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INDONESIA
Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni
Published by Institut Seni Indonesia Surakarta
ISSN : 14124181     EISSN : 2685287X     DOI : 10.33153
Core Subject : Education, Art,
Arts Education Languange, Linguistic, Communication & Media Other
International Journal of Visual and Performing Arts draws its contributions from academics and practitioner-researchers at the interface of new visual and performing arts. It acts as a forum for critical scholarship, innovative practice, and creative pedagogy, addressing themes that may be domain-specific (e.g. theatre, dance, music, live art, visual arts) or situated at the convergence of two or more disciplines. The journal invites original, significant, and rigorous inquiry into all subjects within or across disciplines related to visual and performing arts. It encourages debate and cross-disciplinary exchange across a broad range of approaches. The spectrum of topics includes Ethnomusicology, Karawitanology, Music Education, Dance Theatre, Movie and Television, Interior Design, Industrial Design, Media Arts, Fine Arts, Photography. These topics are addressed in full-length academic articles, critical statements on current issues, developmental practice, and reviews of books and live/media-based visual and performing arts. The journal presents an innovative platform for researchers, students, practitioners and educators to both learn from and contribute to the field. All articles are subject to initial Editor screening and then a rigorous double-blind peer-review process before publication.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 9 Documents
 1 
Search results for , issue "Vol 6, No 3 (2010)" : 9 Documents clear
PERUBAHAN BENTUK PERTUNJUKAN TARI RADAP RAHAYU DI BANJARMASIN KALIMANTAN SELATAN Edlin Yanuar Nugraheni
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol 6, No 3 (2010)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2661.988 KB) | DOI: 10.33153/dewaruci.v6i3.953

Abstract

Changes in the form of dance performance as a means Radap Rahayu Tapung Tawar ceremony in the context of a form of dance entertainment. Changes in shape, can be seen on the element of movement, music, make-up fashion. Radap Rahayu dance forms as a means of Tapung Tawar ceremony amounted to 11 range of motion, the opening song were sung prior to compulsory dance show Radap Rahayu. musik player five people. Position of dancers in front of dancers who Tapung Tawar offered. Music of Radap Rahayu dance as a means of,entertaint the amount depending on the creativity of music players, and adjusted to the demand pattern of the floor. The alteration of fungsion, form and is caused by internal and external factors. The internal factors made by the artist (Banjar tribal socienties), while external factors are changes that are influenced by the Islamic religion, technology, and government (Taman Budaya).Keywords: Dance Radap Rahayu, changes, Banjarmasin.
MAKNA TRILOGI CELENG KARYA SENI LUKIS DJOKO PEKIK Thomas Edi Nugraha
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol 6, No 3 (2010)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1669.102 KB) | DOI: 10.33153/dewaruci.v6i3.963

Abstract

Djoko Pekik’s Trilogy Of The Wild Boars consist of three art works, namely First The 1996 Milk Of The Wild Boars King, second In The 1998 Indonesians Hunt Wild Boars, third The 1999 Flowerless and sad Telegram. The Trilogy Of The Wild Boars is Djoko Pekik’s is most expensive, monumental master piece. In his period / in his life time / in his generation. Based on such consideration, I can formulate the problems of the research as : What are the important aspect relating to the raise of the trilogy of the wild boars, meaning can be faund in the semiotic perspective, and why does the art collectors motivate to own his/Djoko Pekik’s art works ?.Based on the analysis of data, I can infer the important aspects relating to Djoko Pekik’s trilogy. The important aspects are the artist’s bitter past experiences, the meaning of the trilogy shows the falling down phases of the new order that can be seen on own Djoko Pekik’s art works is influenced by several factor, namely : Djoko Pekik’s art works have high economic value; The art collectors motivation can’t be separated from the strategy of Djoko Pekik’s self-image. From finding got by conclusion of about important aspect related to appearance painting of The Wild Boars. The aspect is bitter experience of past which have been experienced of by artist, while meaning of The Wild Boars to represent the phase depiction collapse the Orde Baru regime. Masterpiece of The Wild Boars push the collector enthusiasm because owning high economic value. The collector enthusiasm do not get out of the strategy of x’self image conducted by Djoko Pekik. Djoko Pekik’s strategy to increase his self-image is done by: 1. Developing good relationship among the artist, curator, and journalist as a publication need.2.Carriying out art exhibition.3. Raising the fresh, sensational ideas.4. Limiting the number of production of his art works.5. Reflecting his suffering past experiences through his at work.Keywords: Djoko Pekik, trilogy of the wild boars, the meaning analisys
EKSISTENSI KARYA SENI RUPA POTRET AGUS SUWAGE TAHUN 1995 - 2009 Much. Sofwan Zarkasi
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol 6, No 3 (2010)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3643.719 KB) | DOI: 10.33153/dewaruci.v6i3.955

