Nurul Hafizoh
UIN Sunan Ampel Surabaya

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Digital Patriarchy and the Silencing of the Female Voice: A Critical Discourse Analysis of Hadith on Instagram Nurul Hafizoh
Journal of Digital Islamic Thought Vol. 1 No. 1 (2026): June
Publisher : Zamzami Scholar Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.64685/JDIT.2026.1.1.24-55

Abstract

This article interrogates the discursive construction of the female voice as ‘awrah within digital da’wah, specifically analyzing the Instagram account @thesunnah_path. Utilizing Norman Fairclough’s Critical Discourse Analysis (CDA), synthesized with the Mubādalah (reciprocity) hermeneutic, the study examines how religious authority and patriarchal ideologies are reproduced through social media. The analysis of text, discursive practices, and social structures reveals that theological terms such as fitnah (temptation) and obedience are instrumentalized to legitimize the domestication of women. This phenomenon represents a form of “digital patriarchy” that operates through language and algorithms to silence female agency. Conversely, the Mubādalah approach offers an egalitarian reinterpretation, positing the female voice as a medium for spiritual and intellectual expression rather than a source of moral corruption. Ultimately, this research underscores the urgency of deconstructing hegemonic narratives to restore gender justice and human-centric values to contemporary Islamic digital discourse.
Digital Pranks and Islamic Ethics: A Critical Discourse Study of Aa Gym and Hadith on Humor Nurul Hafizoh; Mukhammad Zamzami; Muhammad Lutfi; Wael Hegazy
AL-TAHRIR Vol 25 No 2 (2025): Islamic Studies
Publisher : UIN Kiai Ageng Muhammad Besari Ponorogo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21154/altahrir.v25i2.11616

Abstract

The phenomenon of pranks on social media has developed into a form of entertainment that is fraught with ethical and moral issues, especially when carried out without considering the psychological impact on the victims. Although it often receives positive responses from netizens, this type of content essentially indicates a tolerance for symbolic violence in the digital space. This article analyzes Abdullah Gymnastiar’s (Aa Gym) critical response to prank practices from an Islamic ethical perspective, which was uploaded to Aa Gym’s YouTube account on May 9, 2022, entitled “Celakanya Prank yang Mendzolimi Orang Lain-kajian singkat Aa Gym”, with reference to the hadith of the Prophet Muhammad about joking, particularly in Sunan Abī Dāwūd. This study uses Norman Fairclough’s Critical Discourse Analysis approach through three stages: (1) text analysis as a representation of something that contains a certain ideology because it wants to see how reality is formed in the text to identify lexical, sentence structure, rhetorical style, and intonation; (2) discourse practice analysis to understand the context of the production and dissemination of the message in digital media, and (3) socio-cultural practice analysis to relate the findings to Islamic ethical norms and the dynamics of online humor culture. This study explores the construction of language, moral values, and religious norms in Aa Gym’s digital dakwah content and its implications for public understanding of ethical boundaries in online humor culture. The analysis reveals that Aa Gym emphasizes the importance of responsible humor that entertains without hurting or degrading others. This study underscores the importance of ethical reflection on digital humor practices and the need to reevaluate the boundaries of decency in jokes. Thus, this article contributes to the discourse on media ethics and contemporary da‘wah, while highlighting the relevance of Islamic norms in responding to the challenges of popular culture in the digital age.