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Haluan Sastra Budaya
ISSN : 08520933     EISSN : 25491733     DOI : -
Core Subject : Education, Art,
Haluan Satra Budaya (HSB) is a biannual scientific journal of humanities published by the Faculty of Cultural Sciences, Universitas Sebelas Maret, Indonesia. This journal issues research papers, conceptual frameworks, and case studies are drawn from a wide range of disciplines, Language and Linguistics, Art, Literature, as well as Culture (anthropology, history, and archeology).
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Articles 7 Documents
Search results for , issue "vol 9, no 2 (2025)" : 7 Documents clear
Nilai Karakter Tanggung Jawab dalam Novel Hati Suhita (2019) Karya Khilma Anis Gita Surya Minasti; Nurul Yakin; Muhammad Fahrurrozi; Asriati Aulia Malik
Haluan Sastra Budaya Vol 9, No 2 (2025)
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/hsb.v9i2.93601

Abstract

The character of responsibility is an attitude and behavior in carrying out one's duties and obligations, which should be fulfilled towards oneself, society, the environment, the state, and God. Responsible behavior can be shaped through education and habits. The values of responsibility are not only obtained from formal educational institutions but can also be learned from literary works filled with moral values. One such work is the novel Hati Suhita by Khilma Anis.This research is qualitative with a library research approach. The primary data source is the novel Hati Suhita by Khilma Anis, while the secondary data obtained from books, journals, and articles related to the character values of responsibility. The data analysis technique used is content analysis, which involves examining the values of responsibility in the novel.The results of the study reveal that Hati Suhita presents nine values of responsibility, including: choosing the right path, constantly improving oneself, maintaining one’s honor, being vigilant, committing to one's duties, performing tasks with high standards, acknowledging one’s actions, keeping promises, and having the courage to face the consequences of one's actions and words.
Racial Bias in The Adaptation of Rumaan Alam’s Novel Leave The World Behind into Film by Sam Esmail Hanifah Nur Rohmah; Hat Pujiati
Haluan Sastra Budaya Vol 9, No 2 (2025)
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/hsb.v9i2.104726

Abstract

This study is the publication version of a thesis entitled the same as this article which analyzes the influence of the changes in racial bias representation that occur in the film adaptation Leave the World Behind. Explores the transformation of racial bias as depicted in Rumaan Alam’s novel Leave the World Behind (2020) and its film adaptation by Sam Esmail (2023). It applied the theory of adaptation proposed by Linda Hutcheon and the qualitative method to analyze the narrative events, characters and characterization, and plot changes between the novel and film. The results indicate that while the novel subtly explores implicit racial bias, the film intensifies and recontextualizes these tensions through visual storytelling. In Leave the World Behind film introduces reversed racial bias and character developments that reflect broader socio-political discourse, partly driven by economic lures, political, and cultural capital motives. This paper aims to highlight specific changes in two different media and uncover the motives behind them.
Tawa dan Identitas Lokal: Figur Kedok Menyon sebagai Representasi Sosial dalam Kesenian Singa Dangdut Isad Suhaeb
Haluan Sastra Budaya Vol 9, No 2 (2025)
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/hsb.v9i2.107637

Abstract

The Singa Dangdut performance in Indramayu offers more than just music and dance entertainment. It also features a comedic character named Menyon, who becomes the center of attention in creating a festive atmosphere. This article examines the Menyon mask figure as a form of social representation and a symbol of local identity in Indramayu. Using an ethnographic approach and cultural representation theory, this study analyzes how the laughter evoked by Menyon is not merely entertaining but also carries social critique, class expression, and the reinforcement of communal solidarity. Data were collected through direct observation of Singa Dangdut performances, interviews with performers, and visual analysis of the mask design. The findings reveal that The Menyon mask plays a strategic role as a medium of dynamic local cultural expression. reflecting tensions between tradition and modernity, while also serving as a safe space for symbolic public expression. Thus, the Menyon character is not merely a stage clown but also a cultural agent who embodies social values, collective identity, and the everyday dynamics of the people of Indramayu.
Fenomena Kenakalan Santri: Pendekatan Etnografi di Pondok Pesantren Baitul Ilmi wal Quran Muhammad Chasbullah
Haluan Sastra Budaya Vol 9, No 2 (2025)
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/hsb.v9i2.96159

