Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa
The main focus of this journal is to promote global discussion forums and interdisciplinary exchanges among academics, practitioners and researchers of visual arts and visual culture.
Series will encourage practice and research innovation that focuses on visual arts and visual culture, contributing to a better understanding of the highly dynamic development of dynamic theories, practices and discourses of visual art and visual culture.
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<![CDATA[Pemaknaan Alam Dalam Karya I Made Arya Palguna ]]>
<![CDATA[Suyasa, I Nyoman]]>
<![CDATA[ Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 6 No. 1 (2014) ]]>
Publisher : <![CDATA[Institut Seni Indoensia Surakarta ]]>
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DOI: 10.33153/bri.v6i1.433
<![CDATA[Interactions between humans and nature around a lot to do with the creation of works of art both in terms of motivation and the creation of the result later. Nature provides its own meaning for each artist to be disclosed into work, Made Arya Palguna are artists who give their own meaning to nature admired to be disclosed into works of art. The relationship between individuals (Palguna) with nature in orbit consciousness as human beings living in the traditional and modern voltage. Palguna familiar and even close to the surrounding nature, but it does not cause admiration closeness to the outward forms, but the essence in it. More interpret nature as a part of the creative process to uncover the hidden meaning in nature.Keywords: nature, meaning, and Palguna]]>
<![CDATA[Studi Manajemen Penyelenggaraan Pameran Seni Rupa Di Bentara Budaya Yogyakarta ]]>
<![CDATA[Indratmo, Effy]]>;
<![CDATA[Handayani, Tri Lestyo]]>
<![CDATA[ Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 6 No. 1 (2014) ]]>
Publisher : <![CDATA[Institut Seni Indoensia Surakarta ]]>
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DOI: 10.33153/bri.v6i1.437
<![CDATA[This study discusses about: Bentara Budaya Yogyakarta, management of art exhibitions and curatorial system organizing art exhibitions in Bentara Budaya Yogyakarta. This type of research is descriptive and qualitative object under study is the process of organizing an art exhibition in 2012, and observing and recording systems curatorial art exhibitions in Bentara Budaya Yogyakarta. Data collection techniques such as literature study, observation, interviews, and documentation. The validity technique used is the triangulation of data by leveraging data sources and methods review informant. Data analysis using flow models of analysis (flow models). To explain the process of the management of art exhibitions and curatorial system organizing art exhibitions using the guidebook written by Mikke Susanto. The results showed that: the process of organizing curatorial art exhibitions in Bentara Budaya Yogyakarta in its implementation is divided into two types, namely the initiative of artists and gallery managers initiative. Observing the results of the exhibition of art based on the typology and periodization of time organizing art exhibitions, visible differences between the initiative of artists and galleries initiatives in terms of time organizing exhibitions and art galleries pemakiaan procedures.Keywords: arts management, curatorial, Bentara Budaya Yogyakarta]]>
<![CDATA[Teater Garasi Seni Rupa Media Naratif Peristiwa Teater “Waktu Batu†]]>
<![CDATA[Afrianto, Damar Tri]]>
<![CDATA[ Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 6 No. 1 (2014) ]]>
Publisher : <![CDATA[Institut Seni Indoensia Surakarta ]]>
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DOI: 10.33153/bri.v6i1.443
<![CDATA[Garasi Theater has a visual awareness and fine art aspect as their language. It seems when Garasi theater creates visual works from Javanese mythology “Sudamala, Murwakala, Watugunung and the end history of Majapahit as a groundwork. Garasi’s tracking about Javanese mythology and the history of Majapahit in “Waktu Batu†as if looking for cultural and spiritual identity answer of space and time disorientation. The presence of visuality should be able to create new narratio of mythology and history. Art instalation, contemporary sculptures, mix media art and art video are trying to dialogue with another element of theater on stage. Based on creative process and architectural performance can be seen that Teater Garasi are creating a theater which is dominated by visual images.The visuality of Garasi Theater in “Waktu Batu†try to incorporating Javanese ancient spirituality roots through its mythology and history, and still using the lastest contemporary art.Keyword: Art Visual Performance, Garasi Theatre, Waktu Batu Story.]]>
<![CDATA[Penciptaan Karya Seni Lukis Kaca Dengan Teknik Layer ]]>
<![CDATA[Isnanta, Satriana Didiek]]>
<![CDATA[ Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 6 No. 1 (2014) ]]>
Publisher : <![CDATA[Institut Seni Indoensia Surakarta ]]>
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DOI: 10.33153/bri.v6i1.445
