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INDONESIA
Journal of Islamic Architecture
Published by Universitas Islam Negeri Maulana Malik Ibrahim Malang
ISSN : 20862636     EISSN : 23564644     DOI : -
Core Subject : Humanities, Art, Engineering,
Arts Humanities Civil Engineering, Building, Construction & Architecture
Journal of Islamic Architecture (JIA) is a scientific publication for widespread research and criticism topics in Islamic architecture studies. JIA is published twice a year in June and December since June 2010 by International Center for Islamic Architecture from the Sunnah (CIAS), Department of Architecture Universitas Islam Negeri Maulana Malik Ibrahim Malang, Indonesia. One volume of JIA is published in two-year calendar.
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Articles 5 Documents
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Search results for , issue "Vol 3, No 1 (2014): Journal of Islamic Architecture" : 5 Documents clear
THE IDENTIFICATION OF THE UNTUNG JAWA ISLAND’S INFRASTRUCTURE, LOCAL POTENTIALS AND ECOLOGICAL ASPECT FOR THE DEVELOPMENT OF AN ECOLOGICAL BASED INFRASTRUCTURE Puro, Sarjono; Atmiwyastuti, Niken; Restina, Nina
Journal of Islamic Architecture Vol 3, No 1 (2014): Journal of Islamic Architecture
Publisher : Department of Architecture, Faculty of Science and Technology, UIN Maliki Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (244.839 KB) | DOI: 10.18860/jia.v3i1.2529

Abstract

Geographically, the Untung Jawa island is located at the Seribu Islands region, a maritime tourism spot at thenorth of Jakarta.  The development of new infrastructures in the island would benefit to not only for tourism,but also the activities environmental sustainability in the area. A sustainable tourism development must touchthree important aspects: First, economic, social and environment which are inter-related to each other. If notcarried out in a balanced way, then it could possibly damage the infrastructures around the tourism area, suchas breakwaters, piers and the whole environment. In conclusion, it is important to map the characteristics ofthe infrastructure damage around the Untung Jawa Island, as well as the urgency to update the informationabout the ecology of the islands without forgetting the government’s role to develop the island by consideringthe characteristics of the infrastructure, local and ecological potential.   
GREYWATER TREATMENT SYSTEM IN UNIVERSITI KEBANGSAAN MALAYSIA MOSQUE: UTILIZING FILTER WELLS AS AN ALTERNATIVE SUSTAINABLE INNOVATION Utaberta, Nangkula; Handryant, Aisyah Nur
Journal of Islamic Architecture Vol 3, No 1 (2014): Journal of Islamic Architecture
Publisher : Department of Architecture, Faculty of Science and Technology, UIN Maliki Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (240.254 KB) | DOI: 10.18860/jia.v3i1.2530

Abstract

Water is one of the natural resources that support entire creature’s needs in earth. It was also a key element of sustainable living. The important of water is proved by fact that human body were consists of 80% water which makes daily water needs is definitely important. Same thing was happen on earth which also consists of 71 % water.  Unfortunately,  nowadays qualities  as well  as quantities  of  water is getting  poor caused many environmental decline. Those situation is feel quite irony, first is because in one side human are depending on water badly, and in another side, qualities and quantities water have been decreasing because of their own. This environmental issue, especially water was realized by Universiti Kebangsaan Malaysia (UKM) by starting to be a first pioneer in Green Sustainability Campus in Malaysia.  Although UKM is located in water-rich country, still UKM try to commit to save environment as well as manage its environment aspect. The usage of water in UKM itself is categorized in high level. UKM have around 20.000 students and most of them are dwelling in campus.  For  big  campus  like  this,  UKM  had  one  main  Mosque  which  accommodates  some  daily  worship  of Moslem as the majority one. For activities like ablution, washing and bathing, UKM Mosque had produce quite big  amount  of  grey  water.  Grey  water itself  is residual  water that  still fresh  and can  be recycled for some purposes such as landscape irrigation and cleaning service. One alternative method to treats the grey water is by the usage of filter wells. This paper is trying to analysis and proposes some design of grey water system in UKM mosque in order to save environment. With proper grey water treatment, UKM Mosque will contribute to save water and UKM’s environment. This successful water treatment is also can be an alternative model to apply in another building.  
ISLAMIC ARCHITECTURAL CHARACTER (BETWEEN LEGITIMACY AND DISPARITY) Ahmed, Ehab Nasr Elden Mohamed
Journal of Islamic Architecture Vol 3, No 1 (2014): Journal of Islamic Architecture
Publisher : Department of Architecture, Faculty of Science and Technology, UIN Maliki Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1134.838 KB) | DOI: 10.18860/jia.v3i1.2537

