<![CDATA[This study examines the philosophical meanings of the raga tradition within the Sasak death ritual in Lenek Village, East Lombok, and explains its socio-cultural values and continuity amid social change. A qualitative approach with an ethnographic method was employed to understand raga from the perspective of community members as cultural actors. Data were collected through participatory observation, in-depth interviews, and documentation. Informants were selected purposively and included customary leaders, religious leaders/Tuan Guru, bereaved families, raga craftsmen, and community leaders. Data were analyzed interactively through data condensation, data display, and conclusion drawing and verification. Data credibility was strengthened through source and technique triangulation and confirmation with informants. The findings indicate that raga is a cultural object that functions simultaneously as a symbol and a socio-religious medium. Woven bamboo represents flexibility, steadfastness, unity, and interpersonal relationships; rice represents the source of life and purity of intention; mature coconuts with water symbolize maturity, usefulness, coolness, and the continuity of prayer; while fruits, natural products, and traditional foods represent fertility, blessings, welfare, cultural identity, and charity for the deceased. The production and implementation of raga strengthen mutual cooperation, solidarity, social concern, collective responsibility, respect, and the transmission of norms and ethics. The findings also show that social change has primarily altered technical aspects rather than the core meanings of the tradition. Thus, raga can be understood as a cultural symbol connecting Sasak views of life and death with social solidarity and collective identity.]]>
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