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INDONESIA
Ornamen Jurnal Pengkajian dan Penciptaan Seni Kriya
Published by Institut Seni Indonesia Surakarta
ISSN : 16937724     EISSN : 2685614X     DOI : 10.33153
Core Subject : Humanities, Art,
Arts Humanities
Art craft journal contains scientific articles on the results of research on the art of craft and the creation of craft art within the scope of Indonesian culture. The substance presented is in the form of a mission to preserve the cultural values of the archipelago as well as the development of concepts and aesthetics, along with the development of the complexity and dynamics of people's lives. The critical approach method in an interdisciplinary scientific perspective can open the widest possible opportunity for scholars, researchers, and stakeholders to work together in advancing a dignified national culture in the midst of global competition. ORNAMENTS art craft journals are published twice a year.
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Articles 7 Documents
 1 
Search results for , issue "Vol 2, No 1 (2005)" : 7 Documents clear
KASTA SENI KRIYA INDONESIA DALAM PENDEKATAN TEKS DAN KONTEKS I Ketut Sunarya
Ornamen Vol 2, No 1 (2005)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3589.752 KB) | DOI: 10.33153/ornamen.v2i1.805

Abstract

Kriya and human being as if cannot be separated, even can be said that is human being so there is kriya, so in any context this art always ~uman being life. The complexity of duty of she or he who concern in to translate era in every shape op product, which is needed by that duty is a major job that has to be carried by she or he who in kriyawan.In the development era demands art not just stuck in a place but and arises, kriya also begun to tiuch in self-satisfying of the creator. It tion of critical attude that has to be strived to the society, so kriya open. Means that products of art can make lover of art feel addicted fortable in society life.In a text and context approach, kriya development as a text cannot be ed from context, which is products are born: firs called that mystical gave birth primitive kriya with from follows meanings concept. Kriya ection of human being attude that feel surrounded by mystical power them. Second, classic also called post-modern era, in this era kriya edpeak of development. Third, ontology concept resulted kriya withform filows function, it is a reflection of human being attude that is ore surrounded by mystical power.   Human being is free to study ~y thing and what to kenow the meaning of something. Every prod-resulted is come back to the meaning of function aspect; develop ete physical need or psychologicsl need and economy. Fourth, fuction and a rext that has concept of form follows fun. Human being is not e amazed by nature environment, but capture environment and pro-into new environment. This era results a creative kriya and also can be as kriya art. Fifth, cotemporary kriya that was born to bring a new brave of concept to slling product, creation of contemporery avant radical and sensational. But still shows a technique exlporation inten­and or materal processing using a high skill.Keyword : follows meaning, follows function, follows fun.
TIPOLOGI DAN PELESTARIAN BANGUNAN BERSEJARAH; Sebuah Pemahaman melalui Proses Komunikasi Tri Prasetyo Utomo
Ornamen Vol 2, No 1 (2005)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2385.898 KB) | DOI: 10.33153/ornamen.v2i1.817

Abstract

The historic building forms are a facility for communication media in architecture. In architecture, the building forms have mean a sentence for a message and an expression. The building form are form elements, there are door, window, wall, roof, and floor, then to unite with form that a total architecture design. The building form element can’t explain a message if it’s a single building. Whatever, if it are unite, then the elements can become a communication media for to explain a message to observer.Keyword: architecture, building, elemen, communication
Tinjauan Tentang Perkembangan Pengaruh Local Genius Dalam Seni Bangunan Sakral (Keagamaan) Di Indonesia Joko Budiwiyanto
Ornamen Vol 2, No 1 (2005)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3418.095 KB) | DOI: 10.33153/ornamen.v2i1.807

