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Adabiyyat: Jurnal Bahasa dan Sastra

Adabiyyat
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Published by Universitas Islam Negeri Sunan Kalijaga Yogyakarta

ISSN : 25491482 EISSN : 25492047 DOI : -

Core Subject : Humanities, Art,

Arts Humanities

AdabiyyÄt: Jurnal Bahasa dan Sastra, memiliki fokus kajian pada lingkup bahasa, sastra, dan terjemah (Arab, Inggris, dan Indonesia-terkecuali bahasa lokal). Bahasa pengantar yang dipakai dalam penulisan artikel jurnal AdabiyyÄt adalah bahasa Indonesia. Jurnal AdabiyyÄt diterbitkan dua kali dalam satu tahun oleh Fakultas Adab dan Ilmu Budaya, UIN Sunan Kalijaga Yogyakarta, berdiri sejak tahun 2002.

Arjuna Subject : -

Articles 10 Documents

Search results for , issue "Vol 8, No 2 (2009)" : 10 Documents clear

KLASIFIKASI KATA DALAM BAHASA ARAB MENURUT LINGUIS ARAB KLASIK DAN MODERN Abdul Basith
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 8, No 2 (2009)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

This paper aims to investigate Arabic word classificati based on Arabic Grammarians and modern linguists’ perspectives and principles which they use in that classification. As it is explored by Arabic Grammarians, the word classification is divided into three components, such as ism (noun), fi'l (verb) and harf (particle) ,which causes problems when between definition and sign of each of the classification is unmatched in a given text. Therefore, some modern linguists, one of them is Tamām Hassān, try to reconsider and to remake a new classification of Arabic words. While other Arabic Grammarians only use the six principles of classification (such as distribution principle, substitution principle, function principle, morpheme principle, meaning principle and predicative principle), Tamām Hassān uses two additional principles, those are: the form principle (al-mabnā) and the meaning principle (alma'nā). and the conclusion of is that Arabic word is divided to seven such as ism (noun), sifah (adjective), fi'l (verb), damīr (pronoun), arf (adverb), khalīfah (exclamation) and adāh.

BENTUK KESEJAJARAN ANTARA REALITAS ‘AZRĀ’ JĀKARTĀ DAN REALITAS SEJARAH INDONESIA Taufiq Ahmad Dardiri
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 8, No 2 (2009)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

The novel ‘Azrā`Jākartā, written by Najīb al-Kīlāniy, has its setting in Indonesia. The characters and the events of the novel are seen in its correspondence to the history of Indonesia in the 1960’s in many aspects. Those aspects are: 1) the presence of the communist ideology in Indonesia, 2) the Coupe d’tat or the sudden overthrow of a government by a usually small group of persons —Comunist Party, which was previously in positions of authority, thirdly is that the Moslem as the victims of this clash of ideology. From this study, it can be clearly seen that the historical events of the novel is the part of its structure. Furthermore, it’s not merely coincidently taken for granted; instead it has its meaning.

ARABISASI (TA‘RIB) DALAM BAHASA ARAB (Tinjauan Deskriptif-Historis) Abdul Malik
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 8, No 2 (2009)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

As a responsive agent, language changes and adapts in accordance with the development of civilization. So does Arabic language. As the adaptation mechanism (ta‘rib), Arabic language has gone through some changes. New words emerge. Some words are formed from the language itself and some are from others. This study aims to focus on ta‘ri> b or Arabization of foreign words and its process. The periodic stages of this process are observed through the historical point of view while the phenomenon of the ongoing. Arabization is discussed through a descriptive analysis. The paper initially is discussing the loan words (dakhil) and formation words, along with the definition promoted by linguists about ta‘rib. Contemporary examples are exposed as a comparison.

MENENGOK SENI TEATER/DRAMA UMAT ISLAM DI INDONESIA Aning Ayu Kusumawati
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 8, No 2 (2009)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Theatre has become a part of the Islamic world recently. Moslems become more familiar with Islamic theatre and film. Indonesian independence, as well as the western theatre, triggers the blooming of theatre. To see its development in this country, where Moslems is the majority, it is necessary to observe how the local group of theatre or drama making its changes in their appreciation, conception, interpretation, expression, and creation. The main paradigm of the art of Islamic theatre, as the part of Islamic culture, can be understood through a textual and contextual approach.

AL-SUYŪTI DAN AL-BAHJAH AL-MARDIYYAH (Tinjauan Biografi dan Karya) M. Pribadi
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 8, No 2 (2009)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Bahjah Mardiyyah, written by Jalal al-Din al-Suyuthi, is an interpretation of nazam (rhymed form) of alfiyyah Ibn Malik. It’s compactness does not make it incomplete. The discussion and the explanation, in Bahjah Mardiyyah, about intricate dictions in nazam alfiyyah Ibn Malik are quite complete. In addition, it is necessary for the students of Arabic Department to learn about it. This study uses the descriptive approach to elaborate the text in order to be able to criticize this book. With its unique patterns, this book is able to give an enlightenment of Arabic grammar. Tanbih, far’, tatimah are the methods of interpretation used in this book.

