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WIDYAKALA JOURNAL
ISSN : 23377313     EISSN : 25978624     DOI : -
Widyakala's scientific journal is an interdisciplinary study in ten study program at Universitas Pembangunan Jaya (UPJ) as a contribution to the three principal scientific pattern of UPJ which is also an advantage of UPJ: 1. Humanist human development (Liberal arts) 2. Sustainable eco-development (SED) 3. Entrepreneurship (ENT).
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Articles 7 Documents
Search results for , issue "Vol 8 (2021): Special Issue : Design Lifestyle And Behavior" : 7 Documents clear
Analisa Visual Desain Sampul Album Rekaman Glenn Fredly: Romansa ke Masa Depan Yulius Carlo Ariobimo Mangangantung; Zita Nadia
WIDYAKALA: JOURNAL OF PEMBANGUNAN JAYA UNIVERSITY Vol 8 (2021): Special Issue : Design Lifestyle And Behavior
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat UPJ

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (710.937 KB) | DOI: 10.36262/widyakala.v8i0.391

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Abstract — The design of the record album cover is a visual medium of the musician to the audience. The image of the musician can also showed from the album cover design. This research specifically focused on visual design of Glenn Fredly's record album 'Romance Into the Future', qualitative method approach is used in this research by using of visual analysis. Analysis is done by describing the design elements and the design principles applied to the album cover, in addition, the analysis is also obtained by doing a comparison of the visuals of Glenn Fredly's previous album. This research is useful to review album cover design with a visual approach that applied the principles of graphic design.Keywords: Album Cover Design, Glenn Fredly, Pop MusicAbstrak — Desain sampul album rekaman merupakan medium visual dari musisi kepada audiens. Citra musisi juga dapat terbentuk dari apa yang ada pada desain sampul album tersebut. Penelitian ini secara khusus fokus membahas visual desain sampul album rekaman Glenn Fredly ‘Romansa Ke Masa Depan’ sebagai bahan analisis, metode penelitian yang digunakan adalah kualitatif, dengan cara analisis visual. Analisa dilakukan dengan menjabarkan elemen desain dengan prinsip desain yang diterapkan pada sampul album ini, selain itu, analisa juga diperoleh dengan melakukan perbandingan dari visual album terdahulu Glenn Fredly. Penelitian ini bermanfaat untuk mengkaji desain sampul album dengan pendekatan visual yang sesuai dengan kaidah prinsip desain grafis.Kata Kunci: Desain Sampul Album, Glenn Fredly, Musik Pop
Gender And Design: Gender Bias In Agrotechnology Silvia Senjaya; Yayuk Yuliati
WIDYAKALA: JOURNAL OF PEMBANGUNAN JAYA UNIVERSITY Vol 8 (2021): Special Issue : Design Lifestyle And Behavior
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat UPJ

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (558.001 KB) | DOI: 10.36262/widyakala.v8i0.428

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Abstract —  The role of women as farmers has existed in the history of human life for centuries. However, the Green Revolution made the role of women who were previously trusted to select seeds, weed, plant, fertilize, harvest and pound rice replaced by the role of technology. As with other designs and technologies, there has been a gender bias, so the researchers suspect that there is a gender bias in the design of agrotechnologywhich has an impact on the marginalization of female farmers. Through a literature review, researchers explored gender bias in design of agrotechnology and its impact on female farmers. Design of agrotechnology is still gender biased because it was designed without taking women's ergonomics. In fact, women have different ergonomic characteristics from men, but that does not mean they do not have the capacity to farm.  Feminization of agriculture will be a profitable job opportunity for women if it is accompanied by the feminization intervention of agricultural machine and tool. Keywords: gender bias, design, agrotechnology, agriculture, female farmer 
Representasi Feminisme Dalam Karakter Pahlawan Perempuan Captain Marvel Naurissa Biasini; Sri Wijayanti
WIDYAKALA: JOURNAL OF PEMBANGUNAN JAYA UNIVERSITY Vol 8 (2021): Special Issue : Design Lifestyle And Behavior
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat UPJ

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (498.81 KB) | DOI: 10.36262/widyakala.v8i0.393

