<![CDATA[The blacksmiths in Sungai Pinang Village—known to this day as the central village of blacksmithing—play a vital role in preserving the machete as an integral part of the social and cultural fabric of Banjar society. This study aims to analyze the social construction of the machete’s existence and the role of blacksmiths in society. This study employs a descriptive qualitative approach based on Peter L. Berger’s theory of social construction, utilizing three stages—externalization, objectification, and internalization—as the analytical framework. Data were collected through observation, semi-structured interviews, and documentation. The results of the study indicate that traditional parang-making techniques, the process of skill transmission, and community acceptance shape the cultural identity of the people of Hulu Sungai Selatan. The parang serves not only as a tool but is also present in various traditions, such as manangguhi wasi, marajahi parang, parang gagaman, mamandii parang, and salamatan wasi. The transmission of iron-forging skills is carried out by directly involving prospective blacksmiths in the practice—a strategy designed to ensure that the quality of traditional parangs is maintained and does not disappear. This study contributes to broadening the sociological understanding of the social construction of the blacksmith’s role in creating parangs and shaping Banjar culture. Further research is recommended to explore traditional economic aspects, the development of industries based on local wisdom, and gender issues within the blacksmith community.]]>
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