Abstract

This research entitled “Existence of Portrait Fine Arts by Agus Suwage in 1995-2009” by Much Sofwan Zarkasi was proposed to know and describe existence of portrait fine arts by Agus Suwage in 1995-2009 that included its birth, aesthetic, and effect for fine arts development in Indonesia. This research used criticism for holistic arts approach which presented three components as information source like artist as source of genetic information, work art as source of objective information and audience as source of affective information. This research resulted in: first, portrait fine arts by Agus Suwage in 1995-2009 were born from process of social and symbolic interaction that Agus Suwage passed. His portrait as subject matter in his portrait fine arts has been solution for seeking form which represented his interest and response to humanity topic freely and intimately according to his personal meaning. Then his portrait fine arts has been developed his popularity in fine arts field, either national or international. Second, portrait fine arts by Agus Suwage in 1995-2009 provided a dynamic fine arts aesthetic with self-portrait and idol figure as his subject matter. Aesthetic in portrait fine arts by Agus Suwage in 1995-2009 was influenced indirectly by his academic experience at graphic design program which is full of symbolic form, structured text and composition represented his idea and personality. This aesthetic as representation of Agus Suwage's personality differenced his portrait fine arts with others. Third, portrait fine arts by Agus Suwage in 1995-2009 brought portrait theme to be popular theme indirectly into contemporary fine arts development in Indonesia, especially intimately visual object among artists, work arts and environment. Portrait fine arts by Agus Suwage in 1995-2009 generated new trend about work arts creation. This trend used self-portrait continuously in fine arts creation in Indonesia.Keywords: birth, aesthetic, and effect.
WAKIDJO PENGENDHANG HANDAL KLENÃNGAN GAYA SURAKARTA Risnandar -
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol 6, No 3 (2010)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (4176.253 KB) | DOI: 10.33153/dewaruci.v6i3.965

Abstract

This article is result ofresearch whichbased on three main questions: Who is Wakidjo? What are the concept and form of his drumming? What are the factors that have influenced the formation and development of Wakidjo’s drumming? This research aims to reveal Wakidjo’s life, his approach to drumming, and his contribution to the world of Solonese style gamelan music, uses a qualitative methodology. Besides drawing on oral accounts from several informants, it also uses literary sources that concern drumming and gamelan musicians. Several psychological theories are used as a basis for writing a profile about Wakidjo. Among others, this project uses convergence theory from William Stren and theory about the development of talent from Monks and Y. Punberg. In order to clarify Wakidjo’s drumming, Rahayu Supanggah’s Bothèken about interpretation is used. This research concludes that Wakidjo’s existence as one of the foremost drummers in Surakarta has been influenced by several factors, including his surroundings, his talent, his performance experience, his predecessors, gamelan associations, the gamelan circle at the National Indonesian Radio Station (RRI) in Surakarta, the world of the recording industry, and the world of gamelan music education.Key word: Wakidjo, Klenengan, Karawitan Instrument
MEMBACA BAHASA RUPA SASTRA VISUAL GAMBAR DINDING KOMUNITAS SUKU DAYAK HINDU BUDHA BUMI SEGANDU INDRAMAYU Asep Deni Iskandar
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol 6, No 3 (2010)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2044.608 KB) | DOI: 10.33153/dewaruci.v6i3.957

