<![CDATA[Abstract The key work in the issue of women's rights, individuality, and sisterly love in the 19th century, Louisa May Alcott's Little Women (1868–1869), follows three sisters' following their dreams while facing societal norms during the Civil War: Jo, Meg, Beth, and Amy. The novel critiques strict gender roles via Jo March, who challenges norms by becoming a writer, highlighting Alcott's feminist view. This paper examines Little Women’s relevance today through adaptations, particularly Greta Gerwig's 2019 film, reflecting current cultural values. Thematic shifts in the approaches to feminism, family, and social norms are discussed in the paper. Each adaptation represents its sociohistorical context, from conservatism in the 1933 film to the feminist critique so bodily expressed by Gerwig. The conclusion confirms the status of Little Women as an active cultural reference of continuous debates on women's independence, equity, and identity. Alcott's story about how one sisterly family struggles through to success and self-determination really denotes an emerging feminist discourse. Little Women is such an important document in helping to shape emerging feminist discussions that it manages to be a part of both literature and culture.]]>
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