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All Journal Gunung Djati Conference Series
Muhammad Haritsah Rais
UIN Sunan Gunung Djati Bandung
Religion Agriculture, Biological Sciences & Forestry Biochemistry, Genetics & Molecular Biology Chemical Engineering, Chemistry & Bioengineering Chemistry Computer Science & IT Economics, Econometrics & Finance Education Energy Engineering Environmental Science Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Mathematics Other

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The Social Criticism in the Film Capernaum by Nadine Labaki Through Charles Sanders Peirce’s Semiotic Framework Muhammad Haritsah Rais; Rohanda Rohanda
Gunung Djati Conference Series Vol. 55 No. 1 (2025): International Conference on Language Learning and Literature (ICL3)
Publisher : UIN Sunan Gunung Djati Bandung

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Abstract

Film has the ability to convey implicit messages through its visual imagery. Capernaum, therefore, presents various forms of criticism, values, and norms. Directed by Nadine Labaki, this film portrays powerful messages of humanity and offers sharp social criticism in response to the realities faced by marginalized communities in large cities. The purpose of this study is to examine the social criticism presented in the film Capernaum. This research employs a qualitative descriptive method, as well as a quantitative approach, based on Charles Sanders Peirce’s semiotic theory. The researcher will carefully select specific scenes that reflect the concept of self-meaning. These scenes will then be analyzed in terms of their meaning through the components of sign, object, and interpretant as found in the film. The findings of this research reveal that Capernaum contains various forms of social criticism, including criticism of child exploitation, structural poverty, social class inequality, domestic violence, and the involvement of children in drug trafficking
Religious Values in the Diwan of Imam Syafi'i: A Semiotic Analysis by Charles Sanders Pierce Muhamad Naufal Rizky; Muhammad Haritsah Rais; M. Rosyid Ridho
Gunung Djati Conference Series Vol. 62 (2026): Education and Social Humanities Conference (ESHCo)
Publisher : UIN Sunan Gunung Djati Bandung

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This research focuses on analyzing the semiotic meaning of Charles Sanders Peirce which includes icons, indexes, and symbols constructed in the religious values of Diwan Imam Syafi'i. This study used a descriptive qualitative method. The object of research is several verses in Syarah Diwan Imam Syafi'i containing religious values related to aqidah, sharia, and morals. The results of the study concluded: The religious values found in Diwan Imam Syafi'i are represented through three main aspects, namely (1) Surrendering to Allah which reflects the value of faith in destiny and tawakkal, (2) Knowledge as the Light of Allah which emphasizes the importance of maintaining oneself from sin so that knowledge can be accepted properly, and (3) Noble Moral Behavior which includes qana'ah (contentment), humility, sincerity, and honesty. The meanings of icons, indexes, and symbols in the verses clearly show the relationship between literary expressions and spiritual teachings in Islam. The myths in Diwan Imam Syafi'i are depicted as symbols related to spiritual learning used in various verses.
Co-Authors M. Rosyid Ridho Muhamad Naufal Rizky Rohanda Rohanda