Abstract

Cultural value-system which is formed by local genius has major influence in the development of shrine in Indonesia. To analyze the improvement, we can observe the acculturation process between Indonesian original cultures with the foreign culture. This acculturation process will constructed a new culture without dispatching the original culture. The obvious example of this process could be found through shrine’s physical characters which reflected the Indonesian cultural heritage and also the growth of Indonesian local genius. This paper will explore the development of local genius’s influence to the architecture of Indonesian’s shrine in every historical periodicity. The periodicity discussed will begin from pre-historic, ancient, madya to modern era. This paper will also discussed the prominent holy places serve also as cultural creations - of every era such as menhir, punden berundak, temple, mosque, and church along with the influential value system.Key word: Local genius, acculturation 
DEFINISI SENI ACHDIAT K. MIHARDJA DAN APLIKASINYA PADA SENI KRIYA Sumadi Sumadi
Ornamen Vol 2, No 1 (2005)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3738.903 KB) | DOI: 10.33153/ornamen.v2i1.827

Abstract

Karta Mihardja makes an art definition caused by his worry, at that time the cultural art condition and the personality of Indonesian nation in a state of labile. His aim is to form the image of virtuous Indonesian nation the theme “artistic definition of Karta Mihardja and his application at fine art” instructed as creation base form fine art (contemporary art), as distinguishment with the tradition of art product in global era.Keyword:artistic, contemporary, tradition
PEMBACAAN MEMBACA TAK SEKEDAR KATA Joko Setiyono
Ornamen Vol 2, No 1 (2005)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3154.283 KB) | DOI: 10.33153/ornamen.v2i1.809

Abstract

Reading Activity is very important for human being. More over the information century today, human being is given information almost without interval. Repeat study is needed to old pattern, including reading. Reading is not only stop on verbal words to get the meaning from information which go to and from that. Because information can appear in manner of word language and aspect language. Both of them have the way of different expression. Therefore the reading will be different. Word language has the established grammatical pattern. While the aspect language has the design imagination that work with lines, area, colour, texture and also size and dimension. Taking just one of them will destroy or weaken the totality of human being absorpsion of information. Therefore the most important thing is that human being require to mater both of the languages, the language of word and aspect language.Keyword: Reading, the language
Melukis Dengan Cahaya Melalui Kamera Lubang Jarum (KLJ) Andry Prasetya
Ornamen Vol 2, No 1 (2005)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2218.933 KB) | DOI: 10.33153/ornamen.v2i1.813

Abstract

 From existing simple materials around us, we can get some discourse aspect in photography growth that happened continuesl. The technological growth specially photography represent the innovation from previous invention. Principal development work the photography “paint with the light” and,”.. ..the light  make  a move to through the straight line and an obyect will bounce the ray to all angle “, Progressivëly find its existence as according to epoch growth. To the last created by a sophisticated camera which many we meet in this time, principal its activity as according to camera pinhole, what in Indonesia can be called with the Camera of Needle Hole (KLJ) started from 25 century ago. The Process of create the picture started from determination of object field continued with the irradiating and ending with amazing process, if we see the process  of image appearance from laminated paper of emulsion illuminated to enrich the in doing photographic activities.keyword :the light, camera, needle hole, photographic activities
SENI (RUPA) BALI HINDU DALAM PERSPEKTIF EPISTEMOLOGI BRAHMA WIDYA IGP Sugandhi
Ornamen Vol 2, No 1 (2005)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3719.675 KB) | DOI: 10.33153/ornamen.v2i1.815

Abstract

Arts actually grew in the socio-culture and religious-magic of the community or nation’s cultural system, as Islamic arts grew in the Arabic socio-culture and religious-magic in the Arabian Peninsula, and as primordial Christianity did in Jerusalem. In respect to this, the aim of this paper was to understand further about what, why and how Hindu Balinese (visual) arts were from a Hindu perspective. In other words, to discover which Hindu doctrines have influenced Hindu (visual) arts, in order to differentiate religious arts from profane or secular ones. By understanding the meaning of adagiums underlying the creative concept, it is hoped to discover the true Hindu (visual) arts. In order to discuss religious and non-religious arts, the study place emphasis on immanent and transcendent problems in reUgious and cultural life. The conclusion 0! the study was that Hindu arts had two distinct characteristics: firstly, sacred Hindu arts, or arts that were directly related to religious rites and had an influnetial capacity; and secondly, secular Hindu arts, or arts that were not directly related to religious rites, and were therefore of a profane nature. Nevertheless, both were essentially dharma.Keyword: art, culture, religy

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