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All Journal Jurnal Onoma: Pendidikan, Bahasa, dan Sastra Journal Evaluation in Education (JEE)
Agustan Agustan
Tadulako University
Education Languange, Linguistic, Communication & Media Social Sciences Other

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Ethnosemiotic Analysis of Verbal and Nonverbal Symbols in Torompio Traditional Dance of the Pamona Ethnic Group, Central Sulawesi Meilyn Wowor; Syamsuddin Syamsuddin; Agustan Agustan; Ida Nuraeni
Journal Evaluation in Education (JEE) Vol 7 No 1 (2026): January
Publisher : Cahaya Ilmu Cendekia Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37251/jee.v7i1.2288

Abstract

Purpose of the study: This study aims to analyze the verbal and nonverbal symbols in the Torompio traditional dance of the Pamona ethnic group in Central Sulawesi. It seeks to interpret the cultural meanings embedded in its movements, lyrics, costumes, and music through an ethnosemiotic approach to reveal the moral, social, and spiritual values reflected in the dance. Methodology: This study employed a qualitative descriptive method with an ethnosemiotic approach, integrating ethnography and semiotics. Data were collected through observation, semi-structured interviews, and documentation using audio-visual tools such as cameras and recorders. Supporting data were analyzed using an interactive model of data reduction, display, and conclusion drawing with reference to Miles and Huberman. Main Findings: The study found that verbal symbols in the Torompio dance such as traditional chants and lyrics express love, respect, and harmony, while nonverbal symbols such as gestures, movements, costumes, and colors represent unity, spirituality, and cultural identity. These symbols together form a semiotic system reflecting Pamona philosophical values of balance, modesty, and social harmony in human relationships and cultural life. Novelty/Originality of this study: This study offers a new ethnosemiotic interpretation of the Torompio traditional dance, highlighting its dual role as an artistic performance and a medium of cultural communication. By revealing how verbal and nonverbal signs convey moral, spiritual, and social meanings, it advances understanding of Indonesian traditional arts as living semiotic systems that preserve local wisdom and identity.
Representasi Model Perma Martin Seligman dalam Novel Dompet Ayah Sepatu Ibu Karya J.S Khairen: Kajian Antro-Psikosastra Nur Ratmi; Agustan Agustan; Ulinsa Ulinsa; Gazali Gazali; Juniati Juniati
Jurnal Onoma: Pendidikan, Bahasa, dan Sastra Vol. 12 No. 2 (2026): Penulis pada Edisi ini Terdiri dari Tiga (3) Negara: Indonesia, Taiwan dan Jor
Publisher : Universitas Cokroaminoto Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30605/0kdybn08

Abstract

Penelitian ini bertujuan mendeskripsikan representasi model PERMA Martin Seligman dan menjelaskan fungsinya dalam membangun kesejahteraan psikologis tokoh-tokoh dalam novel Dompet Ayah Sepatu Ibu karya J.S. Khairen melalui perspektif antro-psikosastra. Pendekatan antro-psikosastra digunakan untuk menganalisis keterkaitan antara dimensi psikologis dan nilai-nilai budaya Minangkabau yang melandasi perilaku tokoh. Penelitian ini menggunakan metode kualitatif dengan teknik baca-catat dan dokumentasi terhadap teks novel serta analisis data berdasarkan model interaktif Miles, Huberman, dan Saldaña. Hasil penelitian menunjukkan bahwa kelima elemen model PERMA, yaitu Positive Emotion, Engagement, Relationship, Meaning, dan Accomplishment, direpresentasikan secara jelas melalui tindakan, dialog, dan pengalaman batin tokoh utama. Nilai-nilai budaya seperti religiusitas, kerja keras, cinta keluarga, dan tanggung jawab sosial berperan penting dalam membentuk kesejahteraan psikologis tokoh. Model PERMA dalam novel ini berfungsi untuk menegaskan bahwa kebahagiaan manusia tidak hanya bersifat individual, tetapi juga merupakan hasil interaksi antara aspek emosional, sosial, dan kultural. Kajian ini memperluas penerapan teori psikologi positif dalam konteks sastra Indonesia dan memberikan pemahaman bahwa kesejahteraan psikologis bersifat kontekstual serta berakar pada kearifan lokal.
Ethnosemiotic Analysis of Verbal and Nonverbal Symbols in Torompio Traditional Dance of the Pamona Ethnic Group, Central Sulawesi Meilyn Wowor; Syamsuddin Syamsuddin; Agustan Agustan; Ida Nuraeni
Journal Evaluation in Education (JEE) Vol 7 No 1 (2026): January
Publisher : Cahaya Ilmu Cendekia Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37251/jee.v7i1.2288

Abstract

Purpose of the study: This study aims to analyze the verbal and nonverbal symbols in the Torompio traditional dance of the Pamona ethnic group in Central Sulawesi. It seeks to interpret the cultural meanings embedded in its movements, lyrics, costumes, and music through an ethnosemiotic approach to reveal the moral, social, and spiritual values reflected in the dance. Methodology: This study employed a qualitative descriptive method with an ethnosemiotic approach, integrating ethnography and semiotics. Data were collected through observation, semi-structured interviews, and documentation using audio-visual tools such as cameras and recorders. Supporting data were analyzed using an interactive model of data reduction, display, and conclusion drawing with reference to Miles and Huberman. Main Findings: The study found that verbal symbols in the Torompio dance such as traditional chants and lyrics express love, respect, and harmony, while nonverbal symbols such as gestures, movements, costumes, and colors represent unity, spirituality, and cultural identity. These symbols together form a semiotic system reflecting Pamona philosophical values of balance, modesty, and social harmony in human relationships and cultural life. Novelty/Originality of this study: This study offers a new ethnosemiotic interpretation of the Torompio traditional dance, highlighting its dual role as an artistic performance and a medium of cultural communication. By revealing how verbal and nonverbal signs convey moral, spiritual, and social meanings, it advances understanding of Indonesian traditional arts as living semiotic systems that preserve local wisdom and identity.
Co-Authors Gazali Gazali Ida Nuraeni Juniati Juniati Meilyn Wowor Nur Ratmi Syamsuddin Syamsuddin Ulinsa, Ulinsa