cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
Panji Suroso
Contact Email
panjisuroso@unimed.ac.id
Phone
+6285173022012
Journal Mail Official
gondang@unimed.ac.id
Editorial Address
Program Studi Pendidikan Musik, Fakultas Bahasa dan Seni, Universitas Negeri Medan Jl.Willem Iskandar Ps. V, Medan Estate.
Location
Kota medan,
Sumatera utara
INDONESIA
Gondang: Jurnal Seni dan Budaya
Published by Universitas Negeri Medan
ISSN : 25990594     EISSN : 25990543     DOI : https://doi.org/10.24114/gondang.v8i1
Core Subject : Humanities, Art,
Arts Humanities
Gondang is a Journal of Art and Cultural for information and communication resources for academics, and observers of Art and Culture, Performing Arts, Educational Arts, Methodology of Art and Cultural. The published paper is the result of research, reflection, and actual critical study with respect to the themes of Art and Culture. All papers are peer-reviewed by at least two referees. The scope of Gondang is the Science of Art and Culture. Published twice a year (June and December) and first published for print edition in June 2017.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 26 Documents
 1   2   3 
Search results for , issue "Vol 7, No 1 (2023): GONDANG: JURNAL SENI DAN BUDAYA, JUNI 2023" : 26 Documents clear
Counterpoint and Non-harmonic tone Arrangements on “Bungong Jeumpa” Song Arrangements Works of Paul Widyawan Jagar Lumbantoruan
Gondang: Jurnal Seni dan Budaya Vol 7, No 1 (2023): GONDANG: JURNAL SENI DAN BUDAYA, JUNI 2023
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v7i1.49276

Abstract

The purpose of this study is to analyze and describe Paul Widyawan's “Bungong Jeumpa” song about conterpoint and non-harmonic tone arrangements. This type of research is qualitative with a content analysis approach, namely: objectivity, systematic, and generalization. The data in this study were taken from literature studies and song scores. The analysis technique uses choral composition techniques, conterpoint, and non-harmonic tones. The results showed that the composition of “Bungong Jeumpa”'s song has three parts, namely: intro, content, and coda. The intro consists of 8 measure chambers, contains 20-measure chambers, and 4 coda chambers. The arrangement of the song is a polyphony-homophony texture, based on the Cantus Firmus. SATB's melodic contour relationships are tonal conterpoint in the key of A minor harmonics. Each melodic contour moves with the same rhythm and is generally different. Differences in melodic contours produce four types of Motus, namely parallellus, contrarius, obliqus, and rectus. Besides that, with the differences in the rhythm and melody of the songs on SATB with the presence of insert notes between the harmonic tones, there is also a different musical atmosphere. Based on position, motion, and solutions of dissonant tones, five types were found, namely: passing tone, appoggiatura, changing tone, neighbouring tone, and retardation.
Fadjar 'Sopsan' Creativity in the Creation of Tembang Banyumasan Nurul Aulia Dewi Arifin; Sunarto Sunarto; Suharto Suharto
Gondang: Jurnal Seni dan Budaya Vol 7, No 1 (2023): GONDANG: JURNAL SENI DAN BUDAYA, JUNI 2023
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v7i1.48642

Abstract

Artists and creativity are inseparable. Artists in creativity have the challenge of transforming an abstract idea into a practical one in order to create a good creation. Fadjar Praptono, a musician from Banyumas, creates based on the Encouragment of responses to enviromental situatons by paying attention to the suitability contents of the song lyrics with the existing social, political and cultural situations. This research discusses Fadjar's creative process in creating tembang Banyumasan that have a distinctive Banyumas character. This research uses a descriptive qualitative method that aims to understand the object studied in more depth. This research uses a case study design, which is focuses on exploration of finite system. The data collection techniques used are observation, interviews, and literacy studies. The interview was conducted directly with the main informant Fadjar 'Sopsan'. The study results prove that Fadjar went through several continuous stages in the creation of Banyumasan songs, including creative ideas, cultural knowledge, experience, work concepts, and creative act.
Elaboration of the Sinden Technique with Mime in the Creation of Merajut Dimensi Masa Wiflihani Wiflihani; Frisdo Ekardo
Gondang: Jurnal Seni dan Budaya Vol 7, No 1 (2023): GONDANG: JURNAL SENI DAN BUDAYA, JUNI 2023
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v7i1.48695

Abstract

Merajut Dimensi Masa is a theatrical performance that is the result of elaboration of the sinden technique with pantomime motion techniques. The researcher initiated a musical theater that uses Mime Gestures as a concept for creating acting in the work. This has implications for an actor to study acting, music, and pantomime. The concept of this show elevates the spirit of the Javanese Koeli Kontrak in North Sumatra as the main story idea and theme in Merajut Dimensi Masa. The method used in this research is a qualitative research method. In collecting data using observation techniques, documentation, in-depth interviews and followed by interactive analysis. The stages of the training that the researchers carried out revolved around body exercises, vocal exercises, singing, sinden and pantomime exercises. So that through this systematic work, the concept of singing theater was born using mime as a concept of acting in the medium of performing arts. This research also seeks to offer new ideas in dramaturgical acting to create dramatic elements through the arts of singing and pantomime.
Study of Forms and Meanings Simalungun Folk Song Urdo-Urdo in Bahapal Raya Village Sara Dewanti Purba
Gondang: Jurnal Seni dan Budaya Vol 7, No 1 (2023): GONDANG: JURNAL SENI DAN BUDAYA, JUNI 2023
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v7i1.40556

