam membuat videografi yang menarik, maka diadakan pelatihan videografi. Pelatihan videografi untuk pengurus Pokdarwis ini menggunakan metode PLA dan dilaksanakan beberapa tahapan. Hasil yang didapatkan dari pelatihan ini berupa peningkatan kemampuan peserta dalam membuat konten videografi yang menarik untuk kebutuhan promosi desa wisata. Kata Kunci: Pelatihan, Videografi, Promosi ABSTRACT Tourism villages that are built using a community-based strategy must involve the participation of residents. Thus, the people who live in the village, as is the case in Karyawangi Village, Parongpong Subdistrict, West Bandung Regency, become a very important subject in the development of a tourist village. Communities that play a direct role must market or promote objects that have the potential to be used as tourist destinations to the outside world. One of the media to promote tourist attractions through videography. The problem that arises is that the community in Karyawangi village is less skilled in creating interesting video content. To improve the community's ability to make interesting videography, videography training was held. This videography training for Pokdarwis administrators used the PLA method. The results obtained from this training are an increase in the ability of participants to create interesting videography content for the needs of tourism village promotion. Keywords: Videography, Training, Promotion

Bahasa Rupa Relief Cerita Kresnayana Candi Prambanan Deni Iskandar, Asep; Supandi, Fajar Persada
Jurnal Bahasa Rupa Vol. 7 No. 1 (2023): Bahasa Rupa Desember 2023
Publisher : Institut Bisnis dan Teknologi Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31598/bahasarupa.v7i1.1424

The Kresnayana story relief in the Prambanan temple complex is considered by researchers as a past artifact that can provide information. The information presented is in the form of visuals that tell the Kresnayana epic. The Kresnayana story relief is a transformation of a literature (kitab) originating from India. The carvers select the scene in the most appropriate paragraph, then visualize and arrange the composition of each image in each panel. The selected scenes in each panel are then assembled into a complete Kresnayana story. In a modern visual context, the series of scenes arranged into a unified story is like a movie. In order to depict all the scenes within the limited picture plane, the sculptors used a typical drawing method with the space-time-flat system. The way of drawing done by the carvers is very different from the modern Western way of drawing. The distinctive way of drawing on each relief panel is then considered to be strange and makes it difficult to read the story scene. This way of drawing is used to examine the reliefs of the Kresnayana story. This research uses descriptive and qualitative methods. How to draw space-time-flat needs to be analyzed so that it can be utilized in the process of working on various media. How to draw space-time-flat needs to be analyzed so that it can be utilized in the process of creating works in various visual media. From the results of the analysis, information on the typical drawing method that was used before the discovery of the Western drawing method with the naturalist-perspective-moment opname system can be found.

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