Bercadik: Jurnal Pengkajian dan Penciptaan Seni
Vol 4, No 2 (2017): Bercadik: Jurnal Pengkajian dan Penciptaan Seni

LIMINALITY DALAM PENCIPTAAN MUSIK PROGRAMA

Janeru Kennedy (Institut Seni Indonesia Padangpanjang)
Awerman Awerman (Institut Seni Indonesia Padangpanjang)
IGN Wiryawan Budhiana (Institut Seni Indonesia Padangpanjang)



Article Info

Publish Date
29 Oct 2017

Abstract

ABSTRACT The music entitled “Liminality” is inspired by author’s anxiety toward a phenomenon of liminality between the idealism of classical music (western) and traditional music (eastern) that each of them has the strength on its composition technique and discipline. This musical creation represents the condition of liminality materialized into music composition.            This music composition is composed of three parts of orchestra style that consist of traditional idioms conveyed through the conventional method of western music. Pra Liminal describes a self-identity (tradition). Liminal describes ambiguity, and then Post Liminal is the achievement of a new identity that does not eliminate old identity. Keywords: Liminality, Pra Liminal, Liminal, Post Liminal, Traditional, Western Music 

Copyrights © 2017






Journal Info

Abbrev

Bercadik

Publisher

Subject

Arts Humanities

Description

Bercadik: Jurnal Pengkajian dan Penciptaan Seni adalah publikasi ilmiah akses terbuka multidisiplin, yang diterbitkan oleh Program Pasca Sarjana Institut Seni Indonesia Padangpanjang, bekerja sama dengan Lembaga Penelitian Pengabdian Pada Masyarakat dan Pengembangan Pendidikan (LPPMPP) ISI ...