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INDONESIA
Lakon Jurnal Pengkajian & Penciptaan Wayang
Published by Institut Seni Indonesia Surakarta
ISSN : -     EISSN : -     DOI : -
Core Subject : Education,
Education
Arjuna Subject : -
Articles 7 Documents
 1 
Search results for , issue "Vol 19, No 2 (2022)" : 7 Documents clear
Kajian Struktur Garap dan Estetika Sabet Kupu Tarung Pakeliran Jawatimuran Sajian Sareh Budi Utomo Fani Dwi Nuriyanto; Suyanto Suyanto
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 19, No 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/lakon.v19i2.4782

Abstract

This study reveals two problems related to the structure of the work and the aesthetics of the Sareh Budi Utomo sabet kupu tarung, including: (1) what is the structure of the work and the Sareh sabet kupu tarung? and (2) What is the aesthetic impression of the sabet kupu tarung that is presented by Sareh? These two problems were studied based on the sanggit garap and nuksma mungguh paradigms. Textual problems were analyzed using choreographic theory, aesthetic theory, and the concept of Javanese puppetry. This research is descriptive qualitative. Data were collected through literature study, interviews, and direct observation of the sabet kupu tarung wars served by Sareh Budi Utomo. The results showed: first, Sareh Budi Utomo had carried out the process of working on the structure of his sabet kupu tarung so that it had a different working structure sabet with the dalang in other sub styles. Second, the sabet kupu tarung of Sareh Budi Utomo created an aesthetic impression in the form of attractive, greget, semu, resik, trampil, rame, gayeng, nuksma and mungguh.
Transformasi Cerita Arjuna Wiwaha pada Relief Candi Jago dan Lakon Ciptaning Catur Nugroho
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 19, No 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/lakon.v19i2.4787

Abstract

This article discusses the transformation of the story Arjuna Wiwaha in the reliefs of Candi Jago and the Lakon Ciptaning. Based on the description that has been prepared, it can be concluded that three aspects, namely the history of emergence, religious aspects, and interaction aspects, can be used as simple indicators to see interactions and/or transformations in Kakawin Arjuna, reliefs of Arjuna Wiwawaha, and Lakon Ciptaning. Looking at the time intervals for the emergence and development of the three elements can give an understanding that there must be any further and deeper interactions occur. The similarities in of the religious background, namely Hinduism, become a strong reason of the communication contacts in various aspects of life, including arts. In addition, Holt said that at that time, Kakawin Arjuna, the reliefs of Arjuna Wiwawaha, and Lakon Ciptaning seemed to interact each other and it can be seen from the integration of various styles which were then stylized on the reliefs of temples in East Java that become their distinctive characteristics. Thus, the transformation that occurs in these three elements shows the changes at the level of appearance (zahir), surface, presentation, and expression, and not in the deeper areas concerning meaning, content, message, and value (value) does not experience change.
Model Sanggit Ginem dalam Lakon Mayangkara sebagai Lakon Jenis Wejangan Purbo Asmoro; Suwondo Suwondo
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 19, No 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/lakon.v19i2.4783

Abstract

The main object of this research is to present a performance model that includes sanggit ginem in the Mayangkara show as a discourse show that contains advices in taking life so that this model can be used as a moral education for all people, especially the younger generation. Methods of creation and presentation include (1) observation to determine the gynecological vocabularies; (2) observation to compose sabet vocabularies; (3) observation to the vocal accompaniment of pakeliran; (4) observation to determine the sanggit of the show; (5) exploration of composing sanggit scenes; (5) designing a model for the sanggit gynecological discourse in the Mayangkara show; (6) the presentation of the sanggit ginem discourse in the Mayangkara show; and (7) Evaluation of the creation results. The result of the research is an applied gynecological sanggit performance of the Mayangkara show.
Râja Malla: Sebuah Kajian Resepsi YB. Rahno Triyogo
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 19, No 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/lakon.v19i2.4788

