Articles
<![CDATA[ADAPTATION ANALYSIS OF HARRY POTTER AND THE HALF BLOOD PRINCE NOVEL BY J.K. ROWLING INTO FILM BY DAVID YATES ]]>
<![CDATA[Rahmawati, Risza Dewi]]>;
<![CDATA[Basuki, Imam]]>;
<![CDATA[Pujiati, Hat]]>
<![CDATA[ Publika Budaya Vol 1, No 1 (2013) ]]>
Publisher : <![CDATA[Publika Budaya ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
Full PDF (159.839 KB)
<![CDATA[Nowadays, there are many literary works that is transformed into an adaptation work. One of them is J.K rowling´s novel entitled Harry Potter and the Half Blood Prince with the same title. Using this object, this article focuses on the motives that exist in the process of adapting the novel and make it into the form of a film adaptation. During process of transformation,it arises some changes and some excisions. These changes because of the consequences of the differences in the media, the text and audiovisual. There are three issues discussed in this research. First, what are the changes that have been made by the production team, the second, the consequences of differences in media against stories in novels and films, the third, the motives that contained in the film adaptation of Harry Potter and the Half-Blood Prince. Then, we use comparative method in this study in order to compare the differences between the novel and the film. During the process of analysis, we use the theory of adaptation and semiotic analysis. Furthermore, this article begins by classifying the differences that exist in the novel and compare it to the movie. After that, we use semiotics in order to help find the ideology that contained in the novel and the film. This ideology helps on finding the motives that contained in the film adaptation. The results of the analysis are: dominant ideology in the film adaptation is capitalism ideology that explains the economic and cultural motives in this film adaptation ]]>
<![CDATA[GAMBARAN REZIM NAZI DALAM PERADABAN JERMAN DALAM BEBERAPA PILIHAN PUISI SYLVIA PLATH ]]>
<![CDATA[Ulfa, Maria]]>;
<![CDATA[Sutarto, Ayu]]>;
<![CDATA[Pujiati, Hat]]>
<![CDATA[ Publika Budaya Vol 1, No 1 (2013) ]]>
Publisher : <![CDATA[Publika Budaya ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
Full PDF (154.958 KB)
<![CDATA[Rezim Nazi adalah tragedi besar dari peradaban Jerman pada abad 20. Nazi merupakan sebuah partai yang sarat dengan pemerintahan diktator yang dipimpin oleh Adolf Hitler. Partai Nazi mencapai masa keemasannya pada tahun 1933-1945 (periode Perang dunia II). Kemudian pada tahun 1962, Sylvia Plath membuat sebuah potret keNazian dalam karya-karyanya di Daddy, Lady Lazarus, dan Mary´s Song. Pikiran imajinatif Plath sebagai anak perempuan Jerman mengungkapkan representasi yang berdasar sejarah kedalam puisi. Untuk itu, new historicism bagi Stephen Greenblatt merupakan sebuah perangkat dalam menguraikan wacana yang ada dalam teks puisi. Kemudian, hasil dari penelitian ini menunjukkan potret Nazi sebagai produk laki-laki dalam sudut pandang perempuan. Atribut-atribut Nazi yang digunakan dalam teks puisi itu merupakan sebuah estetika dalam mengekplorasi kebrutalan Nazi yang dibayangkan sejajar dengan kebrutalan laki-laki dalam sistem patriarki. Kemudian, ekplorasi atribut-atribut itu menunjukkan kekuatan Nazi dalam menghegemoni orang-orang Jerman untuk menganggap program-program Nazi sebagai kehendak Tuhan. Akibatnya menunjukkan bahwa ada penyalahgunaan ajaran agama untuk kepentingan-kepentingan tertentu. Jadi, melalui teks puisi itu, Plath membawa bagian-bagian dari sejarah Jerman melalui emosinya terhadap rezim Nazi. ]]>
<![CDATA[CULTURAL MATERIALISM IN CORMAC MC CHARTYS NO COUNTRY FOR OLD MEN MATERIALISME KULTURAL DALAM NOVEL NO COUNTRY FOR OLD MEN KARYA CORMAC MC CHARTY ]]>
<![CDATA[Yudhistira, Omega Mega Robinsyah]]>;
<![CDATA[Adiana, Meilia]]>;
<![CDATA[Pujiati, Hat]]>
<![CDATA[ Publika Budaya Vol 2, No 2 (2014): Juli ]]>