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Abstract — One of the film genres with an extraordinary development is film with the theme of heroism. Various film producer companies such as Marvel Entertainment, Warner Brothers, and Disney are competing to produce hero-themed films that always attract the attention of the audience. However, Marvel Entertainment has put more emphasis on male hero characters, until in 2019 there is a female hero character who has her own film, Captain Marvel. This is interesting because usually women in films are shown only as supporting characters for male heroes. Therefore, this study aims to see how feminism is represented in the character of Captain Marvel. This study will use Roland Barthes' Semiotics research method to see the symbols used to describe the values of Feminism displayed by this character, supported by Communication Theory and Feminism Theory related to mass media, especially films. The results showed that the character of Captain Marvel is depicted as a female figure who has greater strength than men and shows some values of radical and liberal feminism. In the film, Marvel Entertainment unfortunately has to show that Captain Marvel must have super power before recognized or considered superior to men.Keywords: Film, Feminism, Captain Marvel, Captain Marvel, Roland Barthes SemioticAbstrak — Salah satu genre film dengan perkembangan yang luar biasa adalah film yang bertemakan kepahlawanan. Berbagai perusahaan produsen film seperti Marvel Entertainment, Warner Brothers, hingga Disney berlomba-lomba menghasilkan film-film bertema kepahlawanan yang selalu menarik perhatian penonton. Namun selama ini Marvel Entertainment lebih menekankan pada tokoh-tokoh pahlawan pria, hingga pada tahun 2019 ada karakter pahlawan perempuan yang memiliki filmnya sendiri yaitu Captain Marvel. Hal ini menarik karena biasanya perempuan dalam film ditampilkan hanya sebagai karakter pendukung pahlawan pria. Karena itu penelitian ini bertujuan untuk melihat bagaimana representasi Feminisme dalam sosok karakter Captain Marvel. Penelitian ini akan menggunakan metode penelitian Semiotika Roland Barthes untuk melihat simbol-simbol yang digunakan untuk menggambarkan nilai-nilai Feminisme saja yang ditampilkan oleh karakter tersebut, didukung dengan Teori Komunikasi dan Teori Feminisme yang berkaitan dengan media massa terutama film. Hasil Penelitian menunjukkan bahwa karakter Captain Marvel digambarkan sebagai sosok perempuan yang memiliki kekuatan yang besar dari laki-laki dan menunjukkan beberapa nilai feminism radikal maupun liberal. Dalam film yang diteliti, Marvel Entertainment sayangnya harus menampilkan Captain Marvel memiliki kekuatan super terlebih dahulu untuk dapat diakui atau dianggap lebih hebat dari pria.     Kata Kunci: Film, Feminisme, Captain Marvel, Semiotika Roland Barthes
A Study On The Use Of Shipping Container Booth As A Substitution Of Street Vendors Cart Nurhayatu Nufut Alimin; Fidyani Samantha; Mulyadi Mulyadi; Ahmad Faizin
WIDYAKALA: JOURNAL OF PEMBANGUNAN JAYA UNIVERSITY Vol 8 (2021): Special Issue : Design Lifestyle And Behavior
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat UPJ

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1212.165 KB) | DOI: 10.36262/widyakala.v8i0.427

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The present study focused on the development of a compact living concept that is applied in commercial facilities, especially shipping container-booth. This study aimed to investigate the organization of container booths in Solo area from interior design perspectives, including its visual aesthetics, visual brand identity, and space function and organization of the container booth. The result of the study may depict the advantages of container booths, compared to conventional street food carts. This study was expected to provide adequate data to establish a new revenue-generating unit. To this end, a qualitative descriptive method was applied to obtain in-depth data related to the exterior and interior aspects of the booth. This study showed that container booth holds some advantages related to visual aesthetic aspects since it could be easily added with aesthetic elements for promotion media.  Container booth also allows a division of area that supports the seller's activity.
Fotografi Monokromatik Hitam Putih Dalam Dunia Fotografi Modern Michel Sutedja; Fairuz Athoriq
WIDYAKALA: JOURNAL OF PEMBANGUNAN JAYA UNIVERSITY Vol 8 (2021): Special Issue : Design Lifestyle And Behavior
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat UPJ

