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All Journal HAYATI Journal of Biosciences Bawal : Widya Riset Perikanan Tangkap Acintya Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Authentic Research of Global Fisheries Application Journal (Aurelia Journal) Agrikan: Jurnal Agribisnis Perikanan Sanggitarupa

I Nyoman Suyasa

Acintya Jurnal Penelitian Seni Budaya

Author-ID : 284395

Agriculture, Biological Sciences & Forestry Arts Humanities Biochemistry, Genetics & Molecular Biology Chemical Engineering, Chemistry & Bioengineering Earth & Planetary Sciences Environmental Science

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Characteristics of Catch Fisheries in Pangandaran District Ginanjar, Martin Anjar; Suyasa, I Nyoman; Dewi, Ita Junita Puspa
Agrikan Jurnal Agribisnis Perikanan Vol. 15 No. 1 (2022): Agrikan: Jurnal Agribisnis Perikanan
Publisher : Fakultas Pertanian, Universitas Muhammadiyah Maluku Utara

The characteristics of fishing gear are important for sustainable capture fisheries management and development, with several assessments and observations on fishing gear construction, fishing operations and environmental friendly assessment of the fishing gear used by fishermen. One of the fishing gear that is widely used by fishermen in Pangandaran Regency is gillnet fishing gear. This study aims to identify the characteristics of gillnet fishing gear and test the level of environmental friendliness of gillnet fishing gear. The analytical method applied is descriptive analysis. The results of this study indicate that the characteristics of gillnet fishing gear in Pangandaran Regency are: webbing has a mesh size of 4 inches with a transparent color made of polyamide monofilament, targeting white pomfret. On average, gillnet fishermen have reached their productive age at work, and the vessels used are 1 GT in size and the quality of their catch is still fresh. The results of the analysis show that the gillnets in Pangandaran can be categorized as environmentally friendly fishing gear with a score of 27.9.

Performance Test of Tuna Hand Fishing Line Hauler Tool by Using the Gear Ratio System Manually Bachri, Samsul; Suyasa, I Nyoman; Soeboer, Deni Achmad
Agrikan Jurnal Agribisnis Perikanan Vol. 16 No. 1 (2023): Agrikan: Jurnal Agribisnis Perikanan
Publisher : Fakultas Pertanian, Universitas Muhammadiyah Maluku Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52046/agrikan.v16i1.1479

Problems with the operation of the hand line are that the fishing line is often entangled, fishermen are tired from going up and down the line and the large size of the tuna fish requires extra effort. The aim of the study was to find out whether the line hauler tool can solve problems in the operation of tuna handlines. Research time September to November 2022 in Sorong City. Catch data collection was carried out during research activities, the research method used experimental fishing. Experimental fishing was carried out with 2 treatments, namely control fishing line and handline with a line hauler for 16 trips/day. Control handlines had a total catch of 161 individuals, while handlines with line haulers had a total catch of 196 individuals. The results of the t test show that the use of the line hauler has an effect on the number of fishing gear settings. The effectiveness of the assistive devices can be seen from the different houling times between control lures and handlines with assistive devices, this time difference affects the number of settings produced during fishing gear operation, where the use of assistive devices results in a total of 196 settings and without tools 161 times setting. So the use of tools provides opportunities to get more fish compared to without tools. The value of the effectiveness of the use of assistive devices is 18%.

The The Effect of Using Led Lights (Light Emitting Diode) in the Operation of Bottom Gillnets on Catches In Pangandaran Waters, West Java Ginanjar, Martin Anjar; Suyasa, I Nyoman; Dewi, Ita Junita Puspa
Agrikan Jurnal Agribisnis Perikanan Vol. 16 No. 1 (2023): Agrikan: Jurnal Agribisnis Perikanan
Publisher : Fakultas Pertanian, Universitas Muhammadiyah Maluku Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52046/agrikan.v16i1.1506

The objectives of the study were to analyse the response of dominant fish to different light colours that reflect the wavelength of light and to analyse the species composition of the gillnet catch to determine the fish that are positively phototaxis to LED light. Data collection was conducted using the experimental method. The experimental design used 1 unit of bottom gillnet gear with a mesh size of 4 inches, and used LED (Light Emitting Diode) lights. Trials using green LED lights and white LED lights were operated simultaneously between the control gillnet (without LED lights) and the experimental gillnet (with LED lights). The results of statistical analysis of gillnet catches with green LED light aids with white LED light aids and control nets have a significant effect on the number of gillnet catches. The results were: (1) The number of fish caught at a distance of < 1 m and at a distance of 1-2 m, this proves that many fish are attracted to light (positive phototaxis); (2) Proven by gill net fishing gear using green LED light aids obtained fish weighing up to 77.7 kg. (3) It is proven that the distance of the lamp with the position of the fish caught on the net sheet can produce the highest weight of fish caught, on green LED lights at a distance of <1 m the weight of the fish reached 30.89 kg.