Abstract

Râja malla: A Reception Study describes the events of text variations in Old Javanese Wirataparwa into New Javanese Wirataparwa. Text variation is creativity in which the reception of the text and its environment is reflected. Such incidents often occur in the text of wayang stories. Receptions can occur not only in the form of written text but also in the form of performing arts. The phrase râja malla in Old Javanese Wirataparwa underwent a shift in the New Javanese tradition in the form of written texts, and also in the form of performing arts. The reception referred to, first, is a shift in pronunciation from the Old Javanese tradition to the New Javanese tradition. Second, the shift in meaning, which originally meant the king of fights, has changed to the king of ‘disease’. Third, which was originally only a title or title which meant a fighting king, then in the New Javanese tradition it appeared as a personal name, namely Rajamala, a Wirata officer. Fourth, what was originally in the form of prose then changed in the form of song macapat, and in the form of performing arts with its various variants. The purpose of writing this article is to describe the process of the reception so as to produce new works based on existing works. The occurrence of text variation is described based on reception theory which holds that text variation occurs due to the principle of copyist freedom in copying text by reducing, changing or substituting words, phrases or episodes as deemed necessary. Another principle that is considered important is that every time there is copying, a new creation occurs. The steps taken to produce this article were by looking at or finding the development of texts from Old Javanese literature to New Javanese literature both in the form of written traditions and performing arts.
Nilai-nilai Pendidikan Karakter dalam The Ramayana Karya R.K. Narayan Dewi Nurnani
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 19, No 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/lakon.v19i2.4784

Abstract

The research entitled “Nilai-Nilai Pendidikan Karakter Dalam The Ramayana Karya R.K. Narayan” is to describe how the values   of character education contained in a book by Indian author, R.K. Narayan, entitled The Ramayana, A Shortened Modern Prose Version of The Indian Epic. The values   of character education, at this time, are very urgent to be given especially to all children of the nation as the future generation because in this era of IT (Information technology) everything can be accessed easily so there needs to be a filter so as not to cause unwanted effects. This study uses a qualitative descriptive method with a structural approach through the study of the intrinsic elements in the book. Data obtained through literature study and direct interviews with resource persons. The results of this study indicate that the plot / storyline of the Ramayana begins with the kidnapping of Sita by Ravana, then a conflict occurs, namely the war between Rama and the monkey army with Ravana and his giant army, with the climax of Ravana’s death in the battlefield. The characters involved are the protagonists, namely Rama, Sita, Lakshmana, Hanuman, and Vibishana, while the antagonists are Ravana, Kumbakarna, Soorpanaka, and Keikayi. The values   of character education contained in the story include the values   of religiosity, nationalism, independence, mutual cooperation, and integrity.
Seri Animasi Pendek untuk Menjelaskan Fungsi Punawakan Kepada Generasi Muda Novida Nur Miftakhul Arif
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 19, No 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/lakon.v19i2.4785

Abstract

Wayang kulit contains many good values   that are still relevant today, including the Punakawan characters who always give positive messages that are actually intended for society. However, there has been a decline in interest, especially in the younger generation due to the effects of globalization and a lack of understanding of the Javanese language. The short animated series is a way of conveying good values of wayang, especially the Punakawan. This media is designed to take into account the characteristics of the target audience so that it can be easily enjoyed and understood. This research and design uses the Multimedia Development Life Cycle (MDLC) method which is elaborated with the animation design method. The data obtained comes from books and research on Punakawan, as well as the results of discussions with practitioners such as senior puppeteers in Yogyakarta. This short animated series consists of three videos that use a modern approach by incorporating lots of pop culture elements in the visual aspect that shows Punakawan’s work. There are also several supporting media such as teaser videos or anglers and short comics as prologues. This short animated series was uploaded on the Heritage Punakawan Instagram, received a positive response and showed high enthusiasm from the public.
Spiritualitas dan Religiusitas Ki Dalang Suyanto Suyanto
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 19, No 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/lakon.v19i2.4786

Abstract

The article with the title “Spiritualitas Dan Religiusitas Ki Dalang” (Spirituality and Religiosity of Ki Dalang) is an extract from the paper of the Seminar on Art and Culture of Puppetry 2022, The Culture and Tourism Office of East Java in Surabaya. This paper is the result of reflection on the phenomenon of wayang performing arts in the last decade. Along with the development of technological culture, especially the rapid advancement of social media, it also results to the fast cross-cultural influences between countries; especially for the personality of the artist. The formulation of the discussion in this article focuses on the behavior of the performing artists, especially the art of wayang kulit performances, in Java and Indonesia in general. Data was obtained through observation, either directly or through the YouTube channel. The results of contemplation can be concluded that, when compared with the figures of senior puppeteers in the past, quantitatively the development of young puppeteers is now very rapid. However, when compared in terms of quality, the young dalang, today, seem far below their predecessors, especially in terms of their spirituality and religiosity. As a result, when young puppeteers present their wayang kulit, many things are seen by society as going beyond the norms of decency.

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