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Muhammad Nur Salim
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keteg@isi-ska.ac.id
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Jl. Ki Hajar Dewantara No.19, Jebres, Kec. Jebres, Kota Surakarta, Jawa Tengah 57126, Indonesia
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INDONESIA
Keteg : Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi
Published by Institut Seni Indonesia Surakarta
ISSN : 14122065     EISSN : 27146367     DOI : https://doi.org/10.33153/ktg
Core Subject : Art,
Arts
The journal is invited to the original article and has never been published in conjunction with another journal or conference. The publication of scientific articles is the result of research from both the external and internal academic communities of the Surakarta Indonesian Art Institute in the Karawitanologi discipline. The scope of distribution, Karawitan Education and Learning; Historical Study and Development of Karawitan; Study on Karawitan; Karawitan Organology Study; Karawitan Aesthetic Study; Karawitan Composition Study.
Arjuna Subject : Seni dan Humaniora - Musik
Articles 6 Documents
 1 
Search results for , issue "Vol 2, No 1 (2002)" : 6 Documents clear
Alan P. Merriam versus Mantle Hood dalam Orientasi Studi Etnomusikologi Slamet Riyadi
Keteg: Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Vol 2, No 1 (2002)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2762.01 KB) | DOI: 10.33153/keteg.v2i1.549

Abstract

The anthropological and musicological approaches of ethnomusicology have been extensively discussed by ethnomusicologists. In revealing musical facts, the anthropo­logical approach tends to discern music as a human behavior phenomenon. Meanwhile, the musicological approach considers music as exclusively musical matter.
SAM PELONG Dalam Perspektif Budaya Musik Minangkabau Tety Darlenis
Keteg: Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Vol 2, No 1 (2002)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1993.832 KB) | DOI: 10.33153/keteg.v2i1.567

Abstract

Sampelong is not only thought of as an instrument, but also has deep cultural meanings, function and symbol for Minangkabau society. For example, the process ofmaking the instrument is associated with the goal for what the instrument is meant. Moreover, the instrument, that is thought of as the inheritance of Pre-Hindu culture, used to have an bad image in the society, that is used for sending “black magic”. Nowadays, sampelong exists in different contexts.
Bila Dua Sudut Pandang Bertemu: Suatu Kasus dalam Pertunjukan Gamelan Santosa Santosa
Keteg: Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Vol 2, No 1 (2002)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1199.725 KB) | DOI: 10.33153/keteg.v2i1.551

Abstract

In attending performances audiences use their woridviews to evaluate and make judgments of the show. Each group of people has different views in which they want to apply to the performances. Two groups of audiences may have conflict when they are present in performances. This paper examines how and why the two views “compete with” one another to fit their taste
Cokrodiharjo Karier Empu Karawitan Di Luar Tembok Karaton Darsono Darsono
Keteg: Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Vol 2, No 1 (2002)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (4322.697 KB) | DOI: 10.33153/keteg.v2i1.561

Abstract

Cokrodihardjo was born in Boyolali. His grandfather and father were puppeteers, and his mother was a gender player. He is among the best musicians and a respected gamelan teacher. His creative works become models for the court and other musicians. Cokrodihardjo had been a drummer of commercial theater (ketoprak tobong) for thirty-seven years (1931-1968), and more than twenty years he was the drummer of Ki Nyotocarita. He was also the drummer for dances and mask performances. Cokrodihardjo was noted for his rich vocabularies of drumming.
GENDHING NDADI Musik dalam Angguk Non-Cerita di Kebumen Rabimin Rabimin
Keteg: Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Vol 2, No 1 (2002)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3093.115 KB) | DOI: 10.33153/keteg.v2i1.563

Abstract

This point focuses on the explanation of musicality context that is generated by supernatural creed called ndadiin the Angguk folk art in the villages of Kebumen. It is intended to show the typicality of the musical environment.
LESUNG BANARATA Karawitan di Akar Rumput Sigit Astono
Keteg: Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Vol 2, No 1 (2002)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1725.737 KB) | DOI: 10.33153/keteg.v2i1.565

Abstract

For the Banarata community, Iesung(a hollowed wood for pounding rice) is not only used for pounding rice, but also for expressing aesthetic feeling that has to do with religion and solidarity among the members of the community. The music of the lesung is also important for stimulating the feeling of pride for the owners. That is why even when this music was not played for almost three decades — for political and belief reasons — it can attract the spirit (seniangat), love, proud, musicality. In addition, it can also be used for expressing other feelings.

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