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All Journal Jurnal Sosioteknologi Journal of Islamic Architecture Jurnal Budaya Nusantara Narada : Jurnal Desain dan Seni
Jamaludin, Jamaludin
Institut Teknologi Nasional Bandung
Arts Humanities Civil Engineering, Building, Construction & Architecture Engineering Environmental Science Languange, Linguistic, Communication & Media Social Sciences

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THE AESTHETICS OF MISERY: AN INTERPRETATION AND COMPARATION IN CONTEMPORARY INTERIOR DESIGN Jamaludin Jamaludin; Anwar Subkiman
Jurnal Sosioteknologi Vol. 17 No. 3 (2018)
Publisher : Fakultas Seni Rupa dan Desain ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/sostek.itbj.2018.17.3.10

Abstract

This paper discusses symbolic interior design and contemporary which are relevant to the experimental work called Aesthetics of Misery presented at the Milan Furniture Fair in April 2015. The exhibition presented sixteen works by students of the Interior Design Postgraduate Program at Politechnico di Milano Italia. This new approach to design was launched by Andrea Branzi and Michele de Lucchi, the two main designers at Milan. Viewed from aesthetics, the works on display have symbolic aesthetic elements. The works display a "social environment" based on the concept of suffering. Descriptive analysis method is used to explain the background and aesthetic goals of suffering. Observation in contemporary interior design is used as an interpretation of this concept as well as a comparative study. The aim is to find an implementation that what Andre Branzi and Michele de Lucchi call an aesthetic of suffering in various approaches and design styles, already in contemporary interior design work. The results showed that in an indirect form, the concept of misery in various approaches and design styles is existed or represented in industrial-style interior design work which in addition to using old factory-nuanced materials, symbolically showed the element of suffering. Keywords:  ABSTRAK Paper ini membahas karya eksperimental yang disebut Aesthetics of Misery (Estetika Penderitaan) yang dipresentasikan di Milan Furniture Fair pada bulan April 2015. Pameran ini menampilkan enam belas karya mahasiswa Program Pascasarjana Desain Interior Politechnico di Milano Italia yang digagas oleh Andrea Branzi dan Michele de Lucchi, dua desainer utama di Milan. Selain membahas konsep dan interpretasi Aestethics of Misery, dalam paper ini juga dilakukan studi banding dengan fenomena dalam desain interior kontemporer. Metode analisis deskriptif dipakai untuk menjelaskan latar belakang dan tujuan. Observasi dalam desain interior dipakai sebagai interpretasi konsep ini sekaligus sebagai studi banding dengan konsep the Aesthetic of Misery. Tujuannya untuk menemukan implementasi bahwa sesuatu yang Andre Branzi dan Michele de Lucchi sebut sebagai Estetika Penderitaan dalam berbagai pendekatan dan gaya desain, telah ada dalam karya desain interior. Hasil penelitian menunjukkan bahwa dalam bentuk tidak langsung, konsep penderitaan dalam berbagai pendekatan dan gaya desain ada atau direpresentasikan dalam karya desain interior gaya industrial yang selain menggunakan material bernuansa pabrik tua, secara simbolik menunjukkan unsur penderitaan. Kata Kunci: estetika, estetika penderitaan, lingkungan sosial, desain interior
KONSEP KEINDAHAN BUDAYA RUPA DALAM NASKAH SUNDA KUNO Dr. Jamaludin M,Ds
Jurnal Budaya Nusantara Vol 1 No 2 (2018): NUSANTARA & KONTEMPORER
Publisher : Universitas PGRI Adi Buana Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36456/b.nusantara.vol1.no2.a1571

