MUDRA Jurnal Seni Budaya
AIMS The journal presents as a medium to share knowledge and understanding art, culture, and design in the area of regional, national, and international levels. In accordance with the meaning of the word “Mudra”, which is a spiritual gesture and energy indicator, it is hoped that the journal will be able to vibrate the breath of art knowledge to its audience, both academics, and professionals. The journal accommodates articles from research, creation, and study of art, culture, and design without limiting authors from a variety of disciplinary/interdisciplinary approaches such as art criticism, art anthropology, history, aesthetics, sociology, art education, and other contextual approaches. SCOPE MUDRA, as the Journal of art and culture, is dedicated as a scientific dialectic vehicle that accommodates quality original articles covering the development of knowledge about art, ideas, concepts, phenomena originating from the results of scientific research, creation, presentation of fine arts, performing arts and new media from researchers, artists, academics, and students covering areas of study: Performing Arts: dance, puppetry, ethnomusicology, music, theater,performing arts education, performing arts management Fine Arts: fine arts, sculpture, craft art, fine arts education,fine arts management, including new media arts Design: interior design, graphic communication design, fashion design,product design, accessories and/or jewelry design Recording Media : photography, film, television, documentary, video art, animation,game Culture : linguistic, architecture, verbal tradition, as well as other communal tradition The object of research is explored in a variety of topics that are unique, relevant, and contextual with environmental and sustainability aspects, local wisdom, humanity and safety factors. In addition to that, the topic of research needs to be original, creative, innovative, excellence, and competitive.
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Tata Letak Instrumen dalam Konteks Strategi Pengajaran dan Pertunjukan Musik Gamelan Bali di Canterbury University, New Zealand
I Made Kartawan;
Roger Buckton
Mudra Jurnal Seni Budaya Vol 37 No 4 (2022)
Publisher : Institut Seni Indonesia Denpasar
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DOI: 10.31091/mudra.v37i4.2124
This article addresses the role of the layout of the instruments in rehearsal and on stage as a factor to help achieve the goal of nabuh with the University of Canterbury gamelan group. It is focused on how the layout of the instruments effects the learning and performing process. No literature on this topic was located and the terminology and concepts used in this paper have been developed for the purpose of this research. This study was guided by a qualitative case study approach using data that was collected through questionnaires, interviews and participant observation. Based on the findings, the exploration of the layout of the instruments offered various alternatives in assisting coordination among musicians in rehearsals and performance contexts and contributed to the achievement of the goal nabuh.
Melacak Jejak Sejarah Bentuk Tari Serai Serumpun Sebagai Identitas Budaya Kabupaten Mesuji Provinsi Lampung
I Wayan Mustika;
Tuntun Sinaga;
Iing Sunarti
Mudra Jurnal Seni Budaya Vol 37 No 4 (2022)
Publisher : Institut Seni Indonesia Denpasar
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DOI: 10.31091/mudra.v37i4.2143
This research is a dance ethnographic study that was conducted to trace the history of the serai serumpun dance which has lost its history. In the past, this dance was thought to have originally belonged to the Mesuji community and was an asset of the Mesuji Regency Education Office as well as the identity of the Mesuji Community of Lampung Province. This research will first discuss the form of the serai serumpun dance which is studied through the discipline of ethnochoreology. Then an assessment will also be made of the supporting culture of the serai serumpun dance, so as to obtain the values contained in it. By knowing these values, an identity of the people of Mesuji Regency will be obtained through the history of the serai serumpun dance.