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Reizki Habibullah
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reizkihabibullah@gmail.com
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+6281372370131
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jurnalsorai@gmail.com
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Jl. Ki Hadjar Dewantara No.19, Kentingan Jebres Surakarta, Indonesia
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INDONESIA
Sorai: Jurnal Pengkajian dan Penciptaan Musik
Published by Institut Seni Indonesia Surakarta
ISSN : 24073938     EISSN : 26849445     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
The journal invites original, significant, and rigorous inquiry into all subjects within or across disciplines related to music creation, music studios, and ethnomusicology. It encourages debate and cross-disciplinary exchange across a broad range of approaches. The spectrum of topics include: 1) Review of Nusantara Music 2) Sociology of Music 3) Anthropology of Music 4) World Music Culture 5) Digital Music Studies 6) Archaeology of Music 7) Intercultural Studies of Music 8) Ethnography of Music 9) Music and Multicultural Education 10) Music Criticism 11) Musician Profile and Thought 12) Artistic Review of the Music Creation Process.
Arjuna Subject : Seni dan Humaniora - Musik
Articles 6 Documents
 1 
Search results for , issue "Vol 14, No 2 (2021)" : 6 Documents clear
FUNGSI SHOFAR DALAM PERIBADATAN DI GJKI MILLENIUM DAMAI MINISTRI SURAKARTA Yona Ari Prihandhini; Sigit Astono
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol 14, No 2 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v14i2.3982

Abstract

This paper describes the function of shofar at GJKI Millennium Damai. This qualitative research generally based on Malinowski's theory, and contextually based on Merriam’s theory. Qualitative research data were collected through interviews, literature studies, and observations of the previous worship documentation videos. The results of the study show that, spiritual needs of GJKI Millennium Damai’s concegeration which embrace the tabernacle of Mose is an impulse, then the act is using shofar, the result is spiritual satisfaction. Contextually function of shofar first, that the function of the Shofar in worship is as as a vertical communication medium between the servant and the God. Second, the function of the Shofar plays, believed that the sound of the Shofar makes God's presence more pronounced, so the concegration responded such as crying, clapping, dancing and so on. Third, shofar as a validation of religious rituals, in accordance with the recommendations of the Exodus Bible, which contains the concept of Mose’s tabernacle and is believed to be true by the GJKI Millennium Damai.
NURTURE DAN NATURE PADA IRINGAN MUSIK NGINGGUT DALAM RITUAL SEMEGAH ERAU PELAS BENUA DI GUNTUNG KALIMANTAN TIMUR Yusuf Rizky N.C; Paramitha Dyah Fitriasari; Eli Irawati
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol 14, No 2 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v14i2.3910

Abstract

Nginggut music tradition in the Semegah ritual is one of the cultures that has been maintained until now. Nginggut and Belian musicians are important elements of bonding, harmony, magical and sacred atmosphere in the implementation of rituals. The ritual implementer must be a person who is considered capable of carrying out the ritual and has physical, psychological, and reasoning endurance. This view forms the social construction of the paradigm that men are people who deserve to carry out rituals, both as leaders and musicians. Meanwhile, women are the people who support the ritual, because they are considered naturally unable to fulfill the requirements as ritual implementers. The theory of nurture and nature states that the emergence of a construction as well as a social paradigm is determined through the biological type of human that is obtained from birth. Based on this theoretical statement, the author examines the relationship between Ngiggut music which places men as performers of rituals, as well as the relationship between nurture and nature that forms the structure of society so that it has an influence in the aspect of Ngiggut music on Semegah rituals.Keywords: Nginggut music, Semegah ritual, Male
KARYA KOMPOSISI PETEGAK KREASI JEGOG “NGAKIT” I Komang Diki Putra Sentana; Hendra Santosa; Ni Wayan Masyuni Sujayanthi
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol 14, No 2 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v14i2.4148

