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INDONESIA
Ornamen Jurnal Pengkajian dan Penciptaan Seni Kriya
Published by Institut Seni Indonesia Surakarta
ISSN : 16937724     EISSN : 2685614X     DOI : 10.33153
Core Subject : Humanities, Art,
Arts Humanities
Art craft journal contains scientific articles on the results of research on the art of craft and the creation of craft art within the scope of Indonesian culture. The substance presented is in the form of a mission to preserve the cultural values of the archipelago as well as the development of concepts and aesthetics, along with the development of the complexity and dynamics of people's lives. The critical approach method in an interdisciplinary scientific perspective can open the widest possible opportunity for scholars, researchers, and stakeholders to work together in advancing a dignified national culture in the midst of global competition. ORNAMENTS art craft journals are published twice a year.
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Articles 8 Documents
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Search results for , issue "Vol 19, No 1 (2022)" : 8 Documents clear
PERANCANGAN BATIK WONOGIREN DENGAN INSPIRASI MOTIF ISEN TATAHAN WAYANG KULIT GAYA SURAKARTA Arianto Arianto; Sarah Rum Handayani; Theresia Widyastuti
Ornamen Vol 19, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/ornamen.v19i1.3656

Abstract

The tourism of batik and shadow puppets in Wonogiri Regency is quite potential to attract local and foreign tourists. This design is an effort to preserve beauty in Wonogiri and is expected to increase the diversity of Wonogiren Batik motifs to make it more attractive. The design method is through the stages of problem analysis, problem solving strategies, data collection, data sources, testing, and initial design ideas. The design results of this final project resulted in 6 batik designs with 2 realization designs. The batik motifs are taken from 6 motifs of isen inlaid wayang kulit Surakarta style which are applied in each design as the main motif and filler. Motive processing is supported by biomorphic patterns and abstractions as topographical representations of Wonogiri district. Two batik designs are made into primisima cotton cloth measuring 200cm x 115cm using handwritten batik techniques and coloring using remasol using the dabbing technique. The results of this design are applied as clothing textiles.
TERUMBU KARANG SEBAGAI MOTIF HIAS PADA DESAIN TAS RANSEL Tri Sari; Sri Marwati
Ornamen Vol 19, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/ornamen.v19i1.3898

Abstract

Sadranan Beach is one of the beaches in the Special Region of Yogyakarta precisely in Gunung Kidul Regency. Sadranan Beach is famous for its rich coral reefs on its coastline. The beauty of the coral reefs found in Sadranan Beach is not found on other beaches because of the beauty of the coral reefs. However, many fishermen deliberately hunt coral reefs and are used as raw materials for buildings, ornaments, and retrieval of coral animals that use gathul which results in damage to coral reefs. Based on the above events the author is interested in creating a backpack design work with the use of coral reefs as ornamental motifs. The design of the backpack in the Final Task includes four stages of the process of designing and manufacturing a product as well as three stages and six steps of workmanship. The four stages are the feasibility study stage of the design project, the process stage of analysis of aspects of design and design concept, the stage of the process of drafting and making a plan, and the manufacturing process stage. The three stages and six steps of the work, namely the exploration stage, the planning stage and the embodiment stage. The process and results of the design work of this Final Task has three achievements, the first is to be able to design decorative motif designs from coral reefs. The second achievement is being able to design a backpack with ornamental coral reef motifs. The third achievement is to be able to realize the prototype of a backpack with ornamental motifs of coral reefs. The result of this backpack design work is in the form of 4 (four) backpack designs and two (two) prototype backpacks with coral reef decorative motifs. In 4 (four) designs it has the names montipora, acropora, acropoda, and sidesratra.
Kajian Kostum Solo Batik Carnival 2019 dengan Pendekatan Antropologi Seni Nurul Fajar Setiyono; Setyawan Setyawan
Ornamen Vol 19, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/ornamen.v19i1.3905

