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Contact Name
pramesti
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pramesti@isi-ska.ac.id
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+6281233916226
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INDONESIA
Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni
ISSN : 14124181     EISSN : 2685287X     DOI : 10.33153
Core Subject : Education, Art,
International Journal of Visual and Performing Arts draws its contributions from academics and practitioner-researchers at the interface of new visual and performing arts. It acts as a forum for critical scholarship, innovative practice, and creative pedagogy, addressing themes that may be domain-specific (e.g. theatre, dance, music, live art, visual arts) or situated at the convergence of two or more disciplines. The journal invites original, significant, and rigorous inquiry into all subjects within or across disciplines related to visual and performing arts. It encourages debate and cross-disciplinary exchange across a broad range of approaches. The spectrum of topics includes Ethnomusicology, Karawitanology, Music Education, Dance Theatre, Movie and Television, Interior Design, Industrial Design, Media Arts, Fine Arts, Photography. These topics are addressed in full-length academic articles, critical statements on current issues, developmental practice, and reviews of books and live/media-based visual and performing arts. The journal presents an innovative platform for researchers, students, practitioners and educators to both learn from and contribute to the field. All articles are subject to initial Editor screening and then a rigorous double-blind peer-review process before publication.
Articles 1 Documents
Search results for , issue "Vol. 18 No. 1 (2023)" : 1 Documents clear
From soundscapes to societies: investigating gamelan's cultural impact through the socio-karawitanology paradigm Sularso Sularso; Bao Hanshi; Qinyu Yu
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol. 18 No. 1 (2023)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/dewaruci.v18i1.5353

Abstract

This article investigates the auditory environment, known as "soundscapes," created by Gamelan, which comprises a distinctive combination of instruments, melodies, rhythms, and timbres that collectively shape the sonic experience. Recognizing the significance of understanding the auditory dimension of Gamelan and its influence on Indonesian society's cultural and social fabric, we explore the socio-karawitanology paradigm as the primary research topic. Our objective is to establish a novel gamelan research paradigm by integrating insights from sociology and karawitanology. The research methodology incorporates data from international journal articles and proceedings while also incorporating additional sources like field observations, expert interviews, and active engagement with the local community to ensure a comprehensive understanding of karawitan and its socio-cultural significance. Our analysis reveals that the socio-karawitanology paradigm provides a valuable framework for exploring the intricate and dynamic social dimensions prevalent in contemporary societal issues. The research contributes significantly by introducing the socio-karawitanology paradigm, opening avenues for fresh perspectives and insights in the field of karawitanology. It fosters a broader understanding of the socio-cultural impact of karawitan and stimulates further investigations into the interplay between music, society, and culture.

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