This study aims to describe the organology of the slompret used by Abah Tetimo and to analyze the playing techniques he employs in Binjai City. This study employs a qualitative method with a descriptive-analytical and ethnomusicological approach. Data were collected through participatory observation, in-depth interviews, and audio-visual documentation. The findings reveal that: (1) the slompret is classified as an aerophone under the Hornbostel-Sachs system (423.121, end-blown flute), constructed from bamboo, wood, stainless steel, and coconut shell or lontar palm, measuring 60–80 cm with five tone holes producing a loud and penetrative sound; (2) Abah Tetimo's playing technique encompasses five integrated dimensions: body posture with 30–60 degree elevation; diaphragmatic breath control including circular breathing; embouchure with 2–5 mm lip aperture; five-hole fingering with overblowing; and articulation comprising single tonguing, double tonguing, and legato.
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