<![CDATA[The Janeng Jaya Lestari group is a Javanese shalawat fusion art form maintained by the people of Karya Jaya Village, Samboja. To overcome stagnation, they combine tambourine and jaipong drums. This research uses descriptive qualitative methods with observation, data collection, and data analysis techniques. The results discuss the development of Janeng music with tambourine and jaipong drum patterns, as well as conservation in the Janeng Jaya Lestari Group. The musical analysis uses Rahayu Supanggah's garap approach, including garap material and garap prabot. Garap material includes the transcription of poor percussive rhythmic patterns from the combination of kendang ciblon, kendang jaipong, and tambourine so that it is divided into two song parts to combine the three main instruments. Prabot garap includes musical ideas from the three main instruments that have different tools or imaginations based on different references and artistic experiences. The non-musical realm finds conservation through the principles of sustainability, consensus and participation. This sustainability includes the regeneration of members in the Janeng Jaya Lestari Group. Consensus is the group's agreement to conduct joint training as a process of Janeng art conservation. Participation is an effort to involve Karya Jaya village institutions, the community and the ngapak association who support the preservation of Janeng art in Karya Jaya Village in various activities and events.]]>
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