Abstract

This research aims to find out how Solo Batik Carnival performance viewed from an anthropological perspective. Therefore, it can be a reflection for the parties involved in the art performance in terms of the design contained in the batik clothing, the materials used, and describe the performance used in batik clothing. This research was conducted in Surakarta City, especially in the preparation, implementation, and post-implementation of Batik Solo Carnival (SBC) in 2019. The data source is primary data. It is from randomly selected informants in concarnival activities and secondary from supporting documents and journals. The methods of data collection is using method of observation, In Depth Interview, and documentation. The data analysis technique used in this study is interactive data analysis with a qualitative approach from theory of art anthropology. adventure Timor Leste, Vietnam Timeless Charm, Kingdom of Wonder Cambodia, Wonderfull Indonesia, Uniquely Singapore, Malaysia Truly Asia, Kay Ganda Philippines, Simply Beautiful Laos, and The Green Heart of Brunei. It is based on various types of costumes displayed from various countries, and then analyzed based on the design, batik materials and performance in appearance. impression of splendor, luxury, glamor, and festivity. (2) Batik material is a heritage has undergone extraordinary sophistication. It is especially for Javanese batik has the richest decorative patterns, the most developed coloring techniques, and the most perfect manufacturing techniques compared to batik from other regions (3) The performance of the 2019 Solo Batik Carnival is not only as a festive carnival event but also as a tool in introducing the culture of each ASEAN country.
KAJIAN MOTIF BATIK GONGGONG CV LAWANA DI TANJUNG PINANG Nancy Hanna Lumban Gaol
Ornamen Vol 19, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/ornamen.v19i1.3904

Abstract

Gonggong CV Lawana in Tanjung Pinang using a textile design method approach. This research is formulated in one question "How is the design of the Batik Gonggong motif in the Production of Batik Gonggong CV Lawana, Tanjung Pinang with a textile design method approach through aesthetic, material, process, function, and fashion aspects?". This research uses a descriptive qualitative research method with a textile design method approach. Data analysis techniques using interactive analysis models include data reduction, data presentation, and concluding. The results of the research reveal the stages that are passed in designing based on aesthetic aspects, materials, process functions, and supporting aspects, namely fashion. (1) The aesthetic aspect that is considered in the main and supporting motifs, especially the main motif of Batik Gonggong CV Lawana has identical characteristics with the character of a snail shell that bulges in its belly. (2) The material aspect is a consideration in selecting the type of yarn fiber, the structure of the weave, nature and absorption capacity or suitability of the fabric as well as the different alternative fabrics for stamped and written batik products. (3) The process aspect of Batik Gonggong begins with determining the design from the main source of inspiration, the shell of the barking snail, the design will go through a sublimation process, then continue to be produced in certain quantities. (4) Functional aspects are related to consumers who use the product as a choice of use, as regional souvenirs, uniforms, and fashion. (5) The fashion aspect is found in the development of motifs through three periods ranging from natural suggestion patterns, creative patterns, and combined patterns. The development of the coloring technique, namely gradation is done by brushing using a sponge with a combination of giving light and dark colors which when soaked will fade and produce a gradation effect. 
PERANCANGAN MOTIF BATIK TULIS KONTEMPORER UNTUK DIAPLIKASIKAN PADA COVID COVER KIT Mira Evita; Felix Ari Dartono
Ornamen Vol 19, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/ornamen.v19i1.3795

Abstract

This research is based on research data that has been carried out by Nuniek Mawardi as a consultant for Indonesia Trend Forecasting (ITF), during this pandemic period everyone is affected, directly or indirectly, so there needs to be innovative thinking to create new products that society needs today. One of them is innovating to redesign the Covid cover kit. The purpose of this research is to realize a contemporary patterned Covid cover kit with batik tulis with the theme of the 3M movement. The design method for the Covid cover kit starts with collecting references for various kinds of similar products on the market through field observations and online shop surveys. Furthermore, conducting a series of trials consisting of material testing, sewing technique trials, and visual trials. The results of this study can be concluded several things: (1) The Covid cover kit consisting of masks, gloves, and coats has a function to protect the wearer from Covid-19 when traveling and make the wearer look attractive or fashionable. (2) The process of creating and visualizing 3M themed batik is the same as the process of batik tulis in general and using the colet technique, but the motif focuses on visualizing the Covid-19 and human characters related to the 3M movement. (3) The impact of testing of materials and sewing techniques, especially on the batik coating material used, has an effect on the consideration of the application of motifs on the Covid cover kit.
DEWI SARASWATI DALAM GAUN MALAM Wahyu Nur Hidayat; Aan Sudarwanto
Ornamen Vol 19, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/ornamen.v19i1.3906

