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Journal of Language and Literature

JOLL
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Published by Universitas Sanata Dharma

ISSN : 14105691 EISSN : 25805878 DOI : https://doi.org/10.24071/joll

Core Subject : Humanities, Education, Art,

Arts Humanities Languange, Linguistic, Communication & Media

Journal of Language and Literature presents articles on the study of language and literature. Appropriate topics include studies on language, translation, and literary texts. To be considered for publication, articles must be in English.

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Articles 20 Documents

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Search results for , issue "Vol 22, No 2 (2022): October" : 20 Documents clear

Fashioning The Gays: A Representation Study on the Gay Protagonists in the 2000s Gay-themed American TV Series Rudy Rudy; Galant Nanta Adhitya
Journal of Language and Literature Vol 22, No 2 (2022): October
Publisher : Universitas Sanata Dharma

This study focuses on the relationship between fashion and the gay community by observing the 2000s American TV series with gay characters as the protagonists. It intends to explain the way fashion is portrayed and its significance for gay culture. It can contribute to theory enrichment in cultural, literary and media studies. It would also increase people’s knowledge about fashion in and for the gay culture. This research incorporated the main data in the form of dialogues as well as pictures of scenes showing fashion worn by the gay characters obtained from Will Grace (1998-2006), Queer as Folk (2000-2005), Six Feet Under (2001-2005), and Some of My Best Friends (2001). By applying Hall’s representation theory to analyze the data, this study discovers that the gay protagonists in the 2000s gay-themed American TV series are portrayed as fashionable people, who think of fashion as their pride. However, the fashion used in portraying gay characters has shifted from the effeminate looks that are mostly composed of women’s clothes. Instead, they are still seen concerning with their appearance, but their exploration of fashion is sticking to men’s clothes. This portrayal has two essential significances for the gay community. It affirms the modish of their identity, while at the same time refusing the feminine stereotype.

An Extended Study on Tense and Aspect Markers in Pagu Dalan Mehuli Perangin Angin
Journal of Language and Literature Vol 22, No 2 (2022): October
Publisher : Universitas Sanata Dharma

This paper revisits four clitics of Pagu (a West-Papuan language spoken in North Halmahera, Indonesia) those that have been described as Tense and Aspect markers (Wimbish 1991): -oka, -ou -osi, and -uli. The first one is considered a tense marker for ‘non-future’ time, while the other three are aspect markers for ‘perfective’, ‘imperfective’, and ‘repetitive’ respectively. Following a metatypy approach (Ross 2006; 2001), I argue that while these clitics have the tense-aspect functions, at the same time under a unified analysis, each should have an extended function vis. a ‘locational marker of space and time’, ‘confirmative’, ‘durative’, and ‘repetitive presupposition marker’, respectively. These meanings and functions are based on the speakers’ interpretation of them in the local lingua franca (a variety of the North Maluku Malay). This supports Bowden’s (2012) argument that the indigenous languages of North Halmahera (Papuan) have influenced the present varieties of Malay spoken as the lingua franca in the region.

Gender, Language and Politics: the Representation of Theresa May on Twitter Umi Zakiyah; Ribut Wahyudi
Journal of Language and Literature Vol 22, No 2 (2022): October
Publisher : Universitas Sanata Dharma

The relationship between women leaders’ language, social media, and politics has been interesting to be discussed. However, there are lacks previous studies that examined the women leaders’ language and how the word choices represent women leaders on Twitter.Thus, this study aims to find out Theresa May’s language on Twitter and how those word choices represent herself as a woman leader. The data are taken from the tweets on Theresa May’s Twitter account over the last six months of her leadership reign (from January until July 2019), which focused on her crucial tweets about politics and leadership. The researchers adopted four theories to capture and analyze the data from different angles to produce the rich analysis of Theresa May’s word choices and representation on Twitter. The study revealed several word choices used by Theresa May into four categories: (1) announcement tweets, (2) attack/negative tweets, (3) personal characteristics, and (4) policy. Furthermore, the study also found that Theresa May utilized those word choices to represent herself as a political leader. She also used metaphors and pronouns to shape the desired representation. Furthermore, not all PDA elements by Fairclough Fairclough (2012) were employed due to the limited characters number on Twitter or other possible purpose(s). This study is beneficial to enrich the knowledge on how the use of language by woman leader is implicated within social and political contexts of a country. The Linguistics analysis on gender, language, and politics is another take away from this research.

