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Yoe Anto Ginting
Universitas Sumatera Utara
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Deskripsi Kajian Organologi Teknik Pembuatan dan Teknik Permainan Alat Musik Uyup-uyup Yosia Manik; Fadlin Fadlin; Yoe Anto Ginting
Jurnal Pendidikan dan Penciptaan Seni Vol 6, No 1 (2026): Jurnal Pendidikan dan Penciptaan Seni - Mei
Publisher : Mahesa Research Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34007/jipsi.v6i1.998

Abstract

Uyup-uyup merupakan alat musik tradisional warisan budaya masyarakat Mandailing yang dibuat dari batang padi (batang ni eme) dengan lilitan daun kelapa muda berbentuk kerucut sebagai resonator. Instrumen ini berfungsi sebagai hiburan bagi para petani saat beristirahat di sawah pada masa panen. Penelitian ini bertujuan untuk mendeskripsikan proses pembuatan serta teknik permainan uyup-uyup. Metode yang digunakan adalah deskriptif kualitatif melalui observasi, kerja lapangan, wawancara, dokumentasi, dan kerja laboratorium. Landasan teori mengacu pada pendekatan struktural dan fungsional Khasima Susumu, serta klasifikasi alat musik berdasarkan sumber bunyi menurut Curt Sach dan Horn Bostel. Proses pembuatan meliputi pemilihan bahan, penggunaan alat, pengukuran komponen, pembentukan, hingga tahap penyelesaian (finishing) untuk menghasilkan instrumen yang presisi. Teknik dasar permainannya mencakup tiupan mulut untuk menghasilkan bunyi serta teknik penjarian dengan membuka dan menutup lubang resonator guna mengatur nada. 
Kajian Organologi dan Teknik Permainan Slompret Jawa Oleh Abah Tetimo di Kota Binjai Indra Yosia Surbakti; Yoe Anto Ginting; Rahmatika Luthfiana Sholikhah
Jurnal Pendidikan dan Penciptaan Seni Vol 6, No 1 (2026): Jurnal Pendidikan dan Penciptaan Seni - Mei
Publisher : Mahesa Research Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34007/jipsi.v6i1.1145

Abstract

This study aims to describe the organology of the slompret used by Abah Tetimo and to analyze the playing techniques he employs in Binjai City. This study employs a qualitative method with a descriptive-analytical and ethnomusicological approach. Data were collected through participatory observation, in-depth interviews, and audio-visual documentation. The findings reveal that: (1) the slompret is classified as an aerophone under the Hornbostel-Sachs system (423.121, end-blown flute), constructed from bamboo, wood, stainless steel, and coconut shell or lontar palm, measuring 60–80 cm with five tone holes producing a loud and penetrative sound; (2) Abah Tetimo's playing technique encompasses five integrated dimensions: body posture with 30–60 degree elevation; diaphragmatic breath control including circular breathing; embouchure with 2–5 mm lip aperture; five-hole fingering with overblowing; and articulation comprising single tonguing, double tonguing, and legato.
Kajian Organologi Genderang Sisibah Buatan Bapak Atur Pandapotan Solin Rodo Andreas Panjaitan; Heristina Dewi; Yoe Anto Ginting; Rithaony Hutajulu; Hubari Gulo
Jurnal Mebang: Kajian Budaya Musik dan Pendidikan Musik Vol. 6 No. 1 (2026)
Publisher : Program Studi Etnomusikologi, Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/mebang.v6i1.239

Abstract

This study describes the technique of making the traditional musical instrument Sisibah Drum preserved by Mr. Atur Pandapotan Solin at the Ninanola Studio, Sukaramai Village, Pakpak Bharat Regency. Sisibah Drum is a traditional musical instrument originating from the Pakpak tribe. This musical instrument is classified as a struck membranophone (a musical instrument whose sound source comes from skin or membrane that is played by being hit). Sisibah Drum has spiritual value and social function in carrying out traditional ceremonies such as Kerja Mbaik and Kerja Njahat. This study aims to examine and describe in depth the process of making Sisibah Drum, including its physical structure, materials and tools used, and the role of this music in the cultural life of the Pakpak people. The method used is a descriptive qualitative approach with data collection techniques through participatory observation, in-depth interviews, and visual documentation. The theoretical framework includes the organological theory of Sushumu Kashima to examine the physical and structural aspects of the instrument, the Sachs-Hornbostel classification used in classifying instrument types, and the theory of musical function according to A.P. Merriam. The results of this study indicate that the Sisibah Drum is still made using traditional methods and techniques that are still used today. Local materials used in the Sisibah Drum making process consist of several types, such as Mbrabas wood, coffee wood, and animal skin. The stages used start from material selection, forming the instrument body, installing the membrane, and tuning the sound. In addition to being a musical instrument, the Sisibah Drum also functions as a means of spiritual communication and a symbol of the Pakpak tribe's cultural identity. The Ninanola Studio plays an active role in  preserving the Sisibah Drum musical instrument to this day.
Co-Authors Fadlin Fadlin Gulo, Hubari Heristina Dewi, Heristina Hutajulu, Rithaony Indra Yosia Surbakti Rahmatika Luthfiana Sholikhah Rodo Andreas Panjaitan Yosia Manik