Abstract

Representation of teaching in the form of literary visualization of panel wall picture alongside fortress of Padepokan at Suku Dayak Bumi Segandu Indramayu community. The visual form at overall panel wall pictures still be shown the existence of touch by way of drawing typically used by the past ancestors with the system space-time-plane (STP). The use of system STP at wall picture become the evidence that the tradition pattern still exist in the middle of domination of the visual language of the West with the system naturalistic-perspective-moment opname (NPM) that assumed universal and modern. Keyword : The wall picture, literary visualization, space-time-plane, naturalistic-perspectivemoment opname
UPAYA PENCITRAAN TELEVISI LOKALâ€JOGJA TV MELALUI PROGRAM SIARAN TELEVISI BERBASIS BUDAYA DAERAH NRA. Candra DA
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol 6, No 3 (2010)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3277.848 KB) | DOI: 10.33153/dewaruci.v6i3.967

Abstract

THE IMAGE BUILDING ATTEMPT OF LOCAL TELEVISION USING LOCAL CULTUREBASED TELEVISION BROADCASTING PROGRAM (A Case Study on Yogyakarta “JOGJA TV”)is basically made to investigate the essence and role of television as the mass media, technical and production principles of television broadcasting program and to capture the meaning of television broadcasting programs particularly for the local television media of Yogyakarta JOGJA TV. This research aims to find out the image construction JOGJA TV wants to build as its attempt of strengthening its position and image building for the area where this media operates its broadcasting activity. The research method employed in this research is the descriptive qualitative one. Considering the problem proposed here, this research particularly employed the communication theory approach emphasizing on disclosing the role and function of television mass media within the society as a part of the attempt of building positive image on the existence of media. The conclusion of research process series states that in confirming the positive image within the society, JOGJA TV gives more dominant local load portion as its broadcasting basic concept. The concrete manifestation is by producing and then showing the local culture-based broadcasting programs with the more dominant program composition. The basic guidelines used by JOGJA TV in its attempt of building positive image for Yogyakarta people and surrounding includes to develop company profile as the main foundation as the principle of broadcasting organization process, producing television program and conducting the societal activities such as corporate social responsibility for its audience society.Keywords: image building, JOGJA TV, culture based television programme.
PERUBAHAN BENTUK PERTUNJUKAN TARI NYAMBAI DI LAMPUNG BARAT Fitri Daryanti
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol 6, No 3 (2010)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2415.397 KB) | DOI: 10.33153/dewaruci.v6i3.959

Abstract

The Nyambai Dance is one of cultural components of Lampung local society which exists in the meeting of single men and women which is held as a part of the traditional wedding ceremony. It develops gradually to be a tourism performing art and the change are represented on the form of performing art. The purpose of this research was to describe the change of form of Nyambai Dance and the causal factors. The research used qualitative method through ethno-choreology approach. The approach was done by textual and contextual analyses. The textual analysis was looked at the structure of dance, while the contextual analysis was from the function of Nyambai Dance and the causal factors of the change. The analysis of change of form used the theoretical structure of Marco De Marinis and Soedarsono which stated that it had to know the elements of performance in order to describe the change of form of the performing art. The elements were actor, movement, the pattern of floor, music, make-up and costume, property, and the other supporting elements. The researcher used the concept of Alvin Boskoff in order to analyze the causal change. The concept stated that the change which happened can be seen from the internal and external factors.The result of the research shows that there are the changes of form of Nyambai Dance in several elements, they are: the adding and making of movement, the pattern of floor, music, make up and costume, and property. The change also happens in the place and time of performance, meanwhile the causal factors of the change was affected by several factors, and they are: economics, education, technology, and transition of cultural value. The change of form of Nyambai Dance is a participation of the local society, artists, and The Local Department of Culture and Tourism through tourism promotion program, so that Nyambai Dance as one of the tourism assets in art in Lampung Barat. Keywords: Nyambai Dance, wedding ceremony, tourism.
GEDUNG KAVALLERIE-ARTILLERIE PURA MANGKUNAGARAN SURAKARTA Andereas Pandu Setiawan
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol 6, No 3 (2010)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3988.15 KB) | DOI: 10.33153/dewaruci.v6i3.949