Publisher : <![CDATA[Publika Budaya ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
Full PDF (153.187 KB)
<![CDATA[No Country For Old Men is written by Cormac Mc Charty which is set in the boarderline of Mexico and Texas. The story centers on Chigurh who is a professional paid killer during the glorious time of the drug dealers and mafia. The environment has highly influenced his personality about vice and virtue. In the story the strongest order comes from the capital drug dealers which make them rule the way of life. In contrast, the police as the agent of virtue can not be a great benefactor to the citizen, since in the story the sheriff is never be able to catch or even meet Chigurh in person during his act as a peculiar serial killer. To study this phenomenon, the inductive method is employed to understand the position of power which leads to strongest doctrine that has major influence to influence Chigurhâs behavior as a psychopath. Killing people becomes habit for such man who sees and kills people in daily activity. Furthermore, the environment forces him to do so. Gun becomes friend, and money is the purpose. By this peculiar environment, Chigurh has grown into a psychopathic killer with his own motive that was different by the other people. Money is no longer his sole purposes but pleasure and determined principle. This chaotic environment has established a new ideology which continues to the process of cultural materialism. Raymond William as the successor of Marxist teaching has proven that there is a way for people to adjust with his environment no matter how far it is peculiar since there is a class structure in the society. The final chapter of the novel ends with the survival of the evil and inability of the virtue. The story teaches that the strongest doctrine of the time could triumph over someoneâs nature. Keywords: class structure, cultural materialism, ideology, marxist teaching, psychopath, relation of power, vice and virtue, ]]>
<![CDATA[THE REPRESENTATION OF LIBERAL FEMINISM IN A WOMAN IS NO MAN BY ETAF RUM ]]>
<![CDATA[Wulandari, Mega Dwi]]>;
<![CDATA[Supiastutik, Supiastutik]]>;
<![CDATA[Pujiati, Hat]]>
<![CDATA[ Lentera: Jurnal Ilmiah Kependidikan Vol 12 No 2 (2019): Lentera ]]>
Publisher : <![CDATA[LPPM STKIP PGRI Bandar Lampung ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
Full PDF (689.863 KB)
<![CDATA[This study discusses liberal feminism in 21st century in America. Liberal feminism. The representation of liberal feminism in A Woman is No Man explains how powerful is the feminism movement in encouraging Arab woman in Arab-American society. The representation of liberal feminism in A Woman is No Man is depicted through female characters’s struggle in getting the equal right with men. The narratives and the dialogues of the novel construct the discourse of liberal feminism where Arab women are considered as inferior and Arab men are considered as a superior. However, the liberal feminism is showed through the main female characters’ struggle to get the same equal right with men in the novel. According to this reason, Stuart Hall's representation theory and discursive approach by Michel Foucault are applied as the main tool to analyze the problems. Betty Frieddan’s Feminine Mystique is utilized as the supporting theory to analyze the liberal feminism in the novel. The results of this study shows that the idea of Arab men is superior, Arab women are inferior become a common knowledge and general agreement among society.]]>
<![CDATA[Life of Pi: Pemunculan Realisme Magis dan Penghapusan Dunia-Dunia ]]>
<![CDATA[Rizka Septiana]]>;
<![CDATA[Hat Pujiati Pujiati]]>;
<![CDATA[Irana Astutiningsih]]>
<![CDATA[ Publika Budaya Vol 3 No 2 (2015): Juli ]]>
Publisher : <![CDATA[Fakultas Ilmu Budaya Universitas Jember ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
