cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
Surya Farid Sathotho
Contact Email
suryafarid@isi.ac.id
Phone
+6282228334645
Journal Mail Official
dtreview@isi.ac.id
Editorial Address
Fakultas Seni Pertunjukan Institut Seni Indonesia Yogyakarta
Location
Kab. bantul,
Daerah istimewa yogyakarta
INDONESIA
Dance and Theatre Review: Jurnal Tari, Teater, dan Wayang
Published by Institut Seni Indonesia Yogyakarta
ISSN : 25025880     EISSN : 26866027     DOI : https://doi.org/10.24821/dtr.v4i2
Core Subject : Humanities, Art,
Arts Humanities
Dance & Theater Review (DTR) is a journal published in May and November, hosted by the Faculty of Performing Arts of Institut Seni Indonesia Yogyakarta. It is firstly published in May 2018. Journal of DTR contains any results of research and creation of dance, theatre, and wayang as well as performing arts education.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 5 Documents
 1 
Search results for , issue "Vol 2, No 1 (2019): May 2019" : 5 Documents clear
Nilai-Nilai Kearifan Lokal Melalui Tari Galombang Gaya Sasaran: Studi Sasaran Sebagai Sarana Pendidikan Kultural Nerosti Nerosti
Dance and Theatre Review: Jurnal Tari, Teater, dan Wayang Vol 2, No 1 (2019): May 2019
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1124.834 KB) | DOI: 10.24821/dtr.v2i1.3298

Abstract

This article aims to discuss the issue of Minangkabau local wisdom manifested in Galombang dance activities in the context of the target style. The existence of pencak silat targets is very meaningful for Minangkabau men because the target is not only a means of physical endurance training but also a basis for cultural education for Minangkabau people. Thus, the problem that will be expressed in this article is about the importance of the target for men in Minangkabau as a means of educating local wisdom, by expressing the implementation of local wisdom values through the target-style Galombang dance, and also explaining the extent to which values of the local wisdom is manifested in today’s Galombang dance performances. Sasaran and Galombang dance are two things that are interconnected in building the values of local wisdom in Minangkabau. This cultural activity has been started since the past when the royal system ruled in Minangkabau. In turn, the target as a forum for cultural education that contains local wisdom values becomes the place to produce Galombang dance, so that the values of local wisdom are manifested in the target-style Galombang dance.Keywords: local wisdom values; Sasaran; Sasaran Style of Galombang dance
Wayang Palembang Dalam Lakon Bambang Dharmojati oleh Dalang Kiagus Wirawan Bersama Sanggar Sri Palembang Aminatul Fadilla
Dance and Theatre Review: Jurnal Tari, Teater, dan Wayang Vol 2, No 1 (2019): May 2019
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1294.511 KB) | DOI: 10.24821/dtr.v2i1.3299

Abstract

This study aimed to analyzing the dynamics of the existence of the Wayang Palembang from the beginning of birth until that brought by Kiagus Wirawan with Sanggar Sri Palembang nowaday (2019). So, to be more focused, Bambang Dharmojati’s sample was chosen in order to give an overview of the Wayang Palembang performance. This research was conducted using qualitative methods and ethnographic approaches. During the process of research found that Wayang Palembang is a typical art that originated from Wayang Purwa. This art began to live and be known in the community since the collapse of the Palembang Darussalam sultanate. There were three very strong cultural elements in the Wayang Palembang, namely the Melayu Palembang, Java and Cirebon. Wayang Palembang today was experiencing a decline in audience interested. This phenomenon raises fundamental questions about how the Wayang Palembang performance, how Sanggar Sri Palembang survives and why it has decreased audience interested. For this reason, Hausers, Tomars and Wolff’s theories were used which said that social change in a place will present a unique art renewal in accordance with the social patterns of the community at that time, then Kernodle’s structured and textured theory was used to analyzing the form of performances to be able to presenting interpretations of interested preferences show. Furthermore, the way to survive is analyzed by Scott’s theory which said that efforts to fight and survive consist of open and hidden form resistance. The results of this study indicated that the Wayang Palembang performance today was still very classical in nature, resulting in a difference between public demand and the availability of performance space. However, to maintain its existence, Kiagus Wirawan and Sanggar Sri Palembang will always hold Wayang Palembang performances independently and do not care about the number of spectators.Keywords: Wayang Palembang; performance, society, Sanggar Sri Palembang; Bambang Dharmojati
Transformasi Multipel dalam Pengembangan Seni Kuda Kepang Kiswanto Kiswanto
Dance and Theatre Review: Jurnal Tari, Teater, dan Wayang Vol 2, No 1 (2019): May 2019
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1596.278 KB) | DOI: 10.24821/dtr.v2i1.3295