Ludic Taunting: Does Taunting Work Differently in Video Games? SF Luthfie Arguby Purnomo; SF. Lukfianka Sanjaya Purnama; Lilik Untari; Agung Prasetyo Wibowo; Nabil Aqib; Yosse Vira Oktaviana
Journal of Language and Literature Vol 22, No 2 (2022): October
Publisher : Universitas Sanata Dharma

Studies on taunting in video game context tend to mull over around how players taunt other players via online chat features. Studies on how taunting works in games with in-game taunt features are under investigated. Examining twenty-seven gamestory-wise and gameplay-wise games, we argue, through this sociolinguistic study, that taunting designed for game characters is better termed ludic taunting since it has different functions from that of taunting in games with online chat feature and in real life. Ludic taunting has two major functions namely narrative and mechanical. The former which refers to taunting for game story-bound purposes is classified into archetyping, cameoing, and mythopoesing. The latter, for game play-bound purposes, is classified into buffing, cosmeticizing, cueing, debuffing, hinting, and rewarding. Game designers and scholars could employ this study as a reference in designing games with in-game taunt features.

Transcending Hegemonic Phallic-Culture and Imaginaries: Afropolitan Feminism and Relocation as an Emancipatory Metaphor Okwudiri Anasiudu
Journal of Language and Literature Vol 22, No 2 (2022): October
Publisher : Universitas Sanata Dharma

The representation of the struggles of contemporary African women from low-income/middle-class families, and their attempt at breaking free from the hold of such struggles have not gained much attention in the criticism of recent African novels. To bridge this research gap, this study interrogates Helon Habila‘s Travellers; NoViolet Bulawayo‘s We Need New Names; and Chimamanda Adichie‘s Americanah. It underscores the experiences of Darling, Ifemelu, and Mary, as existential struggles which allegorize real-life challenges of low-income/middle-class contemporary African women, and their attempt to break free from the bounds of such challenges aggravated by a hegemonic phallic culture and imaginaries. Adopting a qualitative content-based analytic method and a conceptual framework anchored on the conflated term Afropolitan-feminism; the study demonstrates how the characters’ dissatisfaction with patriarchal exertions and their local geography animated by limited existential opportunities spurred their desire to relocate outside Africa. Importantly, their relocation constitutes a signature of action which could be read as an emancipatory metaphor for transcending those hegemonic structures, norms, worldviews, and imaginaries which militate against twenty-first-century African women's quest for agency.

Cultural Appropriation of Asian Cuisines in Western Chefs’ Cooking Videos: An Audience Reception Mochammad Ferry Subagya; Pratiwi Retnaningdyah
Journal of Language and Literature Vol 22, No 2 (2022): October
Publisher : Universitas Sanata Dharma

The globalization era eliminates borders between cultures, making people mistakenly know cultural appropriation with cultural appreciation when recreating or adopting specific cultures outside their own. Examples of cultural appropriation are seen in Uncle Roger's reactional videos of the five western chefs recreating Asian dishes inaccurately. This study intends to improve the awareness of cultural appropriation by communicating cultural appropriation characteristics through videos and unveiling the harmful effects of cultural appropriation on the targeted culture. This study uses multimodal analysis to discover the inaccurate elements in the cooking videos and audience reception analysis to show audience response to cultural appropriation and its harmful effect based on James O. Young's cultural appropriation theory. The findings highlight three main elements that are presented inaccurately in the videos: (1) the kitchen utensils, (2) ingredients and seasonings, and (3) the cooking method. Spotlighting the inappropriate representation of Asian food by the five western chefs attracts massive protests toward them led by Uncle Roger. There are numerous responses from netizens who agree with Uncle Roger about the inaccurate food adaptation and find the harmful effect of cultural appropriation that gives misrecognition and bad stereotypes of Asian cuisine. Based on the previous response, the cooking videos by five western chefs are also classified as cultural exploitation because they received massive engagement and did not plan to revise their recipes.

