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Lakon Jurnal Pengkajian & Penciptaan Wayang
Published by Institut Seni Indonesia Surakarta
ISSN : -     EISSN : -     DOI : -
Core Subject : Education,
Education
Arjuna Subject : -
Articles 7 Documents
 1 
Search results for , issue "Vol 20, No 1 (2023)" : 7 Documents clear
Asal-Usul Mitos Tokoh Semar; Eksistensi dan Esensinya Bagi Masyarakat Jawa Catur Nugroho
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 20, No 1 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/lakon.v20i1.5448

Abstract

This article attempts to answer three important issues, namely: (1) how is the origin of the character Semar in the wayang story? (2) how is the origin of the mythical figure of Semar in people’s lives? and (3) how is the development of the existence and essence of the character Semar in the life of the Javanese people? The research method used is descriptive analytic. The research data is sourced from library data, temple reliefs, and oral sources from the oral tradition that developed in the community. The mythological approach developed by Ahimsa-Putra is used to place Semar’s perspective as a myth. The results of the study explain that, first, the character of Semar is a myth that was born from the imagination of Indonesian ancestors as the owner of the tale. Second, in the wayang story, the character Semar is born from an egg born by Dewi Rekatawati, the wife of Sang Hyang Tunggal. The character Semar is then assigned to the world to care for the knights. The decline of the Semar figure in the world occurred during the time of Resi Kanumayasa in Saptaarga. Third, based on the literary, relief and oral data, it shows that the existence of the Semar myth has existed since the XI century and continues to exist today. Therefore, the periodization of the historical explanation of the Semar myth starts from the XI century to the present. Fourth, the essence of Semar’s character also shows changes. At first, Semar looked just like a servant or punakawan, but now Semar’s role is more than just a servant, in essence, he is a symbol of wisdom that leads to simplicity in life.
Riwayat Sang Anoman Eko Wahyu Prihantoro
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 20, No 1 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/lakon.v20i1.5453

Abstract

The History of Sang Anoman is a story that contains the whereabouts of Anoman since birth and aducated by tree Gods so that he is able to find his unity by returning to his origins and is shon in the form of adance drama with dialoge on the devolepment of wayang orang. The show is aimed at the ritual awareness of the community in oneness. What is meant by ritual awarenes is something important related to life and death, while the comumunity in oneness is togetherness of the community in preserving life, namely the three main things related land water and air. Thus the history of Sang Anoman fosters sympathy an empathy for the people to care for the universe.
Lakon Dewa Ruci sebagai Manifestasi Perjalanan Individual Manusia Bertemu dengan Tuhan Halintar Cakra Padnobo
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 20, No 1 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/lakon.v20i1.5449

Abstract

Lakon Dewa Ruci contains teachings on the union of people and The God. The problem raised in this research is how the values of the Lakon Dewa Ruci. These problems are examined by using the psychological theory of Jolan Jacobi: “De Psychology Van GG. Jung” 1971 which uses the theory of the individualization process. This research is qualitative with the data collection through observation, literature study, and interviews. The results of the research show that the human journey to reach perfection in order to meet the Almighty requires knowledge and the firm heart. The knowledge of the Tarekat, the Essence, and the Makrifat teaches humans to meet the Almighty.
Kajian Fungsi Rebab: Studi Kasus Penerapan Rebab pada Mata Kuliah Pengayaan Sulukan Prodi Pedalangan Sigit Hermono
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 20, No 1 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/lakon.v20i1.5454

Abstract

The object of this paper is the Rebab (fiddle), a stringed instrument which plays an important role in gamelan performances. This paper is more organological in nature which focuses on two things. The first is related to the characteristics of the tool and the second is the technical maintenance of the instrument. Organologically, the fiddle is classified as an instrument that has a different character from the percussive metal instruments of gamelan in the form of bIlah (blades) and pencon. The combination of wood, leather, string/wire and hair (strings) which are the main materials in the fiddle instrument makes the fiddle has its own character and requires special care. The fiddle is a very vital ricikan instrument in Javanese gamelan because it has the main role in presenting a song or gendhing, specifically to start a song. Organologically, the fiddle is the most easily damaged ricikan tool. Its shape is like a cross which consists of several parts that have names or terms in that organ.
Agus Prasetyo Aktor dan Rol Wayang Orang Sriwedari Dhestian Wahyu Setiaji; Sri Rochana Widyastutieningrum; Aminudin Aminudin
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 20, No 1 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/lakon.v20i1.5450

Abstract

Agus Prasetyo: Actors and Role of Wayang Orang Sriwedari is an analysis of a person’s character. Agus Prasetyo’s ability of acting and artistic process to become a role is interesting to study because his existence has an impact on the sustainability and development of the Wayang Orang Sriwedari. The problem that is revealed is how the process of Agus Prasetyo becomes a role and its impact in terms of the sustainability and development of the Sriwedari Wayang Orang. Habitus theory is used to examine Agus Prasetyo’s process as an actor. The text and context approaches are used to find factors that support Agus Prasetyo to be a role model. The data collection is carried out by using the methods of observation, literature studies and interview. The collected data is analyzed using a data analysis process that emphasizes interpretative descriptive. The analytical study finds that Agus Prasetyo’s process of becoming a wayang orang actor is obtained through an educational process in the family, school and environment. This analysis also reveals that Agus Prasetyo’s acting as a role is supported by his creative and improvisational abilities in applying tembung (words), tandang (work) and tembang (songs).
Sanggit Garap Pakeliran Wayang Kulit Lakon “Setyaki Tandang” R. Muhammad Akbar Syahalam; Jaka Rianto
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 20, No 1 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/lakon.v20i1.5451

Abstract

The article entitled Sanggit Garap Pakeliran Wayang Kulit Lakon Setyaki Tandang is a work that aims to convey the value of a knight’s devotion. Devotion is completely surrendering oneself to the value of truth. Devotion is also not expecting any reward or material. If a person has a strong desire to serve the truth, then his wealth and life will be sacrificed for the sake of the peace of his country. The creative methods used to compose this work include composing, observing, exploring, and improvising. The data collection technique used is literature study. The stages of this work are the preparation of the script, the selection of accompaniment and the selection of wayang puppets. Evaluation is used to find weaknesses in this work. The result of this work is the form of a new Sanggit Lakon Setyaki Tandang.
Spiritualitas Bisma Dewabrata YB. Rahno Triyogo
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 20, No 1 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/lakon.v20i1.5452

Abstract

The main purpose of this writing is to describe the process of Bisma’s spirituality building so that he becomes a loyal and tough person in dealing with various problems in his life. This is important in order to become an inspiration for anyone who wishes to have quality spirituality. The basis for choosing the character Bisma as the object of discussion is because he is a character who is able to solve various problems in his life in an amazing way. All problems of life can be solved properly because of the encouragement of the quality of living spirituality. The steps taken are to listen in detail to the process of Bisma’s spiritual development from birth, adulthood, until the end of his life. The final conclusion of this paper is that one’s personality is greatly influenced by the quality of one’s spirituality.

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