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INDONESIA
Greget
ISSN : 1412551X     EISSN : 2716067X     DOI : -
Core Subject : Humanities, Art,
Greget focuses on theoretical and empirical research in the Dance Arts. The journal welcomes the submission of manuscripts with the theoretical or empirical aspects from the following broadly categories.
Articles 7 Documents
Search results for , issue "Vol 13, No 1 (2014)" : 7 Documents clear
FUNGSI TARI KELANA GAYA SURAKARTA SUSUNAN S. NGALIMAN Risang Janur Wendo
Greget Vol 13, No 1 (2014)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (502.205 KB) | DOI: 10.33153/grt.v13i1.537

Abstract

This paper aims to discover the function of the Kelana Dance created by S. Ngaliman bydescribing and explaining: (1) The form of the Kelana dance by S. Ngaliman, which includes itstheme, movements, masks, costumes, and music, and (2) Explaining the function of the Kelanadance by S. Ngaliman. The theoretical foundation which is used to uncover the function of theKelana dance by S. Ngaliman includes: (1) Theories of Performing Arts and (2) Theories of Function.The methods used by the writer for collecting the data required for addressing the problemthat had been formulated included: a library study, observation, interviews, and a transcriptionof documents and archives. Based on the form and function of the Kelana dance by S. Ngaliman inthe life of the community, it can be concluded that the Kelana dance is a solo male dance with astrong bapang character and a gandrungan(romantic) theme in Surakarta style, the primary functionof which is of an aesthetical nature and the secondary function of which is as part of awedding ritual, entertainment, and an educational tool.Keywords: Kelana mask dance, form, primary function and secondary function.
PROSES PENCIPTAAN A’BIRING BONE DI KAMPUNG KUNYI’ DESA BAHOREA KECAMATAN BONTOSIKUYU KABUPATEN KEPULAUAN SELAYAR SULAWESI SELATAN Bau Salawati Bau Salawati
Greget Vol 13, No 1 (2014)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (563.898 KB) | DOI: 10.33153/grt.v13i1.529

Abstract

A’biring Bone is the name of a dance work which is performed in Kampong Kunyi’ in the Village ofBahoreain the Sub-District of Bontosikuyuin the Kepulauan Selayar District of the South Sulawesi Province.The way in which the A’biring Bone dance – whichin the Selayar language means “scouring the coastline” –isconstructed is closely connected to the local community, as it involves the people who live along the coast ofKampong Kunyi’. A’biring Bone is a work which tells about the lives of the people in the fishing communitywho move from Kampong Tile-Tile to Kampong Kunyi’ when the west monsoon season arrives, and hold aritual before going out to sea and a communal celebration to give thanks for an abundant harvest. This workalso presents a traditional dance that is found in the Sub-District of Bontosikuyu in the KepulauanSelayarDistrict of the South Sulawesi Province, namely the Pakarena BallaBulo dance.Keywords: Form, Creation, A’biring Bone
SASTRA TEMBANG PADA KONTEKSTUAL ADEGAN DAMARWULAN SEBAGAI PENGUASA MAJAPAHIT DALAM TARI LANGENDRIYAN Sutarno Haryono
Greget Vol 13, No 1 (2014)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (413.733 KB) | DOI: 10.33153/grt.v13i1.539

Abstract

The presence of dance is generally not a construction whose elements can be analyzed butrather a unified or cohesive whole (gestalt). Thus, presentational symbols rather than discursivesymbols appear. Presentational symbols refer to the meaning that is hidden behind the meaningthat is immediately visible, or reveal a level of meaning that is presupposed within the literalmeaning. Of course, interpreting an art which contains several different elements, such as the artof dance, is highly complex since it is constructed of elements that are bound together and cannotbe separated from each other.Keywords: Analysis, Contextual,Macapat, Dance Movements.
PERUBAHAN BENTUK TARI PENYAJIAN TARI BEDANA BANDAR LAMPUNG Arini Sofia
Greget Vol 13, No 1 (2014)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1875.746 KB) | DOI: 10.33153/grt.v13i1.531

Abstract

Bedana dance creation is dance creation Bedana tradition. The dance is a social dance thatcan be served single, in pairs, or groups using the property fan used in a variety of events. Bedanadance that was danced in pairs at the presents time only danced in group with additional propertiesfan, this makes bedana dance become more interesting and more free no bound by traditionalvalues. Previously, this dance is a dance that only served for only be displayed in certain place.Bedana dance is the only sacred dance held at the hatam quran, but at the present time Bedanadance can be displayed anywhere, anytime without having to be bound by customary norms.Keywords: Bedana dance tradition to be Bedana dance creation
ASPEK HUKUM PENDAFTARAN HAK CIPTA DAN PATEN Syahrial Syahrial
Greget Vol 13, No 1 (2014)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (354.454 KB) | DOI: 10.33153/grt.v13i1.543

