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Janeru Kennedy
Institut Seni Indonesia Padangpanjang
Arts Humanities

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LIMINALITY DALAM PENCIPTAAN MUSIK PROGRAMA Janeru Kennedy; Awerman Awerman; IGN Wiryawan Budhiana
Bercadik: Jurnal Pengkajian dan Penciptaan Seni Vol 4, No 2 (2017): Bercadik: Jurnal Pengkajian dan Penciptaan Seni
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (130.432 KB) | DOI: 10.26887/bcdk.v4i2.566

Abstract

ABSTRACT The music entitled “Liminality” is inspired by author’s anxiety toward a phenomenon of liminality between the idealism of classical music (western) and traditional music (eastern) that each of them has the strength on its composition technique and discipline. This musical creation represents the condition of liminality materialized into music composition.            This music composition is composed of three parts of orchestra style that consist of traditional idioms conveyed through the conventional method of western music. Pra Liminal describes a self-identity (tradition). Liminal describes ambiguity, and then Post Liminal is the achievement of a new identity that does not eliminate old identity. Keywords: Liminality, Pra Liminal, Liminal, Post Liminal, Traditional, Western Music 
Co-Authors Awerman Awerman IGN Wiryawan Budhiana