Reification of Bourgeois Ideology in Bhattarai’s Muglan Bimal Kishore Shrivastwa
Journal of Language and Literature Vol 22, No 2 (2022): October
Publisher : Universitas Sanata Dharma

This paper aims to explore how innocent Nepali youths reify the elitist bourgeois ideology of the Nepalese society that forces them to go to Muglan, a term, denoting foreign country for Nepali people, and confront unexpected blows there in Govinda Raj Bhattarai’s novel, Muglan. Reification signifies the ideology and perception of people residing in a capitalist society. The study of the impact of reification demonstrates the reality of a society. Bhattarai is critical to the way Sutar Kanchha, the protagonist of the novel, obsessed with the dominant capitalist ideology, goes to Bhutan to earn. But he gets robbed there and he is forced to do tough physical labor like an animal. To survey terrific effects of the dominant capitalist ideology of the Nepalese society over the life of the poor Nepali people, the research paper applies neo-Marxist insights, with special focus on Louis Althusser and Antonio Gramsci. The chief finding is that Bhattarai is critical to persisting capitalist ideology of the Nepalese society that forces innocent Nepali youths to leave their country just for survival. But, in turn, they get robbed and are compelled to work like slaves in the cruel Muglan. It is expected that researchers intending to explore on Nepali literature from the neo-Marxist perspective will find the paper a useful reference.

Cinderella Formula: The Romance Begins Hirmawan Wijanarka
Journal of Language and Literature Vol 22, No 2 (2022): October
Publisher : Universitas Sanata Dharma

As a type of formula fiction, a romance applies a fixed pattern of plot development, including the ending, which is always a happy one: celebrating the unification of the hero and heroine who previously struggled very hard against all obstacles threatening their mutual love. However, it does not mean that discussing the plot of romances is of no use. On the contrary, it is interesting to see how romance writers can create so many possibilities in the structure of the so-called formulaic plot. This study attempts to observe the benefit of characterization in the creation of these various structures of plot development. For this purpose, this study sets up two objectives. Firstly, the study observes the characterization of the hero and heroine as well as the construction of the plots. Secondly, the study points out the significance of characterization in driving the development of the plots. In the light of Cawelty's (1977) perspectives on literary formula and Radway's (1991) ideas about romance, this study concludes that the choice (i.e., the characterization) of "the hero and heroine" proves to be playing an essential role in the plot development. The gaps set between the hero and the heroine make it possible for the writers to develop various complicated plots, focusing on their relationship. Initially, it seems hard to match and unite the hero and the heroine in most romances. This fact, however, is the most crucial part of a romance. The struggles needed to overcome their problems will elicit more emotional conflicts and, thus, create more romantic suspense. The feeling of inferiority, jealousy, fear of losing the partner, and uncertainty about a deeper relationship is likely to occupy the heroine's (and sometimes the hero's) mind. And when they finally successfully overcome these problems, they will feel how great and strong their love is.