Abstract

Despite the cultural background similarity of Arab Islamic architects’ seniors and pioneers, and the existence ofconstants representing legitimacy, the final architectural product varies depending on the individual creativityin relating the architectural elements, either elements that pertain to the identity representation of theinherited architecture or elements pertain to the identity representation of the Arab Islamic contemporaryarchitecture product. That created a specific style for each architect according to the degree of theirconclusions, investigation’s strategy of traditional roots in their products and works, which are oftenassociated with certain values and the ambit of their interest to represent the identity of contemporary ArabIslamic architecture. In addition to the existence of two main strong motives, the need for affiliation and theneed for distinguishing oneself and diversity, in parallel with the presence of the methodological pluralism forevery Muslim architect.
THE SPIRITUAL SEARCH OF ART OVER ISLAMIC ARCHITECTURE WITH NON-FIGURATIVE REPRESENTATIONS Ahmed, Ar Sayed
Journal of Islamic Architecture Vol 3, No 1 (2014): Journal of Islamic Architecture
Publisher : Department of Architecture, Faculty of Science and Technology, UIN Maliki Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (790.281 KB) | DOI: 10.18860/jia.v3i1.2538

Abstract

Art behind Islamic architecture actually based on geometric patterns, developed through a continuous practiceover the centuries after centuries by the influences of various earlier cultures such as Greek, Roman,Byzantine, Central Asian and Persian. Basic shapes like squares and rectangles play significant role in Islamicarchitecture.The reason is, it might recall the principles that govern the order of the world- ‘Purity’, couldonly be resembled by pure forms. The façades built by rectangular bricks tend to shape the built form inregular modules. This brickwork casts shadows in strong desert sunlight and creates a three-dimensional effectas light is welcoming message from the Devine source, as it is regarded in all religions. In addition, variouspointed starry patterns are common practice and get extremely complex when the outer points are joinedtogether and intersections are connected in a systematic way. Another mode is based on organism of floralforms which recalls the feminine nature of life giving. Again, nobody will argue about the contribution ofcalligraphy is the most patronized art for decoration. Why have Islamic world choose this universal phenomena?As Allah’s creation is pre-decided, the credit of all creativity belongs to the almighty. Also to his messenger,the holy prophet; who taught us to think in this way. The world is only a shadow of real world; here man is on abewildered search. May be their firm belief; what man can perceive, can only discover the geometric forms toconstitute designs which were already existed before in the ‘real world’. Discovered geometric forms,therefore, tries to exemplify that perfect reality because creation of Allah has been obscured by the sins ofmankind- Art of the complete surrender.
SINO-ARABIC SCRIPT AND ARCHITECTURAL INSCRIPTIONS IN XI’AN GREAT MOSQUE, CHINA Dilmi, Djamel
Journal of Islamic Architecture Vol 3, No 1 (2014): Journal of Islamic Architecture
Publisher : Department of Architecture, Faculty of Science and Technology, UIN Maliki Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (851.21 KB) | DOI: 10.18860/jia.v3i1.2539

Abstract

The Islamic art have played a significant role in the development of Muslim Chinese community in China, it wasdeveloped through time in response to cultural needs of the minority Muslim groups in China. The Islamiccalligraphy was widely used in architecture, especially in interior and exterior decoration of mosques andother religious buildings. The aim of this study is to interpret the Islamic art and architecture in China throughapplication of Sino-Arabic script on mosques and crafts produced by Muslim minority in China in relation to theIslamic civilization and Chinese civilization, in order to suggest some guidelines for the preservation of thisforgotten Islamic heritage. To achieve the aim of this paper the Sino-Arabic inscriptions will be examined inorder to determine their characteristics and the nature of the effects to which they have been subjected. Abroad range of information was collected from various sources and through a field survey that was carried outin Xi’an Great Mosque in China. The collected information from field work will be analyzed with particularregard to the special character of Chinese Islamic art and architecture. This study is an attempt to addressthe important topic of Islamic calligraphy and its application on architectural buildings in China as part ofissues of Islamic architectural heritage and its integration with local tradition that have been occurred in theMuslim world and it is hoped that it is going to be a significant contribution to the subject of Islamic art andarchitecture in China as well as revival and preservation of this forgotten heritage. Detailed conclusion will bearrived at the end and specific suggestions are intended to assist in examining the topic in depth and helping indeveloping guidelines for regional expansion and adaptation of Islamic art and architecture with localenvironmental condition to contribute more for the future of Muslim heritage and civilization.

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