<![CDATA[Traditional glass painting in Indonesia are all just move the painting of medium canvas / cloth into the medium of glass. This makes traditional glass painting closed character of the medium. With this in mind it is ultimately the writer interested to study the creation of works of art glass to approach contemporary art discourse. Is expected to emerge glass paintings that have novelty or is present in the composition of the exploration areas, symbols, and meanings. In addition, this study also explores the creation of techniques, tools and materials work. Not only use metal paint painting techniques as well as traditional glass painting but using layer technique. This layer techniques to maximize the clarity of glass that had not explored in the practice of traditional glass painting.Keywords: Painting glass, experiment, layer technique]]>
<![CDATA[Kajian Tehnik Menggambar Wayang Beber Gaya Pacitan Joko Sri Yono ]]>
<![CDATA[Gozali, Amir]]>;
<![CDATA[-, Sutriyanto]]>
<![CDATA[ Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 6 No. 1 (2014) ]]>
Publisher : <![CDATA[Institut Seni Indoensia Surakarta ]]>
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DOI: 10.33153/bri.v6i1.431
<![CDATA[This study aimed to Pacitan style wayang beber, which has the characteristics of a very complicated background and has a very interesting artistic value. Of the two also has a different procedure for the manufacture especially when applying the colors used. This study examines the anatomy of the body found in wayang beber, either the main character or some other supporting cast. Anatomy directed against members of the body found in various types of puppets such as the eyes, nose, mouth, ears, hands, feet up used clothing and accessories. In addition, this study will reveal some of the symbols contained in the background, where the background can be seen from the condition and location that is happening in each scene. In this study, the object is wayang beber with emphasis minitik studies on aspects of the art techniques and media apparently namely the manufacture of Pacitan style wayang beber Sri Yono Joko work. To solve some of the issues raised using a direct approach to the puppeteers, craftsmen and artists who are still there, especially Joko Sri Yono as an artist who holds the grip Pacitan style wayang beber, and a review of the existing literature. By using some of the theoretical approach is expected to answer the problem.Keywords: Wayang Beber, Style, Pacitan]]>
<![CDATA[Kontemplasi Diri Dalam Lukisan ]]>
<![CDATA[-, Syamsiar]]>
<![CDATA[ Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 6 No. 1 (2014) ]]>
Publisher : <![CDATA[Institut Seni Indoensia Surakarta ]]>
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DOI: 10.33153/bri.v6i1.447
<![CDATA[Creating works on the theme of contemplation themselves in my paintings come from my series of contemplative experience in life that are particularly religious. That is an afterthought to an essential aspect of my life, that I experienced a wide range of activities, observe and biodiversity during the past and the present are associated with signs of the presence or existence of God in the mystery of life that I live everyday. The formulation of the concept of self-creation is a religious contemplation as a means to achieve harmony, harmony and happiness in life. Creation method using the theory of the creation process LHChapman among others 1). Efforts to find an idea (the inception of an idea) or find a source of ideas, inspiration or inspiration, 2). Enhance, develop, and establish initial ideas (elaboration and refinement), 3) .Visualisasi into the medium (heention in a medium) .Media to be used in the embodiment of the works are oil on kanvas.Subject matter in creating works rooted in reflection of contemplation myself among others: drapery (Inside the cloth) and other subjects such as a series of letters of the Arabic alphabet, clouds, light and so forth as a visual form to affirm the meaning of the painting.Keywords: self-contemplation, the creation of art, paintings]]>
<![CDATA[Kajian Tehnik Menggambar Wayang Beber Gaya Pacitan Joko Sri Yono ]]>
<![CDATA[Gozali, Amir]]>;
<![CDATA[-, Sutriyanto]]>
<![CDATA[ Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 6 No. 1 (2014) ]]>
Publisher : <![CDATA[Institut Seni Indoensia Surakarta ]]>
Show Abstract
|
Download Original
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Original Source
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Check in Google Scholar
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DOI: 10.33153/bri.v6i1.431