Abstract

Some ancient Sundanese texts that have been traced are Sewaka Darma (kropak 408) which contains theconcept of visual beauty (appearance) in various contexts ie place or environment in the form of a garden by making the composition or composition of various types of plants both flowering and which is not. The diversity of ornamental plants is characterized among others by the shape of the leaves, the shape and color of flowers, and the height of each plant. The beauty in a metaphysical context is also found in relation to death. Death is a perfect beauty. The image of beauty of the palace and the state of heaven or of the gods is depicted in the form of a palace construction which uses precious metals of gold, silver, as well as metals such as iron which are processed into beauty. Some ancient Sundanese texts that have been traced are Sewaka Darma (kropak 408) which contains the concept of visual beauty (appearance) in various contexts ie place or environment in the form of a garden by making the composition or composition of various types of plants both flowering and which is not. The diversity of ornamental plants is characterized among others by the shape of the leaves, the shape and color of flowers, and the height of each plant. The beauty in a metaphysical context is also found in relation to death. Death is a perfect beauty. The image of beauty of the palace and the state of heaven or of the gods is depicted in the form of a palace construction which uses precious metals of gold, silver, as well as metals such as iron which are processed into beauty.
EXAMINING THE SYMBOLIC MEANING OF AL JABBAR GRAND MOSQUE IN BANDUNG J. Jamaludin; Imam Santosa; Juarni Anita
Journal of Islamic Architecture Vol 7, No 4 (2023): Journal of Islamic Architecture
Publisher : Department of Architecture, Faculty of Science and Technology, UIN Maliki Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/jia.v7i4.21256

Abstract

This paper discusses the formal and symbolic aesthetic meaning of the Al Jabbar Grand Mosque, a new mosque in Bandung, Indonesia, designed by Ridwan Kamil. Like Ridwan Kamil's previous works, the Al Jabbar mosque in Bandung has a contemporary design. The general concept of the architect in designing this mosque has been published in the mass media, and the public already knows the design idea of the mosque. However, there are still features within the mosque that need to be described and analyzed so that the general public can understand the architect's intention. This paper proposes answers through interpretation methods with a descriptive analysis approach to understand the symbolic meaning of the new features of the mosque. The symbolic aesthetic used in the analysis uses symbolic aesthetics from the culture of the Sundanese people, one of the ethnic groups in Indonesia, which is geographically the cultural background where the mosque was built. The analysis found that the meaning the mosque forms, apart from having a bond of meaning with the mosque, also has a bond of meaning with the local culture. The architect made it differently with the spirit of novelty to enrich Islamic architecture and design treasures.
PERANCANGAN HOTEL BUTIK THE HOUSE TOUR BANDUNG DENGAN PENDEKATAN GAYA DESAIN INTERIOR POP ART Stela Amabel; Jamaludin Jamaludin
Narada : Jurnal Desain dan Seni Vol 10, No 2 (2023)
Publisher : Universitas Mercu Buana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22441/narada.2023.v10.i2.008

Abstract

This paper explores the fusion of Pop Art and the hospitality business in the context of designing a boutique hotel with a vibrant and energetic atmosphere. Pop Art, a revolutionary artistic movement of the 20th century, with its bold colors, dynamic patterns and iconic imagery, has made a strong impact on various domains, including interior design. The aim of this paper is to design a boutique hotel by integrating Pop Art principles to provide a new experience to hotel guests. This article explores key elements of Pop Art, such as vibrant color palettes, graphic patterns, and iconic references, and illustrates how these elements can be blended in balance into a boutique hotel interior space. This design model paper discusses the importance of creating a cohesive visual narrative that pays homage to the Pop Art movement while maintaining a sophisticated and contemporary feel. The method used is design exploration and experimentation, namely trying to integrate Pop Art into hotel spaces and the potential challenges and considerations when implementing Pop Art designs in a hospitality environment, including balance, functionality, and comfort. Through exploring the case study of The House Tour Bandung, this paper hopes to provide inspiration and guidance for designers, hoteliers, and art enthusiasts interested in creating a truly unique and immersive Pop Art-inspired boutique hotel.
Co-Authors Anwar Subkiman Imam Santosa Juarni Anita Stela Amabel