<![CDATA[AbstrakArtikel ini membahas kemunculan realisme magis dan penghapusan dunia-dunia sebagai strategi narasi dalam memunculkan aspek posmodernisme dalam novel Life of Pi. Artikel ini menyuguhkan tiga pertanyaan yang sekaligus menjadi tujuan dilakukannya penelitian ini. Pertama, artikel ini memperlihatkan bagaimana realisme magis dimunculkan dalam novel Life of Pi karya Yann Martel. Kedua, artikel ini menunjukkan bagaimana dunia-dunia mengalami penghapusan di dalam novel tersebut. Terakhir, artikel ini menjelaskan gambaran kultur posmodernisme yang muncul melalui penggunaan realisme magis dan penghapusan dunia-dunia sebagai strategi narasi dalam novel Life of Pi. Penelitian ini menggunakan perspektif posmodernis dalam menguji pembangunan dunia-dunia dan kemunculan realisme magis berdasarkan teori McHale. Penelitian ini dikelompokkan ke dalam penelitian kualitatif. Metode dokumenter digunakan untuk mengumpulkan data, sementara metode induktif digunakan untuk menganalisis novel tersebut. Setelah menganalisis novel tersebut, kami menemukan bahwa dengan memunculkan realisme magis dan penghapusan dunia-dunia, Life of Pi telah menghadirkan permasalahan ontologis yang merupakan ciri dari karya posmodernis. Selain itu, kami juga menemukan bahwa melalui kemunculan realisme magis dan penghapusan dunia sebagai strategi narasi dalam novel Life of Pi, Yann Martel menggambarkan kultur posmodernis yang disebut "anything goes"]]>
<![CDATA[CULTURAL MATERIALISM IN CORMAC MC CHARTY'S NO COUNTRY FOR OLD MEN MATERIALISME KULTURAL DALAM NOVEL NO COUNTRY FOR OLD MEN KARYA CORMAC MC CHARTY ]]>
<![CDATA[Omega Mega Robinsyah Yudhistira]]>;
<![CDATA[Meilia Adiana]]>;
<![CDATA[Hat Pujiati]]>
<![CDATA[ Publika Budaya Vol 2 No 2 (2014): Juli ]]>
Publisher : <![CDATA[Fakultas Ilmu Budaya Universitas Jember ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
<![CDATA[No Country For Old Men is written by Cormac Mc Charty which is set in the boarderline of Mexico and Texas. The story centers on Chigurh who is a professional paid killer during the glorious time of the drug dealers and mafia. The environment has highly influenced his personality about vice and virtue. In the story the strongest order comes from the capital drug dealers which make them rule the way of life. In contrast, the police as the agent of virtue can not be a great benefactor to the citizen, since in the story the sheriff is never be able to catch or even meet Chigurh in person during his act as a peculiar serial killer. To study this phenomenon, the inductive method is employed to understand the position of power which leads to strongest doctrine that has major influence to influence Chigurh’s behavior as a psychopath. Killing people becomes habit for such man who sees and kills people in daily activity. Furthermore, the environment forces him to do so. Gun becomes friend, and money is the purpose. By this peculiar environment, Chigurh has grown into a psychopathic killer with his own motive that was different by the other people. Money is no longer his sole purposes but pleasure and determined principle. This chaotic environment has established a new ideology which continues to the process of cultural materialism. Raymond William as the successor of Marxist teaching has proven that there is a way for people to adjust with his environment no matter how far it is peculiar since there is a class structure in the society. The final chapter of the novel ends with the survival of the evil and inability of the virtue. The story teaches that the strongest doctrine of the time could triumph over someone’s nature. Keywords: class structure, cultural materialism, ideology, marxist teaching, psychopath, relation of power, vice and virtue,]]>
<![CDATA[GAYA BERPAKAIAN SEBAGAI REPRESENTASI IDENTITAS DALAM NOVEL THE HUNGER GAMES KARYA SUZANNE COLLINS ]]>
<![CDATA[Gayuh Wahyu Utami]]>;
<![CDATA[Hat Pujiati]]>;
<![CDATA[Irana Astutiningsih]]>