Abstract

This article is result of the research entitled Building Kavallerie Artillerie Pura Mangkunagaran Surakarta: Changes in Form and Function, conducted to answer the problem that focuses on three main points, which is why Kavallerie-Artillerie buildings in the complex of Pura Mangkunagaran was built, how the basic structure of Kavalerie-Artillerie Pura Mangkunagaran building and how changes in form and function that occur in Kavallerie- Artillerie Mangkunagaran Pura building. The purpose of this study is to trace the appearance of the building in the Pura Mangkunagaran environment, describing the shape of Kavallerie-Artillerie building, and describing and explaining the changes in form and function of Kavallerie-Artillerie Pura Mangkunagaran building within 135 years (1874- 2010), and the factors influencing them. To achieve the goals, the research was conducted by analysing multikausal historical approach that involves the use of Arnold Friedmann’s theory and the Talcott Parson’s theory of societal change to explore and discover the changes that occur. The study was done by direct observation and data collection in the field along with in-depth interviews supported by the data documents to generate the depth of meaning for this study. Changes in form and function that occur in the buildings of Kavallerie-Artillerie are influenced by political and military factors that appear in each period of Mangkunagaran conducted jointly with the Dutch colonial administration. These changes are also influenced by Mangkunagaran policy given to communities around Pura Mangkunagaran that foster community building settlers in Kavallerie-Artillerie. The results of this study are useful for policy-makers and local government all parties in Surakarta and Indonesia concerned to the direction of urban development and preservation of ancient buildings. Keywords: Change , Function, Kavallerie-Artillerie Building, Mangkunagaran
FUNGSI TARI RAPA'I GELENG PASCA TSUNAMI DAN PASCA KONFLIK DALAM MASYARAKAT ACEH BARAT DAYA Anton Setiabudi
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol 6, No 3 (2010)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (4093.032 KB) | DOI: 10.33153/dewaruci.v6i3.961

Abstract

The essence of this research is to discuss about what the function of Rapa’i Geleng Dance in the North West Aceh Tribe in time after tsunami and conflict are. Based on the matter, this research aims to find out the system of socio-culture of the North West Aceh Tribe specifically as a representation of the social value system in time after conflict and tsunami, (2) to describe the function of Rapa’i Geleng Dance in reconstructing and rehabilitating the social regulation in the society deeply as a consequence of the conflict and tsunami happened in Aceh. A qualitative approach using the interconnection model is the contextual study of ethnochoreology, sociology, and anthropology. The approach is conducted by describing and analyzing the contextual phenomenon of Rapa’i Geleng Dance by mean of revealing the existing function in social activities dealing with the esthetic activity of the society. To analyze the function of Rapa’i Geleng Dance in the time after tsunami and conflict, the researcher uses Talcott Parsons theory of “functionalism structuralism” which has four concepts; they are adaptation, the realization of aims, integration, and license or the pattern development. The result of the research related to Rapa’i Geleng Dance in time after tsunami and conflict has the functions on the social regulation, social integration development, new vision development, social psychotherapy, and socialization media of reconcilement, the formation of social institution structure of the North West Aceh Tribe. The Rapa’i Geleng Dance is a cultural identity of the coastal area which reflects both the personal and communal life. Basically, it has a form developed through the standard pattern originally coming from the religious social activity based on the texts of Al- Qur’an and Hadist. The performance of Rapa’i Geleng Dance can encourage the emergence of the intensive relationship through the combination of choreographic elements of the performance which is dynamic and esthetic in society widely.Keyword: Rapa’i Geleng Dance, function

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