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INDONESIA
Caraka : Jurnal Ilmu Kebahasaan, Kesastraan, dan Pembelajarannya
Published by Universitas Sarjanawiyata Tamansiswa
ISSN : 24077976     EISSN : 25794485     DOI : http://dx.doi.org/10.30738/
Core Subject : Humanities, Education,
Humanities Languange, Linguistic, Communication & Media
The focus of the journal in the field of language which includes the results of research on phonology, morphology, syntax, pragmatics, stylistics, and other aspects of linguistic studies. In addition to linguistics, another focus is on literature which includes the results of research on the sociology of literature, the psychology of literature, postcolonialism, cultural studies, ecocriticism, and other aspects of literary study. In addition to language and literature, another focus is the teaching of Indonesian language and literature which includes Indonesian language and literary learning models, Indonesian language and literary learning media, Indonesian language and literary teaching materials, and other aspects of teaching/learning studies.
Arjuna Subject : Seni dan Humaniora - Bahasa dan Linguistik
Articles 12 Documents
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Search results for , issue "Vol 3 No 2 (2017)" : 12 Documents clear
KANDUNGAN NILAI HISTORIS DALAM NOVEL GLONGGONG KARYA JUNAEDI SETIYONO: KAJIAN SOSIOLOGI SASTRA Muhammad Wahyu Widodo; Sri Wahyuningtyas
CARAKA Vol 3 No 2 (2017)
Publisher : Universitas Sarjanawiyata Tamansiswa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30738/caraka.v3i2.1839

Abstract

This study aims to describe (1) figure and characterization in the novel of “Glonggong”, (2) setting in the novel of “Glonggong”, (3) historical value content in the novel of “Glonggong”. This study is a qualitative descriptive research. Data used in the form of a paragraph that contains the unit of events regarding the content of historical value. Sources of data in the form of “Glonggong” novel by Junaedi Setiyono. The instrument of this study is the researchers themselves armed with a set of science concepts related to the problems examined. Data collection techniques using observation, reading techniques, and technical notes. The data analysis technique used is descriptive qualitative which focuses on figure and characterization, setting, and historical value content in “Glonggong” novel by Junaedi Setiyono. Results of this study as follows. (1) character and characterization in the novel of “Glonggong” consist of the main character, namely Glonggong who have good character, brave, modest, humble, honest, and full fidelity. Additional characters are (a) Endang, Glonggong lover who has a good character, sincere, humble, polite, and friendly like most princess of Java, (b) Suta, Glonggong good friend who has a strong character, loyal, honest, mature, and wise in making decisions, (c) Surya , has the character of an arrogant, snobby, selfish, but good-hearted and often help figure Glonggong, (d) Prayitna, has the character of a cruel, evil, arrogant, vindictive, and not to be outdone, (e)Kiai Ngali, has a good character, patient, and wise. (2) Setting in “Glonggong” novel by Junaedi Setiyono, as follows. (a) setting time occurs at the beginning of the 19th century circa 1815-1855 when the Dutch colonial era, (b) setting places in Yogyakarta, including: Ndalem Suwandan, Puri Pringgawinatan, Tegalreja, in Semarang covers an area Srondol, and in Magelang include Residency building of Magelang, (c) social setting that the Java community life in the Dutch colonial period especially when going to and after the outbreak of war Dipanegara. (3) Historical value content that can be viewed using the social sciences in the novel of “Glonggong”among others the attitude and inflammatory spirit of nobles and commoners during the colonial era, a wide variety of properties or the original character of a handful of nobles who eventually come to the surface, and the values of the people who are very loyal struggle in maintaining national pride when will the outbreak of war Dipanegara.
ANALISIS PUISI “SURAT CINTA” DAN “MALAIKAT DI GEREJA ST. JOSEF” KARYA W. S. RENDRA: PENDEKATAN SEMIOTIKA RIFFATERRE Yohanes Vianey Ona; Widowati Widowati
CARAKA Vol 3 No 2 (2017)
Publisher : Universitas Sarjanawiyata Tamansiswa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30738/caraka.v3i2.1891

Abstract

The purpose of this research is to describe and explain the following things: (1) indirect expressions; (2) heuristics and hermeneutic analysis; (3) matrix, models, and variants; (4) hipograms variable; which are contained in "Surat Cinta" and "Malaikat di Gereja St. Josef", poems written by W. S. Rendra. This is a qualitative research. The data which are used in this research are linguistic aesthetical units, consist of words, phrases, lines, and stanzas in the poems. The data resources are poems written by W. S. Rendra, entitled "Surat Cinta" and "Malaikat di Gereja St. Josef". The research instrument is the researcher himself who provides insight and experience about semiotic theory dealing with the analysis of the poems, especially Riffaterre semiotic theory. The data collecting method which is used in this research is a literature exploration which is conducted by reading and noting techniques. Qualitative is the method which is used to analyze the data, while qualitative descriptive is the conducted technique in term of analyzing the process. The process taken has brought the researcher to the following conclusions. 1) Indirect expressions includes the changing of words’ meaning, for example, /surat cinta/ caused by ambiguity, /bagai berjuta-juta jarum alit/ which is a linguistic term called kias simile or comparison, /tiada lebih buruk dan tiada lebih baik /, / orang yang bermula dari kata kata yang bermula dari kehidupan pikir dan rasa / which are linguistic kias epik simile or parable of the epic. /Engkau adalah putri duyung / is a personification stylistic. The whole part of "Surat cinta" is in allegory stylistic. Putri duyung is a kias sinekdoki. /Kutulis surat ini kala hujan gerimis bagai bunyi tambur/ shows the use of fantasy or imagination overview. The deviations meaning in "surat cinta" are caused by ambiguity, for instance, /surat cinta/, the new meaning of sentences caused by rhyme: an end rhyme, for example /Putri duyung dengan suara merdu lembut bagai angin laut/, straight rhyme, for example /Angin mendesah selalu mendesah/, while /kala langit menangis/ is an example assonance rhyme and /menangis minta mainan/ is an alliteration rhyme. The deviations meaning also can be caused by enjambments, for example, /Dan angin mendesah mengeluh dan mendesah/, and homologs, for example, /orang yang bermula dari kata kata yang bermula dari…/ 2) Heuristics and hermeneutic analysis, 3) Matrix, models, and variants. For example, the matrix of "Malaikat di Gereja St. Josef" describes something that God has planned to humankind which appears with the angel in St. Josef church. The models in that poem are "St. Josef" and "Angel", and those models are described by the following variant: /Malaikat di Gereja St. Josef/. 4) The hipograms of "Surat cinta" are: (a) expansion: “Sajak Putih” (1944) and “Derai-Derai Cemara” (1949) by Chairil Anwar. (b) modification: “Sajak Putih” (1944) by Chairil Anwar. (c) actual: “Lagu Gadis Itali” (1920s) by Sitor Situmorang and “Dalam Gelombang” (1920s) by St. Takdir Alysahbana, whereas the hipograms of "Malaikat di Gereja St. Josef" are: (a) Ekserp: “Turun Kembali” (1937) by Amir Hamzah. (b) Modification: “Panggilan Pagi Minggu” by Y. E. Tatengkeng. (c) Actual: poem “Barangkali” by Amir Hamzah.

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