<![CDATA[ Publika Budaya Vol 6 No 2 (2018): Publika Budaya ]]>
Publisher : <![CDATA[Fakultas Ilmu Budaya Universitas Jember ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.19184/pb.v6i2.8708
<![CDATA[Abstrak Kajian ini menganalisa gaya berbusana para tokoh dalam novel ‘The Hunger Games’ yang memiliki kecenderungan dalam menggunakan gaya berbusana sebagai alat untuk membentuk identitas seseorang ataupun identitas sebuah kelompok tertentu. Kajian ini fokus pada pembentukan identitas melalui gaya berbusana dan juga untuk mengetahui ideologi di balik gaya berbusana para tokoh ‘The Hunger Game’. Kajian ini menggunakan teori representasi dari Stuart Hall dengan pendekatan semiotika mitologi dari Roland Barthes. Roland Barthes menekankan bahwa proses penandaan berfungsi untuk menaturalisasikan ideologi tertentu dalam masyarakat. Sehingga pendekatan ini sesuai untuk diaplikasikan dalam proses menemukan ideologi di balik gaya berbusana para tokoh ‘The Hunger Games’. Hasil dari kajian ini menunjukkan bahwa terdapat tiga ideologi dibalik gaya berbusana para tokoh tersebut. Pertama pemberontakan terhadap budaya popular. Kedua objektifikasi yang mengarah pada dominasi sistem patriarki. Ketiga dominasi sistem kapitalis. Analisa lebih lanjut menunjukkan bahwa melalui novel ini penulis ingin mengkritik gaya hidup masyarakat moderen yang sangat bergantung pada kemajuan teknologi untuk mendapatkan kemudahan dalam hidup dan juga bahaya dari kemajuan teknologi jika dikendalikan oleh pihak yang tidak bertanggungjawab dan hanya ingin mendapatkan keuntungan dari kurangnya pemahaman dalam penggunaan teknologi tingkat tinggi tersebut. Kata Kunci: Gaya berbusana, Fashion dan Pembentukan identitas, Kapitalisme, The Hunger Games.]]>
<![CDATA[ADAPTATION ANALYSIS OF HARRY POTTER AND THE HALF BLOOD PRINCE NOVEL BY J.K. ROWLING INTO FILM BY DAVID YATES ]]>
<![CDATA[Risza Dewi Rahmawati]]>;
<![CDATA[Imam Basuki]]>;
<![CDATA[Hat Pujiati]]>
<![CDATA[ Publika Budaya Vol 1 No 1 (2013): November ]]>
Publisher : <![CDATA[Fakultas Ilmu Budaya Universitas Jember ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
<![CDATA[Nowadays, there are many literary works that is transformed into an adaptation work. One of them is J.K rowling's novel entitled Harry Potter and the Half Blood Prince with the same title. Using this object, this article focuses on the motives that exist in the process of adapting the novel and make it into the form of a film adaptation. During process of transformation,it arises some changes and some excisions. These changes because of the consequences of the differences in the media, the text and audiovisual. There are three issues discussed in this research. First, what are the changes that have been made by the production team, the second, the consequences of differences in media against stories in novels and films, the third, the motives that contained in the film adaptation of Harry Potter and the Half-Blood Prince. Then, we use comparative method in this study in order to compare the differences between the novel and the film. During the process of analysis, we use the theory of adaptation and semiotic analysis. Furthermore, this article begins by classifying the differences that exist in the novel and compare it to the movie. After that, we use semiotics in order to help find the ideology that contained in the novel and the film. This ideology helps on finding the motives that contained in the film adaptation. The results of the analysis are: dominant ideology in the film adaptation is capitalism ideology that explains the economic and cultural motives in this film adaptation]]>
<![CDATA[HIPERREALITAS DALAM NOVEL CYBERPUNK FREE TO FALL KARYA LAUREN MILLER ]]>
<![CDATA[Rahina Manik Wanodya]]>;
<![CDATA[Hat Pujiati]]>;
<![CDATA[Irana Astutiningsih]]>
<![CDATA[ Publika Budaya Vol 3 No 2 (2015): Juli ]]>