TEKNIK SENI LUKIS KLASIK BALI GAYA KAMASAN KARYA I NYOMAN MANDRA Suyasa, I Nyoman; Gozali, Amir
Acintya Vol. 7 No. 1 (2015)
Publisher : Institut Seni Indoensia Surakarta

One of the most popular Bali Klasik (classical Bali) painting arts is the painting of Wayang Kamasan.Â It is called that because it comes from Kamasan village, Klungkung. Formerly, the painting formÂ follows the form of wayang kulit. The figures are painted in thin form of two dimensions with theÂ stories taken from epos Ramayana and Baratayuda, stories from Malat Panji (stories of the 12 -14centuries), the theme of â€œPelelintanganâ€ that forecast about the effect of earthquake in our lives, andÂ also the theme of folk stories such as Men Brayut as a mother who has many children. Object of thisÂ article is the painting arts of Wayang Kamasan as the classical Balinese painting that takes root anddevelops in the local culture. The article stresses on the studies of visual art of Wayang KamasanÂ especially on the design and process of making. The previous library results are used to analyzeÂ technique and the creative process of Wayang Kamasan creating by I Nyoman Mandra. SomeÂ methods of approach are used directly towards the craftsmen and the existing musicians especially IÂ Nyoman Mandra. The article also uses literature studies with the theoretical approach to solve theÂ problems. The aesthetic theory of sanggit says that an art work represents a reproduction form withÂ treatment innovation and a sanggit work with revitalization concept. The work has an interest refersÂ to the conservation form of traditional art by giving the alternative works with reproductiontechnique of treatment innovation. Technically, it experiences the processing reduction through theÂ elements, contour lines, coloring technique, and the field content as well as changes of the storyÂ theme. The art of revitalization vitally and mainly refers to the traditional arts. The work uses strategyÂ of conservation concept by mutrani (nunggak semi). The result of research shows that Mandraâ€™s workÂ has followed the proportion and structure formulated in traditional aesthetics, but he also adds hisÂ own unique citra at the work. His work is characterized by a high delicacy, a lofty delicate value thatÂ is Bali traditional art, WayangKamasan.Keywords: painting arts of Klasik Bali, Kamasanstyle, technique.

SAPUT POLENG DALAM PENCIPTAAN KARYA SENI LUKIS DENGAN TEKNIK OPAQUE DAN IMPASTO Suyasa, I Nyoman; Rahman, Deni
Acintya Vol. 9 No. 1 (2017)
Publisher : Institut Seni Indoensia Surakarta

The research titled â€œSaput Poleng dalam Penciptaan Karya Seni Lukis dengan Teknik Opaque danImpastoâ€ was an art creation research based on the development of painting that served as an awareness media of nature conservation by raising local wisdom as symbol of natural balance. Polengcloth was a symbol of natural balance. In everyday life, Hindus in Bali, especially in Hindu ritualactivities, often wore objects or woven fabrics with various colors, such as white, red, yellow, or amixture of these colors. The variety of colors used was not just for enhancing the beauty of theceremonies in order to make them look splendid, but actually the use of color was based on thephilosophical meaning derived from the Vedic scriptures. This research used several methods of artistic research (art creation). These stages included: research, experimentation, contemplation, and formation. The research was focused on the meaning of poleng cloth in nature conservation, usingmetaphor language in its disclosure, visualizing it by combining opaque technique and impasto technique. These technique was used to create cloth characters and tree characters. Utilized acrylic paintas the ingredient, because in addition to dry quickly, this paint brought unexpected effects added tothe artistic value. The hope was, by creating this painting in addition to experimenting and exploringfor new possibilities in combining opaque techniques with wider and free impasto techniques, thepainting was also became awareness media to be more concerned with nature conservation.Keywords: Saput poleng, metaphor, opaque and impasto.

Transformasi Penciptaan Seni Lukis Bali Suyasa, I Nyoman
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 2 No. 2 (2010)
Publisher : Institut Seni Indoensia Surakarta

Painting as one means of creating works of art activity experienced a fairly rapid developments changes.This transformation can not be denied again because of the demans of users and the development of technological developments, as well as occuring in the world of art in Bali. Transformation of visual styles in painting in Bali is what will be discussed in this article, of Balinese traditional painting (painting Kamasan), semi traditional painting or so called modern painting (a focus on Pita Maha art and young artists), until in modern painting. Keyword : transformation, painting,Bali

Dinamika Garis Dalam Sketsa Analisis Karya Ipe Ma' aroef Dan Fadjar Sidik Suyasa, I Nyoman
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 4 No. 1 (2012)
Publisher : Institut Seni Indoensia Surakarta

