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INDONESIA
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa
Published by Institut Seni Indonesia Surakarta
ISSN : 20870795     EISSN : 26220652     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
The main focus of this journal is to promote global discussion forums and interdisciplinary exchanges among academics, practitioners and researchers of visual arts and visual culture. Series will encourage practice and research innovation that focuses on visual arts and visual culture, contributing to a better understanding of the highly dynamic development of dynamic theories, practices and discourses of visual art and visual culture.
Arjuna Subject : -
Articles 14 Documents
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Search results for , issue "Vol. 2 No. 1 (2010)" : 14 Documents clear
Lukisan Tabik Karya Bibit Waluya Sebagai Parodi Visual Dan Ekspresi Kritik Identitas Anggoro, Albertus Rusputranto Ponco
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 2 No. 1 (2010)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v2i1.281

Abstract

Painting, as one form of matter creation of art works not only offer an aesthetic experience, imagination and sensory perception for their apreciations but also knowledge. The work of art seen from perspectif hermeneutics is an autonomous artistic phenomenon in the interpret-tation of meaning.To understand the hidden or latent meaning of a painting of hermeneutic theory is needed to unravel the particular text or set of potential marks. The painting, entitled adieu, the work of Seeds 'Jrabang'  Waluya is the subject of art is interpreted by using the rules of hermeneutics to understand its role as a visual parody of criticism and expression of identity. Keywords: Painting, Works of Art, Hermeneutics, Interpretation, Pa-rody, Criticism
Kajian Seni Lukis Lekra Dengan Pendekatan Fenomena Estetik Cholis, Henri
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 2 No. 1 (2010)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v2i1.283

Abstract

LEKRA (1950) is a cultural institution established by the PKI. LEKRA brings an artistic concept with the background of party ideology oriented worship Mark, Lenin, and Mao. LEKRA form of art is Socialist Realism, but different with Social Realism that grows in America.Many Indonesian artists who take shelter in LEKRA institutions including: Tarmizi, Affandi, S. Soed-joyono, Henk Ngantung, Hendra Gunawan, Basuki Resobowo, Joko Pekik, also Bumi Tarung studio in Yogyakarta. Situation and political conditions in this country are always changing, bringing art LEKRA find their own fate, in the early turnout revered PKI, which was marginalized in the New Order regime, and now the work of the former painter LEKRA become prey items of art collectors by selling value fantastic and in terms of value of works of art LEKRA a sign of an era of vulgar chaos . Keywords: LEKRA, Art, Ideology. PKI.
Studi Penciptaan Game Komputer Pembelajaran Perbendaharaan Kata Budaya Rachman, Anung
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 2 No. 1 (2010)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v2i1.285

Abstract

Mastery of multimedia applications, content, and aesthetics is an integral Trichotomy in the design of inter-active learning games. All three must function in proportion if a developer of multimedia applications to achieve optimal results in education. In this study the learning game was created by local cultural vocabulary. The work is the result of a combination of educational content of local culture and aesthetics of multimedia.The work of "game culture" not only offers information about culture, but further, this work aims to provide learning using a humanistic ap-proach. Lessons are presented in the form of multimedia games and animations intended to be a beauty to the learner to display the difference to the lesson as usual. Key words: games, animation, local culture
Bentuk-Bentuk Kearifan Lokal Dalam Kehidupan Masyarakat Indonesia Sebagai Sumber Gagasan Berkarya Seni Rupa Syamsiar, Syamsiar
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 2 No. 1 (2010)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v2i1.287

Abstract

Indonesia is an archipelagic nation which has approximately 1128 race, with plenty of cultural diversity and varied, each region contributing to the local distinctiveness of the culture in the form of customs, language, architecture, music, dance, decoration, fashion district, traditional food, and others. History shows us about how the local arts of the past are able to adapt the art that comes from outside and is able to transform the local culture in Indonesia, and has produced many stunning works of art in the form of prehistoric art, classical and traditional arts other. The values of life that grows in society tribes in the area of Indonesia, which relies on the wisdom of the natural environ-ment is a source of cultural wealth of a nation that needs to be maintained and preserved. Indonesia is a cha-llenge for artists today to be able to create works of art that has the characteristics or character in his work, with roads dug indigenous people of Indonesia to be imple-mented in his artwork.Keywords: Local Wisdom, and Artwork

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