Abstract

Dewi Saraswati in this evening gown visualizes the shapes, forms and symbols attached to the figure of Dewi Saraswati into a batik motif which is formed into an evening gown. Dewi Saraswati is the goddes of knowledge or veda. The idea of creation will be focused on (1) how to explore, make sketches, draw designs that come from the shapes, forms and symbols attached to Dewi Saraswati into the new creation batik motifs for evening gown designs? (2) How to create written batik based on a design that has been designed with the motif created by Dewi Saraswati? (3) How are the results of the new batik-patterned fabrics being formed into evening gown? The method used in this approach is to use the creation method which includes the exploration stage, the design stage and the work creation stage. Execution of the process of creating the work The final project is carried out in two stages, namely the batik making process and the evening gown making process. The creation of this work aims to explore the concept of form, appearance, decorative motifs, colors and symbols attached to Dewi Saraswati which is formed into written batik which is then applied to evening gown. The color used for the creation of this final project refers to the color of the Surakarta style batik tradition. The finished batik work is then applied to the evening gown. Evening Gown is a gown worn at night parties with a glamorous look, has sparkling details and is elegantly cut.   
STUDI AWAL ENERGI TERMAL PADA TOSAN AJI Amos Setiadi
Ornamen Vol 19, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/ornamen.v19i1.4349

Abstract

The existence of thermal energy in Tosan Aji recorded with a measuring instrument with an image output (visual) is one learning medium that helps the sense of view. In a Tosan Aji made of iron and steel, metal materials and prestige materials are believed to be stored thermal energy suspected to be a store when creating and forging materials, and other techniques have not been revealed. In the process, heat transfer occurs, called heat transfer, which can be analyzed from engineering disciplines that learn how to generate heat, use heat, change heat, and move heat. Tosan Aji thermal measurements using FLIR Infrared Camera instrument is an infrared camera whose results show images/visualization of thermal gradations of objects caught by the camera. With the method of treatment in the absence of conduction, convection, radiation, and the thermal condition of space, Tosan Aji has a thermal condition of 31.3 to 34.0 degrees Celsius. Unlike other metal objects, sickle and lower crowbar. Thermal distribution on blades and blades in “warangka” is different.
LIDAH API SEBAGAI IDE DASAR PANCIPTAAN KERIS DENGAN PAMOR UNTU WALANG Luky Sutyawan; Aji Wiyoko
Ornamen Vol 19, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/ornamen.v19i1.4339

Abstract

Api merupakan salah satu anasir kehidupan manusia dan merupakan simbol penggambaran atas nafsu. Konsep api juga lekat dalam budaya perkerisan. Bentuk lidah api dapat dikembangkan sebagai dasar penciptaan dhapur keris.Tugas akhir kekaryaan ini bertujuan untuk: (1) eksplorasi desain bentuk dhapur keris baru, (2) mewujudkan karya keris dengan bentuk dhapur yang memvisualkan estetika bentuk lidah api berdasarkan desain terpilih. Estetika atau keindahan karya keris dapat diuraikan berdasarkan teori yang dicetuskan oleh Panembahan Hadiwijoyo tentang kriteria kelahiran sebuah keris yaitu mor-jo-si-ngun. Proses pembuatan karya keris menggunakan teknik tempa pamor. Bahan utama bilah adalah besi, baja dan nikel.Tiga karya keris baru berhasil diciptakan, dengan nama dhapur Bahni Muntab luk-7, Simpar Dahana luk-5, dan Diptanala luk-3. Setiap karya yang dibuat mengandung makna sesuai judul dan terkait filosofi api. Karya keris yang memvisualkan keindahan bentuk lidah api ini dibuat sebagai simbol atas pengembaraan nafsu manusia dalam mencapai tujuan hidup.  Kata kunci: Api, keris, nafsu.

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