IGN Wiryawan Budhiana
Institut Seni Indonesia Padangpanjang

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LIMINALITY DALAM PENCIPTAAN MUSIK PROGRAMA Janeru Kennedy; Awerman Awerman; IGN Wiryawan Budhiana
Bercadik: Jurnal Pengkajian dan Penciptaan Seni Vol 4, No 2 (2017): Bercadik: Jurnal Pengkajian dan Penciptaan Seni
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (130.432 KB) | DOI: 10.26887/bcdk.v4i2.566

Abstract

ABSTRACT The music entitled “Liminality” is inspired by author’s anxiety toward a phenomenon of liminality between the idealism of classical music (western) and traditional music (eastern) that each of them has the strength on its composition technique and discipline. This musical creation represents the condition of liminality materialized into music composition.            This music composition is composed of three parts of orchestra style that consist of traditional idioms conveyed through the conventional method of western music. Pra Liminal describes a self-identity (tradition). Liminal describes ambiguity, and then Post Liminal is the achievement of a new identity that does not eliminate old identity. Keywords: Liminality, Pra Liminal, Liminal, Post Liminal, Traditional, Western Music 
BULEAN: KOMPOSISI MUSIK ORKESTRA Weldi Syaputra; Wilma Sriwulan; IGN Wiryawan Budhiana
Bercadik: Jurnal Pengkajian dan Penciptaan Seni Vol 3, No 2 (2016): Bercadik: Jurnal Pengkajian dan Penciptaan Seni
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (136.355 KB) | DOI: 10.26887/bcdk.v3i2.552

Abstract

ABSTRACT Musical work called Bulean, an Orchestra Music Composition, is a descriptive programa music. It is inspired by phenomenon occurred on healing ceremony of Talang Mamak tribe in Indragiri Hulu District, Riau. This creation aims at making a programa music that’s able to express phenomenon occurred on Bulean ceremony by using the approach of Western music convention in Orchestra format. This work divided into three parts namely menginang in part I, berentak in part II, and maranung in part III. Keywords: Bulean, menginang, berentak, maranung