STRUKTUR WACANA IKLAN PERDUKUNAN DI INDONESIA Ashari Hidayat
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 8, No 2 (2009)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

The research aims describe the discourse components and patterns structure of perdukunan (a person who can make contact with the world of spirit or the world of shamanism, medicine man, healer, exorcist, etc) advertisement. The objective of this research is to analyze the discourse perdukunan advertisement. In addition, the descriptive method combined with sociolinguistic study approach use in this research. Three stage of descriptive method are data collecting, data analysis, and analysis explanation. Data recourse take from Posmo tabloid. The data are described by the theory of discourse analysis and situational aspects on the theory sociolinguistics. Base on the elaboration and the explanation of data, it is found that perdukunan advertisement component and pattern varies. Perdukunan advertisement discourse component consists of problems elements, resolutions of those elements, and the reinforcements of element. The discourse pattern of perdukunan advertisement consists of introduction, body and closing. Those three parts comprised both main components and supporting component. The main component was the information which proved the information of O1 identity, problem and resolution. The supporting component was the proposition which confirmed or supported the information of main components. Those which included in the supporting components were testimony, guarantee and suggestion.

PERUBAHAN BAHASA (Interaksi antarkomponen Tatabahasa Bahasa Arab) Fahmi Gunawan
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 8, No 2 (2009)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

This study aims to analyze the change in Arabic languagethe interaction of its structural components. It is the language change, which causes the change of other structural components. The data is taken from the religious article of al-Ahram magazine. By using Poedjosoedarmo’s point of view, it can be found that the language change (Arabic syntax) occurs because of the movement of the subject of the sentence (Fi’iliyah). In addition, the system of topicalisation will come up, which, in turn, this makes another topic (mubtada) and comment (khabar) on the noun clause (Ismiyyah). The system of topic and comment then make the system of adjustment of number (mutsanna and jamak). and cases (I’rab). All that occurs is the interaction between language component to create the ideal structure, which is clear, compact, and understandable.

ANALISIS STRUKTURALISME LEVI-STRAUSS TERHADAP KISAH PEDAGANG DAN JIN DALAM DONGENG SERIBU SATU MALAM Neneng Yanti Kh.
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 8, No 2 (2009)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Seribu Satu Malam (One thousand and One Nights or The Arabian Nights) is a renowned tale through out the world, which has been translated into languages. As a literarywork, it certainly has a unique structural characteristic. The aim of this paper is to analyze the unique structure of Seribu Satu Malam based on Levi-Strauss’ Structuralism. It analyses one of the Seribu Satu Malam stories as a sample; that is Kisah Pedagang dan Jin (the story of the trader and the genie). In the stories of Kisah Pedagang dan Jin, its structure can be found in the all of Seribu Satu Malam stories. This study reveals the threads of ceritheme, which connects one story to the others until those stories appeared as a unity. The stories are seen as variations of a single theme, which is how the characters saw their own life and solved their problems. This becomes the stories’ hidden structures.

TAFSIR BERBASIS LINGUISTIK “AL-TAFSĪR AL-BAYĀNI LI AL-QUR’ĀN AL-KARĪM “ KARYA ‘ĀISYAH ‘ABDURRAHMĀN BINTU SYĀT Fuad Thohari
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 8, No 2 (2009)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Two outstanding features, which Al-Tafsir al-Bayani li al-Qur’an al-Karim has, are, firstly, it’s written by a woman, named Binti Syati’- and secondly, its method ofinterpretation uses linguistic approach. This book of linguistic interpretation is an application of the method of modern interpretation invented by Amin al-Khuli. This study aims to explain that Al-Tafsir al-Bayani has its theoretical framework on linguistic approach. Firstly, it interprets Qoran thematically based on its surah unity, in this case it takes 14 short surah. Secondly, it focuses on the words’ generality, instead of the prophetic events. Thirdly, it analyzes the meaning (dilalah)of Qoran in Arabic. Forth is that it holds on to its contex of nash.

CERMIN WANITA DI MATA DOMINASI MASYARAKAT PATRIARKAT DALAM PEREMPUAN SUCI DAN PEREMPUAN TERLUKA KARYA QAISHRA SHAHRAZ Mamba`ul Athiyyah
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 8, No 2 (2009)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Perempuan Suci (Holy Woman) and Perempuan terluka (Typhoon) are written by Qaishra Shahraz —a Pakistanian female writer. The novels talk about Woman and Freedom. This paper aims to discuss on how Qaishra Shahraz’s view on woman and freedom, how the tradition and culture subordinates woman. With the theory of Foucault about the power and the theory of feminist, this paper observes the character of Qaishra Shahraz, besides her novels. After seeing her view, it is found that Qaishra Shahraz successfully makes the world see the other side of the Pakistanian women. Qaishra Shahraz has never declared herself as feminist.

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