Abstract

This study aims to determine the origins of Urdo-urdo chants, to know the study of Urdo-urdo chants, to find out the forms of Urdo-urdo chants, to find out the meaning contained in Urdo-urdo chants, and to find out the characteristics of Urdo-urdo chants in Bahapal Raya Village, Pematang Raya District, Simalungun Regency. The theoretical basis used in this study is the theory of study which explains the meaning of study, namely or describes a detailed matter so that it conducts a study; music theory, namely music is a cultural activity that is very familiar with human life, form theory, namely form is a scheme or arrangement that intact from several phrases, the theory of meaning that uses semiotic theory and semantic theory, the theory of Urdo-urdo songs, namely those that function as lullabies and songs to calm crying children. The research method used in this study is a qualitative descriptive method. Based on the results of the research conducted, it can be seen that the origin of Urdo-urdo singing is an ethnic song passed down from the ancestors of the Simalungun people to their generation orally. The hallmark of Urdo-urdo singing is using Iggou Simalungun. The Urdo-urdo singing form consists of four forms: A, B, C, and D. The meaning contained in the Urdo-urdo singing presented by the resource person is a lullaby for children, which contains advice..
Manggopoh dalam Bingkai: Weaving the History of Siti Manggopoh Into the Choreography of a Dance Work Quinta Sari; Venny Rosalina
Gondang: Jurnal Seni dan Budaya Vol 7, No 1 (2023): GONDANG: JURNAL SENI DAN BUDAYA, JUNI 2023
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v7i1.49555

Abstract

The figure of Siti Manggopoh is an inspirational Minangkabau woman who fought for human rights. The dance work "Manggopoh Dalam Bingkai" showcases and symbolizes her unwavering spirit as she led a war against the Dutch. It reflects the traditional martial art of "silek" as the dancers' fundamental movement. This dance work carefully incorporates local idioms with distinct Minangkabau nuances, including the setting, music, costumes, dialogue, and etiquette. Its main objective is to nurture creativity in the creation of dance art, an aspect that has been studied throughout the course of education."Manggopoh Dalam Bingkai" sets a benchmark for choreographers aspiring to transform historical events into dance works with compelling storylines. Drawing inspiration from the phenomenal figure of Siti Manggopoh, this production aims to preserve and carry forward the precious local wisdom from the land of Minang.Through this dance work, we revitalize the spirit of resilient and courageous Minangkabau women. It serves as a powerful reminder of the values of bravery, tenacity, and an unyielding spirit in defending their homeland from oppression. With its captivating movements and expressions, "Manggopoh Dalam Bingkai" aims to inspire present and future generations to cherish and continue the struggle and cultural heritage of great significance.
KauAku: Interpretation of Toxic Relationships and Senandung Jolo Mirnawati Mirnawati; Asril Asril
Gondang: Jurnal Seni dan Budaya Vol 7, No 1 (2023): GONDANG: JURNAL SENI DAN BUDAYA, JUNI 2023
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v7i1.49854

Abstract

Toxic relationships are dangerous. Toxic relationships are often found in dating relationships. The cause of a toxic relationship is when in a relationship there is intimidating behavior towards their partner, being rude, reluctant to blame and winning alone. The social phenomena of toxic relationships or toxic relationships above become ideas in the creation of works. The creators interpret the atmosphere and emotions experienced in dating such as joy, sadness, anger, chaos and moral messages about dating as important parts that can be expressed. In developing the work, the artist uses the local idiom of the Senandung Jolo tradition. The creation method used in the cultivation is based on the testimony of the creative thinker Graham Wallas (1926) in the book Psychology of Art by Irma Damayanti it is stated that there are three stages, namely the data collection stage, the observation stage, and the work embodiment stage. The author interprets that a toxic relationship always begins with harmony, but there is also an emotional imbalance with the big title Composition KauAku, which consists of three works entitled "Selaras", "Kentara" and "Swantantra" with world music approach.

Page 3 of 3 | Total Record : 26

 1   2   3 

Filter by Year

2023 2023


Reset
Filter By Issues
All Issue Vol. 9 No. 1 (2025): GONDANG: JURNAL SENI DAN BUDAYA, JUNE 2025 Vol. 8 No. 2 (2024): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2024 Vol. 8 No. 1 (2024): GONDANG: JURNAL SENI DAN BUDAYA, JUNE 2024 Vol 8, No 1 (2024): GONDANG: JURNAL SENI DAN BUDAYA Vol. 7 No. 2 (2023): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2023 Vol 7, No 2 (2023): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2023 Vol 7, No 1 (2023): GONDANG: JURNAL SENI DAN BUDAYA, JUNI 2023 Vol 6, No 2 (2022): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2022 Vol 6, No 1 (2022): GONDANG: JURNAL SENI DAN BUDAYA, JUNI 2022 Vol 5, No 2 (2021): GONDANG: JURNAL SENI DAN BUDAYA, DESEMBER 2021 Vol 5, No 1 (2021): GONDANG: JURNAL SENI DAN BUDAYA, JUNI 2021 Vol 4, No 2 (2020): GONDANG: JURNAL SENI DAN BUDAYA, DESEMBER 2020 Vol 4, No 1 (2020): GONDANG: JURNAL SENI DAN BUDAYA, JUNI 2020 Vol 3, No 2 (2019): GONDANG: JURNAL SENI DAN BUDAYA, DESEMBER 2019 Vol 3, No 1 (2019): Gondang: Jurnal Seni dan Budaya, Juni 2019 Vol 2, No 2 (2018): Gondang: Jurnal Seni dan Budaya, Desember 2018 Vol 2, No 1 (2018): Gondang: Jurnal Seni dan Budaya, Juni 2018 Vol 1, No 2 (2017): Gondang: Jurnal Seni dan Budaya, Desember 2017 Vol 1, No 1 (2017): Gondang: Jurnal Seni dan Budaya, Juni 2017 More Issue