Power Relations and Social Classes in Pengakuan Pariyem by Linus Suryadi AG: Reflection of Masculine Ideology Rudi Ekasiswanto; Wisma Nugraha Christianto Richardus; Wening Udasmoro
Journal of Language and Literature Vol 22, No 2 (2022): October
Publisher : Universitas Sanata Dharma

The study aims to explore power relations and social classes as the reflections of the masculine ideology of the author in the novel Pengakuan Pariyem by Linus Suryadi AG. The theories implemented in the study are van Dijk’s power relations and social classes theory and Connell’s masculinity theory. The study is qualitative descriptive and applies the Critical Discourse Analysis (CDA) method, used to dismantle the ideology that is produced and reproduced through the language within the novel. The research data are lingual units that indicate power relations and social classes which simultaneously reflect the notion of masculinity. The results of the study are as follows. First, Pariyem as the central character in the novel lives within a hierarchical and dualistic Javanese society. Her submission as the babu (housemaid) of a priyayi (noble) family does not only lead Pariyem to be dominated symbolically, but also legitimizes the priyayi (aristocrats) power over wong cilik (commoners). It is reinforced by the representations of the priyayis’ world views in terms of culture, aristocracy, bureaucracy, and education orientation. It shows that priyayis are culturally dominant. Secondly, since Pariyem is a character created by a male author, her behaviors and actions reflect the ideology of masculinity. Rather than voicing women, the power relations that Pariyem experiences through the events constructed in the novel show that she embodies the masculine ideology, or masculinity.

Culture-based Animation: Inserting Indonesian Local Culture in Animation Series ‘Si AA’ Tira Nur Fitria
Journal of Language and Literature Vol 22, No 2 (2022): October
Publisher : Universitas Sanata Dharma

Indonesia offers many opportunities to use local culture’s potential in producing Indonesian animation. The greatest idea is to make an animation that is based on the characteristics of traditional or local arts from each region. This research analyzes the Indonesian local cultures inserted in the animation series Si Aa’ created by RANS Animation Studio. This research uses descriptive qualitative research. The documents are taken from 9 videos of the animation series “Si Aa” released in 2020 and 2021. The result analysis shows that there are 12 examples of Indonesian local culture in ‘Si Aa” animation series such as 1) Inserting a local language “Sundanese”, 2) Inserting local story (folklore) of Timun Emas, 3) Inserting regional Dance “Jaipong”, 4) Inserting regional musical instruments “Angklung”. 5) Inserting regional music instrument “Gamelan”. 6) Telling an Indonesian national hero “Kapitan Pattimura”. 7) Showing a palace building “Keraton”. 8) Inserting regional performing arts “Wayang Suket”. 9) Inserting regional Performing Arts “Ondel-ondel”. 10) Inserting traditional game “Gangsing”, 11) Inserting local handicraft “Tenun”, 12) Showing tourism place destination in Maluku, 13) Inserting local custom “Tandur”. Through animation, the creator conveys the local culture by recognizing and appreciating an Indonesian identity in their work. Initially, culture-based animation served simply as a means of Indonesian cultural preservation.

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Arina Isti'anah

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Fakultas Sastra, Universitas Sanata Dharma, Jl. STM Pembangunan, Mrican, Catur Tunggal, Depok, Sleman Yogyakarta 55281)

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Daerah istimewa yogyakarta

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Home Page

OAI Link

Editorial Team

Contact

Reviewer

Google Scholar

Contact Name Arina Isti'anah

Contact Email arina@usd.ac.id

Phone +6281578078000

Journal Mail Official -

Editorial Address Fakultas Sastra, Universitas Sanata Dharma, Jl. STM Pembangunan, Mrican, Catur Tunggal, Depok, Sleman Yogyakarta 55281)

Location Kab. sleman, Daerah istimewa yogyakarta INDONESIA

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Contact Name
Arina Isti'anah

Contact Email
arina@usd.ac.id

Phone
+6281578078000

Journal Mail Official
-

Editorial Address
Fakultas Sastra, Universitas Sanata Dharma, Jl. STM Pembangunan, Mrican, Catur Tunggal, Depok, Sleman Yogyakarta 55281)

Location
Kab. sleman,

Daerah istimewa yogyakarta

INDONESIA