<![CDATA[This study aimed to Pacitan style wayang beber, which has the characteristics of a very complicated background and has a very interesting artistic value. Of the two also has a different procedure for the manufacture especially when applying the colors used. This study examines the anatomy of the body found in wayang beber, either the main character or some other supporting cast. Anatomy directed against members of the body found in various types of puppets such as the eyes, nose, mouth, ears, hands, feet up used clothing and accessories. In addition, this study will reveal some of the symbols contained in the background, where the background can be seen from the condition and location that is happening in each scene. In this study, the object is wayang beber with emphasis minitik studies on aspects of the art techniques and media apparently namely the manufacture of Pacitan style wayang beber Sri Yono Joko work. To solve some of the issues raised using a direct approach to the puppeteers, craftsmen and artists who are still there, especially Joko Sri Yono as an artist who holds the grip Pacitan style wayang beber, and a review of the existing literature. By using some of the theoretical approach is expected to answer the problem.Keywords: Wayang Beber, Style, Pacitan]]>
<![CDATA[Pemaknaan Alam Dalam Karya I Made Arya Palguna ]]>
<![CDATA[Suyasa, I Nyoman]]>
<![CDATA[ Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 6 No. 1 (2014) ]]>
Publisher : <![CDATA[Institut Seni Indoensia Surakarta ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.33153/bri.v6i1.433
<![CDATA[Interactions between humans and nature around a lot to do with the creation of works of art both in terms of motivation and the creation of the result later. Nature provides its own meaning for each artist to be disclosed into work, Made Arya Palguna are artists who give their own meaning to nature admired to be disclosed into works of art. The relationship between individuals (Palguna) with nature in orbit consciousness as human beings living in the traditional and modern voltage. Palguna familiar and even close to the surrounding nature, but it does not cause admiration closeness to the outward forms, but the essence in it. More interpret nature as a part of the creative process to uncover the hidden meaning in nature.Keywords: nature, meaning, and Palguna]]>
<![CDATA[Studi Manajemen Penyelenggaraan Pameran Seni Rupa Di Bentara Budaya Yogyakarta ]]>
<![CDATA[Indratmo, Effy]]>;
<![CDATA[Handayani, Tri Lestyo]]>
<![CDATA[ Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 6 No. 1 (2014) ]]>
Publisher : <![CDATA[Institut Seni Indoensia Surakarta ]]>
Show Abstract
|
Download Original
|
Original Source
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Check in Google Scholar
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DOI: 10.33153/bri.v6i1.437
<![CDATA[This study discusses about: Bentara Budaya Yogyakarta, management of art exhibitions and curatorial system organizing art exhibitions in Bentara Budaya Yogyakarta. This type of research is descriptive and qualitative object under study is the process of organizing an art exhibition in 2012, and observing and recording systems curatorial art exhibitions in Bentara Budaya Yogyakarta. Data collection techniques such as literature study, observation, interviews, and documentation. The validity technique used is the triangulation of data by leveraging data sources and methods review informant. Data analysis using flow models of analysis (flow models). To explain the process of the management of art exhibitions and curatorial system organizing art exhibitions using the guidebook written by Mikke Susanto. The results showed that: the process of organizing curatorial art exhibitions in Bentara Budaya Yogyakarta in its implementation is divided into two types, namely the initiative of artists and gallery managers initiative. Observing the results of the exhibition of art based on the typology and periodization of time organizing art exhibitions, visible differences between the initiative of artists and galleries initiatives in terms of time organizing exhibitions and art galleries pemakiaan procedures.Keywords: arts management, curatorial, Bentara Budaya Yogyakarta]]>
<![CDATA[Teater Garasi Seni Rupa Media Naratif Peristiwa Teater “Waktu Batu†]]>
<![CDATA[Afrianto, Damar Tri]]>
<![CDATA[ Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 6 No. 1 (2014) ]]>
Publisher : <![CDATA[Institut Seni Indoensia Surakarta ]]>
Show Abstract
|
Download Original
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Original Source
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Check in Google Scholar
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DOI: 10.33153/bri.v6i1.443
<![CDATA[Garasi Theater has a visual awareness and fine art aspect as their language. It seems when Garasi theater creates visual works from Javanese mythology “Sudamala, Murwakala, Watugunung and the end history of Majapahit as a groundwork. Garasi’s tracking about Javanese mythology and the history of Majapahit in “Waktu Batu†as if looking for cultural and spiritual identity answer of space and time disorientation. The presence of visuality should be able to create new narratio of mythology and history. Art instalation, contemporary sculptures, mix media art and art video are trying to dialogue with another element of theater on stage. Based on creative process and architectural performance can be seen that Teater Garasi are creating a theater which is dominated by visual images.The visuality of Garasi Theater in “Waktu Batu†try to incorporating Javanese ancient spirituality roots through its mythology and history, and still using the lastest contemporary art.Keyword: Art Visual Performance, Garasi Theatre, Waktu Batu Story.]]>