Abstract

Intellectual Property Rights is related to the protection of the application of ideas andinformation that has commercial value, For owners of ideas and information that has commercialvalue, Intellectual Property Rights is a personal wealth that can be owned and treated as same asother forms of wealth. That same treatment is like reselling or renting it. So that ideas andinformation that has commercial value is not used by another person who is not responsible, thenthere must be protection from a legal perspective. This paper briefly discusses about the two categoriesthat are protected under intellectual property rights, namely copyrights and patents. Onthe other side, this paper aims to provide an understanding of the legal aspects of copyright andpatent registration.Keywords: Intellectual Property, Copyright, Patents, Law, Registration
PENCIPTAAN KARYA TARI “ANAKKU BERMAIN” Silvi Fitriah Diana
Greget Vol 13, No 1 (2014)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2415.461 KB) | DOI: 10.33153/grt.v13i1.545

Abstract

The reason for this research was the lack of development of creativity and the poor learningspirit among school children. This is due to the fact that educators still tend to use conventionalteaching methods in the teaching and learning process. The question addressed in the research iswhether the creativity and learning spirit of children in the first and second years of the An-NurKindergarten in the District of Jember, in which a play-based learning model is implemented,will develop to an optimal level. The goal of this research is to discover the results of implementinga play-based learning model on the creativity and learning spirit of children at school. Thebenefits of the research are: (1) for the children, to increase their learning spirit and develop theircreativity; (2) for the educator, to implement play-based learning in the teaching and learningprocess in the classroom; and (3) for the school, to create an innovation in the learning processwhich is suitable for the world of children while at the same time remaining relevant to thenuance of learning that is required according to the curriculum. The nature of the research is aclassroom action study which includes planning, implementation, and evaluation. The researchdata includes the data of the activities and the results of the development of the children’s creativitywith the implementation of a play-based learning model. The data was obtained through demonstrations, observation, discussions, and field notes. The results of the research show thatthere is an increase in learning, evident both in the activities of the teachers in the teaching andlearning process and also in the results of the observation and demonstrations. This increase canbe seen in every study inside the classroom which uses personal notes, firstly with adequate development(c) and secondly with very good development (SB). The conclusions of the research arethat using a play-based learning model can increase the creativity and learning spirit of childrenin the An-Nur Kindergarten in the Sub-District of Kaliwates in the District of Jember.Keywords: Play-Based Learning Model, Creativity, Children’s Learning Spirit 
MAKNA SIMBOLIK TARI PENGUTON DI KECAMATAN KAYUAGUNG KABUPATEN OGAN KOMERING ILIR SUMATRA SELATAN Retna Susanti
Greget Vol 13, No 1 (2014)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1199.817 KB) | DOI: 10.33153/grt.v13i1.535

Abstract

The research entitled “The Symbolic Meaning of the Penguton Dance in the KayuagungSub-District of the Ogan Komering Ilir District in South Sumatera”is intended as a form ofpreservation and a source of information about traditional dance, specifically in South Sumatera.A number of semiotic approaches are used to analyze the problems addressed in the research, inorder to investigate the facts and phenomena related to the Penguton dance in the Kayuagungsub-district of the Ogan Komering Ilir district. Based on the existing phenomena, the researchaims to discover the background to the existence of the Penguton dance, the process of developmentof the Penguton dance up to the present day, and the symbolic meaning contained in thePenguton dance. In order to find the answers to these questions, a qualitative method was usedtogether with semiotic theories, while the techniques for collecting data included observation,interviews, and a study of written data and documents. This was followed by an analysis of thedata, verification, documentation, and conclusions. The results of the research show that the symbolization contained in the Penguton dance isan expression of the hearts and minds of the local community as a structure for their society.Tradition refers to the habits of a community which become rules in its supporting environment.The supporting community for the Penguton dance is of a sacred nature and as such, not allmembers of the general public are able to enjoy a performance of the Penguton dance and themeaning it contains. This rule contains an understanding which becomes a strength of symbolizationand thus forms a social strata.Keywords: Penguton Dance, Meaning, Symbolic.

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