Abstract

Santri delinquency in pesantren is an intriguing issue as it challenges the common perception of pesantren as institutions fostering noble character. This phenomenon impacts not only the individual santri but also the social dynamics within the pesantren. This study investigates santri delinquency at Pondok Pesantren Baitul Ilmi wal Quran, Sidoarjo, using an ethnographic approach to delve into the experiences, interactions, and perceptions of santri regarding factors influencing their behavior. Findings reveal two primary causes of delinquency: internal and external factors. Internal factors include boredom with daily routines, lack of motivation, and difficulty adapting to pesantren values. External factors involve peer pressure, excessively strict or lenient rules, and strained relationships between santri and pesantren supervisors or administrators. Efforts to address this issue focus on individual counseling, character development, and collaboration between pesantren and santri families. This research sheds light on the social dynamics of pesantren and emphasizes the need for more empathetic management and guidance of santri. By understanding the root causes of delinquency, pesantren can adopt more effective strategies to nurture a positive and supportive environment that aligns with their mission of moral and spiritual development.
Peran Semantik dalam Menafsirkan Nilai Budaya yang Terkandung dalam Upacara Tabuik di Pariaman Sumatera Barat Rahmatunissa Rahmatunissa; Sophia Rahmawati
Haluan Sastra Budaya Vol 9, No 2 (2025)
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/hsb.v9i2.103660

Abstract

This article discusses the role of semantics in interpreting the cultural values embedded in the Tabuik ceremony in Pariaman, West Sumatra. The study employs a descriptive qualitative approach through direct observation and in-depth interviews with Pak Arif, a 50-year-old local resident who has actively participated in the Tabuik ceremony since his youth. Observations reveal that elements of the Tabuik, such as the buraq,bungosalapan, and tonggak atam, carry strong symbolic meanings. For instance, the buraq is understood as a symbol of spiritual strength and hope, while bungo salapan reflects the values of unity and the interconnectedness between local customs and Islamic teachings. These symbols are not merely ornamental; they serve as conveyors of cultural messages passed down through generations. A semantic analysis of these symbols helps clarify how the community understands and preserves the values embedded in their traditions. Thus, cultural semantics becomes an essential tool for maintaining identity, strengthening social solidarity, and reviving the meaning contained within local traditions such as the Tabuik.
Wisata Religi Buddha Tidur di Kabupaten Mojokerto: Studi Sosio, Religi, dan Ekonomi Masyarakat Sal Sabila Mazidatul Fiqih; Abdul Halim
Haluan Sastra Budaya Vol 9, No 2 (2025)
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/hsb.v9i2.109146

Abstract

This study examines the Sleeping Buddha religious tourism in Mojokerto Regency as a social, religious, and economic phenomenon that impacts the community. This research is motivated by the importance of religious tourism as a space for interfaith interaction and as a driver of community-based economic growth. The research method used is a qualitative ethnographic approach through in-depth interviews with several informants from each element around the toutrist area. This study applies Talcott Parsons' structural functionalism theory in combination with John Hick's theory of religious pluralism, Koentjaraningrat’s theory of cultural anthropology and the Tourism Multiplier Effect theory. The results show that the Sleeping Buddha religious tourism serves as a medium for harmonious social interaction between Buddhists and Muslims, characterized by practices of tolerance and cooperation in managing the area. From an economic aspect, 49 business units were recorded, including culinary, souvenirs, parking services, and homestays, all managed under the Tourism Village Institution (Ladewi) under the auspices of the Village-Owned Enterprise (BUMDes). This institutional mechanism allows for the distribution of economic benefits not only individually but also collectively for village development. These findings confirm that religious tourism serves a dual function: strengthening social cohesion and providing multi-layered economic impacts for the community. This research is motivated by the importance of religious tourism as a space for interfaith interaction and as a driver of community-based economic growth.
Spirit Konfusianisme Korea Selatan dalam Dominasi Ekonomi di Asia Timur: Studi Tentang Samsung Group Atief Arezal Fatah; Kurniawati Kurniawati
Haluan Sastra Budaya Vol 9, No 2 (2025)
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/hsb.v9i2.96470

Abstract

This research aims to reveal the factors of South Korea's success in strengthening economic dominance in the East Asia or regional region, through the landscape of the Samsung Group Multinational Company and the importance of Confucianism that forms the historical & cultural background of South Korean society. The method used is Descriptive Narrative in a historical approach. The findings indicate a strong relationship between South Korea’s economic resurgence, the strategic role of large conglomerates (chaebol) such as the Samsung Group, and the internalization of Confucian values as a cultural belief system embedded in various aspects of social and economic life. The study concludes that Confucian teachings, particularly those related to discipline, hierarchy, loyalty, and work ethic have significantly contributed to societal participation and corporate growth in South Korea, as reflected in the rapid development and global expansion of major corporations, including the Samsung Group. 

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