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (758.165 KB) | DOI: 10.36262/widyakala.v8i0.390

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Abstract — Over the last two decades, photographing in color is a very common thing in the world of photography. Even beginners in the world of photography can be said to have abandoned black and white photos. Most of the oldest people in this modern era know color photography from the first time they know the world of photography itself, in contrast to those who were born in the early days where the world of photography only knows black and white. The visualization of black and white monochoromatic photography is capturing and speaking through colorless photos by relying on the visualization of depth and contrast in strong and clear. Prior to the 20th century, photography without color or black and white was a normal and normal way of recording images, whereas in the modern world like today most people were more familiar with color photography. However, some people still argue that black and white monochoromatic photographs are important for documentation, art, and journalism. Monochromatic black and white photos create a unique impression that cannot be seen in color photos. The comoposition, depth of field and level of contrast in a black and white monochromatic photo can present a different scene from the same photo displayed in a color photo and often do not require further processing with image processing software because they can display their own beauty and uniqueness. The visualization of black and white monochromatic photography is capturing and speaking through photos without the presence of color by relying on the visualization of depth and contrast in strong and clear.Keywords: Photography, Monochromatic , Journalism, Black and White.Abstrak — Lebih dari dua dekade terakhir memotret dalam format berwarna adalah hal yang sangat jamak dalam dunia fotografi. Pemula dalam dunia fotografi pun dapat dikatakan sudah meninggalkan foto hitam putih. Kebanyakan orang tertuama di jaman modern ini mengenal fotografi berwarna sejak pertama kali mengenal dunia fotografi itu sendiri, berbeda dengan mereka yang terlahir pada masa awal dimana dunia fotografi hanya mengenal hitam putih. Visualilsasi dari fotografi monokoromatik hitam putih adalah menangkap dan berbicara melalui foto tanpa warna dengan mengandalkan visualisasi kedalaman dan kontras secara kuat dan jernih. Walaupun demikian, sebagian orang tetap berpendapat bahwa foto monokoromatik hitam putih penting untuk dokumentasi, seni, dan jurnalisme. Foto monokromatik hitam putih menciptakan impresi yang unik dan hal itu tidak dapat dilihat dalam foto berwarna. Komoposisi,  kedalaman ruang dan tingkat kekontrasan dalam foto monokromatik hitam putih dapat menampilkan sebuah pemandangan yang berbeda dari foto yang sama yang ditampilkan dalam fotmat berwarna dan sering kali tidak memerlukan pengolahan lebih lanjut dengan perangkat lunak pengolah gambar karena sudah dapat menampilkan keindahan dan keunikannya sendiri. Visualisasi dari fotografi monokromatik hitam putih adalah menangkap dan berbicara melalui foto tanpa kehadiran warna dengan mengandalkan visualisasi kedalaman dan kontras secara kuat dan jernih.Kata Kunci: Fotografi, Monokromatik, Jurnalisme, Hitam Putih
Kajian Karakteristik Visual Pakaian Tokoh Pada Perancangan Buku Cerita Bergambar Sejarah Perjuangan Sultan Ageng Tirtayasa Ahmad Fuad; Putri Anggraeni
WIDYAKALA: JOURNAL OF PEMBANGUNAN JAYA UNIVERSITY Vol 8 (2021): Special Issue : Design Lifestyle And Behavior
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat UPJ

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (792.837 KB) | DOI: 10.36262/widyakala.v8i0.419