Abstract

This article aims to discourse the perspectives of multiple transformations in the practice of developing performing art of kuda kepang at Turonggo Seto Mardi Utomo group in Boyolali, Central Java. The study of multiple transformations has long been evolving in design and architecture research, but the perspective is rarely encountered in performing arts research which on average still views transformation as a linear or multi-linear process of change. Multiple transformations describe a condition of change made by multiplying or doubling the shape of the kuda kepang art (by taking the same essence, core, or fibre of its structure) into various kinds. The multiplication shows a process of creative development that is triggered by two factors, namely the development of aesthetic and market needs.Keywords: kuda kepang; multiple transformations; traditions; creativity; markets
Pantomim di Indonesia: Sebuah Metode Pendidikan Nur Iswantara
Dance and Theatre Review: Jurnal Tari, Teater, dan Wayang Vol 2, No 1 (2019): May 2019
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1271.303 KB) | DOI: 10.24821/dtr.v2i1.3296

Abstract

The learning methods of pantomime in Indonesia in the context of national education can be designed to support character education programs scheduled by the government through formal and non-formal education channels. The purpose of this study of pantomime learning methods is to package the way of parenting in the education realm. The method used is a qualitative method and method of action. The findings of the pantomime learning method are in the form of pantomime concepts and presentation techniques that offer new ways and procedures to improve and enhance the professionalism of the ability to educate pantomimes nationally. Thus in the presentation of pantomime learning with sign language, the expression on the face and body of the culprit can be appreciated by every person, community and citizen of Indonesia and other nations.Keywords: pantomime; the professionalism of educators; character education; formal and non-formal education
Akulturasi Budaya Islam-Jawa dalam Pementasan Kesenian Ketoprak Bagus Wahyu Setyawan
Dance and Theatre Review: Jurnal Tari, Teater, dan Wayang Vol 2, No 1 (2019): May 2019
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1439.563 KB) | DOI: 10.24821/dtr.v2i1.3297

Abstract

The purpose of this study was to describe the form of acculturation of Javanese-Islamic culture in ketoprak performance. The acculturation of Javanese-Islamic culture can be found in a variety of Egyptian-style of ketoprak. The Egyptian’s ketoprak is often referred to as Ketoprak Baghdad, Ketoprak Stambul, and Ketoprak 1001 nights because the performed stories are from the Middle East (the story of 1001 nights). The acculturation of Islamic-Javanese culture in the Egyptian’s ketoprak can be seen in terms of stories that adopt the plays from the Middle East or the play of 1001 nights. Besides, the acculturation of Islamic-Javanese culture also appears in terms of costumes and accompaniment. The costumes used are different from Ketoprak in general, which is a combination of Javanese costume and Middle Eastern style clothing. In terms of accompaniment, the Egyptian style of ketoprak also uses “terbang” musical instruments by bringing in the Islamic nuances of songs. In today’s era, Islamic nuances of ketoprak are used in any activities related to ceremonies and commemorations of Islamic holidays. Therefore, the development of ketoprak in the present has become more flexible and adapted to the needs of the community.Keywords: acculturation; Islamic-Javanese culture; the Egyptian style; Ketoprak; Islamic nuances

Page 1 of 1 | Total Record : 5

 1 

Filter by Year

2019 2019


Reset
Filter By Issues
All Issue Vol 8, No 1: May 2025 Vol 7, No 2: November 2024 Vol 7, No 1: May 2024 Vol 6, No 2: November 2023 Vol 6, No 1: May 2023 Vol 5, No 2: November 2022 Vol 5, No 1: May 2022 Vol 4, No 2: November 2021 Vol 4, No 1: May 2021 Vol 3, No 2 (2020): November 2020 Vol 3, No 1 (2020): May 2020 Vol 2, No 2 (2019): November 2019 Vol 2, No 1 (2019): May 2019 Vol 1, No 2 (2018): November 2018 Vol 1, No 1 (2018): May 2018 More Issue