Publisher : <![CDATA[Fakultas Ilmu Budaya Universitas Jember ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
<![CDATA[AbstrakFree To Fall adalah sebuah novel cyberpunk yang ditulis oleh Lauren Miller. Sebagai sebuah novel cyberpunk, Free To Fall mengambil beberapa poin dari fiksi ilmiah dan fiksi postmodern. Novel ini berhubungan dengan teknologi dan efek dari teknologi yaitu hiperrealitas. Hiperrealitas adalah sebuah fenomena yang menyebabkan keterputusan antara yang asli dan tiruan. Hiperrealitas adalah topik utama dalam analisis ini. Analisis ini menggunakan metode analisis kualitatif. Data yang dikumpulkan adalah tentang informasi yang berhubungan dengan hiperrealitas di Free To Fall, informasi tentang Paradise Lost, dan kondisi Amerika saat ini terkait dengan perkembangan teknologi. Diskusi dimulai dengan analisis konstruksi fiksi cyberpunk yang menuntun pada diskusi tentang hiperrealitas. Dalam menganalisis hiperrealitas di Free To Fall, teori hiperrealitas oleh Baudrillard digunakan untuk menganalisis perubahan imaji tentang teknologi di dalam novel. diskusi berlanjut untuk menganalisis intertekstualitas antara Free To Fall dan Paradise Lost oleh John Milton. Selanjutnya, analisis ini juga mendiskusikan tentang kondisi Amerika yang digunakan untuk menunjukkan hubungan antara hiperrealitas di Free To Fall dan Amerika. Hasilnya, teknologi telah mengaburkan realitas dan membawa orang-orang menuju realitas buatan. Analisis tentang hiperrealitas menunjukkan bahwa terdapat simulasi dari simulasi di dalam Free To Fall. Selain itu, hiperrealitas di Amerika menunjukkan bahwa orang-orang Amerika menggunakan teknologi untuk menciptakan surga mereka sendiri dimana mereka mendapatkan kebahagiaan.]]>
<![CDATA[THE OPERATION OF HEGEMONY IN A DYSTOPIAN SOCIETY IN LAUREN OLIVER'S DELIRIUM ]]>
<![CDATA[Bangkit Sandy Pratama]]>;
<![CDATA[Ikwan Setiawan]]>;
<![CDATA[Hat Pujiati]]>
<![CDATA[ Publika Budaya Vol 5 No 2 (2017) ]]>
Publisher : <![CDATA[Fakultas Ilmu Budaya Universitas Jember ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.19184/pb.v5i2.6152
<![CDATA[AbstractDelirium is a dystopian novel written by Lauren Oliver. In this novel, there is a depiction on how power and ruling position could be achieved by utilizing a process of negotiating beliefs and values rather than conducting a full coercive domination. The government as the dominant class in this novel initiates its attempt to gain power and ruling position from the people in the society through indoctrinating ideology by the apparatuses before finally gains the consensus from the dominated class. This study presents the elaboration on how hegemony works in a dystopian society which is influenced by the theme of physical-moral destruction, the embodiment of fear and the set of ultimate rules. As the theoretical framework to analyze the data in the novel, this study utilizes the theory of hegemony by Antonio Gramsci, the conception of ideology by Louis Althusser and the idea about coercive discipline by Michel Foucault. The purpose of this study is to delineate the stages of hegemony operation in a dystopian society and relates them to the actual hegemony of the United States as the alternate setting of the novel. The result of this study elaborates that hegemony is a process of gaining power in which the role of coercive elements in it is still needed in order to preserve the power and authority achieved by the dominant class after indoctrinating its ideology. This explains how both of the hegemony operation conducted by either the government in the novel or the United States is able to remain long and strong as it influences several important sectors such as economic, military, technology, culture and etc. From this result, it can be concluded that Delirium as a cultural product acts as one of the hegemonic apparatuses for the United States to strengthen its position as the beacon of the world.]]>