Abstract

Karya seni musik khususnya musik karawitan tercipta dari ide kreatif para seniman, ide penciptaan sebuah karya dapat muncul dari beberapa fenomena diantaranya fenomena alam, fenomena kehidupan, maupun fenomena musikal. Sebagian besar ide muncul dari fenomena alam dan fenomena kehidupan namun tidak menutup kemungkinan terciptanya suatu karya seni musik karawitan dapat muncul dari fenomena musikal. Hal ini menggugah penulis untuk menciptakan sebuah karya yang bertujuan memfokuskan pada fenomena musikal yang terdapat dalam karya yang berjudul “Ngakit” sehingga dapat memberikan sentuhan kreatifitas dalam musik karawitan. Metode yang digunakan dalam karya ini adalah metode penciptaan oleh I Wayan Beratha yang terdiri dari proses nguping, menahin, dan ngalusin dengan menambahkan metode ngungkap rasa untuk penghayatan pada setiap bagian lagu. Karya “Ngakit” direalisasikan dengan menggunakan media Gamelan Jegog dengan teknik musikal Kotekan dan teknik khas dari Jegog yaitu teknik Nyelangkit, kedua teknik musikal tersebut diolah sedemikian rupa sehingga membentuk pola musikal baru yang penulis sebut dengan istilah “Ngakit”.
ORGANOLOGI ALAT MUSIK TRADISIONAL GAMBANG PRODUKSI SALMAN AZIZ DI KECAMATAN BANGKINANG KABUPATEN KAMPAR PROVINSI RIAU Sabri Sabri; Reizki Habibullah; Nurmalinda Nurmalinda
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol 14, No 2 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v14i2.4455

Abstract

Gambang's existence which is getting dimmer, has made the writer call to make it writing in organology studies. As a native of the region, the author feels he has a responsibility in the life of Gambang art. This organological study aims to become a written document of the process of making xylophones; when people want to learn to make xylophones, they can see this article. Thus also reducing the fear of the threat of extinction of the xylophone. This paper uses a descriptive analysis method using qualitative data, namely research conducted by approaching the object under study. The result of this paper is the process of making Gambang from the beginning to the end
TINJAUAN KOMPARATIF LAGU “PAPATET” GAYA BOJONGHERANGAN DENGAN GAYA PASARBARUAN DALAM TEMBANG SUNDA CIANJURAN Dika Dzikriawan; Heri Herdini; Indra Ridwan; Aloysia Yuliana Yanuartri Widyaningsih
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol 14, No 2 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v14i2.4091

Abstract

Tulisan ini merupakan tinjauan komparatif lagu “Papatet” gaya Bojongherangan dengan Pasarbaruan atau Kauman. Sejauh ini, belum banyak orang yang mengetahui perbedaan dari kedua gaya tersebut. Untuk mengetahui perbedaannya, maka dua lagu tersebut akan dikomparasikan dengan cara dianalisis secara musikal dilihat dari struktur dongkari. Hasil dari penelitian ini diketahui bahwa penggunaan dongkari pada gaya bojongherangan lebih sederhana dibandingkan dengan gaya pasarbaruan. Penggunaan dongkari pada setiap gaya cukup mencerminkan identitas dan karakter sesuai dengan kedua gaya tersebut. Hal ini menjadi sebuah kerja dokumentasi guna pelindungan dan pelestarian budaya khususnya pada gaya bojongherangan yang kini hampir mengalami kepunahan. Kata kunci: Gaya bojongherangan, Gaya pasarbaruan, Tembang Sunda Cianjuran, dan Dongkari.
TINJAUAN METODE AUDITORY, INTELLECTUALLY, AND REPETITION (AIR) PADA PELAGUAN MATA PELAJARAN BAHASA ARAB DI MADRASAH DINIYAH ROUDLATUT THOLIBIN DESA JRAGANAN Ayu Puji Lestari; Denis Setiaji
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol 14, No 2 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v14i2.4371

Abstract

 Today, the world of education has used a lot of singing methods in studying material,  one of which is Madrasah Diniyah Roudlatut Tholibin at Jraganan Village.  The singing method carried out, specifically in Arabic subjects in grades one and two, was translated into Javanese.  This song is allegedly related to the Auditory, intellectually, and Repetition (AIR) learning model.  To prove this, this research uses qualitative research methods through observation, interviews, and literature study.  This search aims to reveal the signal of the link between the learning methods at the madrasah and the Auditory, Intellectually, and Repetition (AIR) learning model.  In addition, this study also aims to reveal the shortcomings in the singing method in the madrasah.  From the existing searches, it was found that the learning steps in the madrasah reflected the Auditory, Intellectually, and Repetition (AIR) learning model.  In addition, it is revealed that the students understand better when the meaning of Arabic is transmitted into Indonesian.

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