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Buku cerita bergambar dengan tema sejarah adalah sebuah media penyampaian pengetahuan bertema sejarah sebuah tokoh dalam era tertentu. Salah satu tokoh yang dijadikan dalam perancangan buku cerita bergambar dengan tema sejarah adalah sejarah perjuangan Sultan Ageng Tirtayasa. Sejarah perjuangan Sultan Ageng Tirtayasa yang merupakan tokoh pahlawan yang dikenal gigih melakukan perlawanan terhadap penjajah Belanda. Perjuangan Sultan Ageng Tirtayasa melawan Belanda di Serang, Banten membuat beliau diberi gelar Pahlawan Nasional oleh pemerintah Indonesia. Namun demikian, diperlukan sebuah kajian visual karakteristik pakaian karakter pada perancangan buku bergambar perjuangan Sultan Ageng Tirtayasa agar memahami ilustrasi pakaian yang dikenakan karakter dalam perancangan buku bergambar tersebut dapat menghadirkan suasana sejarah tokoh Sultan Ageng Tirtayasa. Kesimpulannya, melalui analisa visual karakteristik pakaian tokoh dalam buku bergambar ini digunakan perancangan kombinasi metafora mimesis dan stilasi dengan penelusuran sejarah Sultan Agung Tirtayasa, agar dapat menghadirkan suasana sejarah yang juga disesuaikan dengan target market pengguna buku cerita bergambar ini.
Perencanaan dan Penataan Ruangan pada Bangunan Rumah Sakit Khusus Lansia (Geriatri) di Surakarta Shafira Rizki Ananda
WIDYAKALA: JOURNAL OF PEMBANGUNAN JAYA UNIVERSITY Vol 8 (2021): Special Issue : Design Lifestyle And Behavior
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat UPJ

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (441.534 KB) | DOI: 10.36262/widyakala.v8i0.408

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Abstract — The number of elderly people in Indonesia continues to increase every year, Surakarta is one of the cities with a high life expectancy, and it is targeted to be an elderly friendly city. One of the ways to support the government's target written above is by providing health facilities that are elder-friendly. The design process for the Elderly Hospital facility is carried out in several stages. These stages include conducting surveys and observations in pre-existing facilities, determining project locations, identifying user activities and space requirements, and compiling detailed design and programming concepts. The interior design of the Elderly Hospital uses a natural-homey concept, the goal is that elderly patients do not feel strange and actually feel like being at home. This concept is also supported by the application of a minimalist style, which is outlined in simple forms with the aim that cleanliness in the hospital is always maintained. In addition, complete facilities are also available and this hospital also implement a system that can reduce physical queues, thereby reducing the risk of fatigue in elderly patients. The design of the Elderly Hospital prioritizes the comfort of elderly patients in seeking treatment. One of the methods used to provide this comfort is the use of the natural homey concept, which is then applied in giving colour to the room, namely using variety of brown shades.Keywords: hospital, geriatric, natural, homeyAbstrak — Jumlah lansia di Indonesia terus meningkat setiap tahunnya. Surakarta merupakan salah satu kota dengan angka harapan hidup yang tinggi, serta ditargetkan menjadi kota yang ramah lansia. Salah satu cara untuk mendukung target pemerintah tersebut yaitu dengan menyediakan fasilitas kesehatan yang ramah lansia. Proses desain fasilitas Rumah Sakit Lansia dilakukan dengan beberapa tahapan. Tahapan-tahapan tersebut antara lain melakukan survey dan observasi di fasilitas yang telah ada sebelumnya, menentukan lokasi proyek, mengidentifikasi kegiatan pengguna serta kebutuhan ruang, serta menyusun konsep desain dan programming secara rinci. Desain interior Rumah Sakit Khusus Lansia ini menggunakan konsep natural homey, tujuannya adalah agar pasien lansia tidak merasa asing dan justru merasakan nuansa seperti berada di rumah. Konsep ini juga didukung dengan penerapan gaya minimalis, yang dituangkan dalam bentuk-bentuk sederhana dengan tujuan agar kebersihan di dalam rumah sakit selalu terjaga. Selain itu juga tersedia fasilitas lengkap dan menerapkan sistem yang dapat mengurangi antrean fisik, sehingga dapat mengurangi risiko kelelahan pada pasien lansia. Desain Rumah Sakit Khusus Lansia mengutamakan kenyamanan pasien lansia dalam berobat. Salah satu cara yang digunakan untuk memberikan kenyamanan tersebut adalah penggunaan konsep natural homey, yang kemudian diterapkan dalam pemberian warna pada ruangan, yaitu menggunakan nuansa cokelat.Kata kunci: Rumah Sakit, Geriatri, Natural, Homey

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