It is often said that the sketch is the most authentic trail, the exit from the artists themselves. Sketches reflect not just motor work, spontaneity, but also are difficult to be released from the documentary and a biography of the artist. Sketches are personal records in the form of visual and lines as its main element. Line shape can give birth once textures, tones, shades, and a certain volume, so as to give birth to a special character or disposition of a person. Character is owned by Ipe Ma'aroef and Dawn. They had a long journey in the creative process and the line is breath in his work. Pure lines of the sketch they showed strong character, who rarely owned by the artist now.Â KeyÂ words: Dynamics, outline, sketch, Ipe Ma'aroef and Fajar Sidik

Pemaknaan Alam Dalam Karya I Made Arya Palguna Suyasa, I Nyoman
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 6 No. 1 (2014)
Publisher : Institut Seni Indoensia Surakarta

Interactions between humans and nature around a lot to do with the creation of works of art both in terms of motivation and the creation of the result later. Nature provides its own meaning for each artist to be disclosed into work, Made Arya Palguna are artists who give their own meaning to nature admired to be disclosed into works of art. The relationship between individuals (Palguna) with nature in orbit consciousness as human beings living in the traditional and modern voltage. Palguna familiar and even close to the surrounding nature, but it does not cause admiration closeness to the outward forms, but the essence in it. More interpret nature as a part of the creative process to uncover the hidden meaning in nature.Keywords: nature, meaning, and Palguna

REMPAH NUSANTARA DALAM SENI LUKIS PADA MEDIA TALENAN DENGAN TEKNIK 3D Suyasa, I Nyoman; Rahman, Deni -; Mahendrapati, Alexander Nawangseto
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 14 No. 2 (2022)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v14i2.4559

The research entitled “Rempah Nusantara dalam Seni Lukis pada Media Talenan dengan Teknik 3D” is applied research based on the development of painting which functions as a medium of information about the natural wealth of the archipelago. Aside from spices and medicineherbscesis are also very suitable to be used as a source of ideas in the creation of works of art. Because spices have various and unique shapesattarstractive colors. Using applied research methods with various stags, including: observation of objects or observations, contemplation, experimentation, fo,rmation, work and presentation. This research is focused on creating innovative works of art with the theme of Indonesian spices on cutting boards techniques technique, so that the spices look as real as they are on a cutting board. The purpose of this research is to reintroduce native Indonesian spices to the wider community with the medium of painting, as well as to explore new possibilities in terms of developing techniques that are more innovative and have an economic impact.

Population Structure, Site Fidelity, and Residency Patterns of Whale Sharks (Rhincodon typus) in Botubarani Waters, Gorontalo Province, Indonesia Rahman, Rahman; Suyasa, I Nyoman; Syamsuddin, Awaludin; Pahlevi, Reza Shah
HAYATI Journal of Biosciences Vol. 32 No. 4 (2025): July 2025
Publisher : Bogor Agricultural University, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.4308/hjb.32.4.908-919

Whale shark (Rhincodon typus) is the largest fish species in the world and is classified as endangered. This study is crucial for the conservation of this species and developing effective conservation strategies. The research was conducted in the Botubarani waters, Gorontalo Province. Individual whale shark identification was performed using Photo ID, including the identification of sex and wound location. Photo IDs were processed using the Interactive Individual Identification System (I3S) software and includes information related to the ID, body length, and the time the individual was previously identified. Monitoring of the location, number, timing of whale shark presences and water parameters, was carried out through direct field observations. The results showed that 5 whale shark individuals were identified, all of which were male, with lengths ranging from 4.5 to 4.8 meters, and 1 individual had visible wounds. From 78 days of monitoring, Whale sharks were observed for 70 days and not observed for 8 days. The frequency of whale shark appearances ranged from 1 to 4 individuals per day. Whale sharks in Botubarani waters exhibited site fidelity and a mixed migration pattern. The intensity of their presence is quite high. This intensity is supported by ecological conditions that are optimal for the life of whale sharks, particularly those of juvenile age. The measured water parameters significantly influence their presence.

Co-Authors Aditya Eko Adrianto Arief Wujdi, Arief Dardiri, Thoriq Bidar Deni Rahman Dewi, Ita Junita Puspa gozali, amir Hasan, Fataha Ilyas Jabbar, Meuthia Aula Mahendrapati, Alexander Nawangseto Martin Anjar Ginanjar Mourniaty, Acacia Zeny Araminta Pahlevi, Reza Shah Prakoso, Bagas Rahayu, Siti Mira Rahman Rahman Rahman, Deni - Samsul Bachri, Samsul Soeboer, Deni Achmad Syamsiar Syamsuddin, Awaludin Tabalessy, Roger R. Vilanda, Avita Risqi

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