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INDONESIA
Ornamen Jurnal Pengkajian dan Penciptaan Seni Kriya
Published by Institut Seni Indonesia Surakarta
ISSN : 16937724     EISSN : 2685614X     DOI : 10.33153
Core Subject : Humanities, Art,
Arts Humanities
Art craft journal contains scientific articles on the results of research on the art of craft and the creation of craft art within the scope of Indonesian culture. The substance presented is in the form of a mission to preserve the cultural values of the archipelago as well as the development of concepts and aesthetics, along with the development of the complexity and dynamics of people's lives. The critical approach method in an interdisciplinary scientific perspective can open the widest possible opportunity for scholars, researchers, and stakeholders to work together in advancing a dignified national culture in the midst of global competition. ORNAMENTS art craft journals are published twice a year.
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Search results for , issue "Vol 9, No 2 (2012)" : 7 Documents clear
Eksplorasi Bambu Betung Untuk Pembuatan Lampu Hias Edi Eskak
Ornamen Vol 9, No 2 (2012)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (5934.945 KB) | DOI: 10.33153/ornamen.v9i2.1041

Abstract

Bamboo betung (dendrocalamus asper) is a big and tall bamboo species in Indonesia which come in potentially abundant. This bamboo has its advantages as a thick reed, tubular hollow tube in natural form which is strong enough to meet the technical requirements to be tested  as a wood substitute materials in the manufacture of products interior accessories with technical krawangan (hole). Despites its superior characteristics mentioned above, carved bamboo betung also has the disadvantage that is difficult when it is carving because of its straight and easy fiber to split. This is a question that will be examined to find a solution from this research. In the implementation of pilot activities to the manufacture of interior accessories on bamboo betung krawangan carving techniques, the process consists of the initial formation, krawangan making, carving and finishing. It has been equipped also with profound observations about  the bamboo betung, techno economic calculation. From the results showed that the hole techniques (krawangan)  with four times in drilling then its forwarded with hand saws jigsaw obtained an average speed (4 x 5.1) + 20 = 40.4 seconds for the hole size 3-4 cm, thick 1.5 cm straight curved shape variation, in bamboos half-wet conditions (magel). This means 5 times faster than the manual sculpting (209.1 seconds), and the results are neater and cleaner. The  best conditions for making krawangan is half wet conditions (magel) and the water content of bamboo is 30-60%. Keywords: bamboo betung, krawangan carving, decorative lights.
Keris Palembang (Sebuah Kajian Fisual Terhadap Keris Palembang) Basuki Teguh Yuwono
Ornamen Vol 9, No 2 (2012)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (5519.695 KB) | DOI: 10.33153/ornamen.v9i2.1025

Abstract

Keris culture along Sumatera island known as the Malay keris, and the one that stands out is the dagger in Palembang culture. Although culture is not a culture dagger indigenous people of Palembang, but its existence is important and penetrated almost every joint of their lives. Palembang keris culture in the beginning of a culture that comes from the Javanese keris and keris culture influenced Bugis (South Sulawesi) and also under the influence of a keris culture of Minangkabau (West Sumatra). Span of the history and culture of the keris in Palembang supported community's ability to adjust and process keris culture coming from the outside gradually gave birth to the distinctive culture of dagger and reflect the characteristics of their culture and identity. The most striking feature can be seen from such a visualization of shape or keris. Palembang keris visualization can be identified through the shape of each piece keris, namely: 1) Blade / dagger eyes covering prestige, size, type, and others. 2) sampir / dagger sheath that covers various forms sampir and pendok. 3) Ulu / upstream dagger which includes various forms pangulu and pedongkok or mendak. Each part of the keris is visually has a unique appearance and characteristics. Keywords: Cultural Palembang keris, Javanese and Bugis influence, visual characteristics, eye dagger, slung, ulu.
Kajian Estetika Desain Batik Khas Mojokerto “Surya Citra Majapahit” Irfa'ina Rohana Salma
Ornamen Vol 9, No 2 (2012)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (7292.202 KB) | DOI: 10.33153/ornamen.v9i2.1045

Abstract

Batik as national pride is a valuable art that developed in these regions. Batik as identity of the local arts and culture also have potential as a creative industry that is able to improve the welfare of the craftsmen. This potential is what prompted many local governments trying to revive the art of batik potential in the region. The government of Mojokerto in 2012 held Batik Design Competition which produced some designs as the winner, which are then used as typical motif of the region. Aesthetic assessment of batik design winning competition aims to determine the winner of the content of its values of beauty and uniqueness. The methods employed in the literature study approach. The study focused on a favorite winning competitian have taken title: "Citra Surya Majapahit" by Edi Eskak artists from Yogyakarta, as it is assumed to contain a universal aesthetic value so that it can be understood and accepted by the wider. This assessment matches to batik design values as the unique beauty of batik artifacts unearthed from the Majapahit kingdom. The design reflects the uniqueness of the local batik but contains a universal beauty. Aesthetic value motif present in the composition, color, compatibility with typical Mojokerto, and the amount of philosophical meaning.  Mojokerto batik design gained from artifacts unearthed relics of the Majapahit kingdom in the form of symbol known as Surya Majapahit be composed with motifs of leaves, flowers, rice, and cotton. Keywords: aesthetics, batik designs, Surya Citra Majapahit, Mojokerto. 
Baratayuda Penyelesaian Konflik Kurawa Pandawa Dalam Pandangan Teori Konflik Marx Mardjono Mardjono
Ornamen Vol 9, No 2 (2012)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (15147.908 KB) | DOI: 10.33153/ornamen.v9i2.1029

Abstract

Salah satu cerita di dalam pertunjukan wayang, ada perang hidup dan mati antara Pandawa dan Kurawa yang disebut Baratayuda Jayabinangun. Objek penelitian ini difokuskan pada karakter Pandawa dan Kurawa. Mereka mewakili kejahatan dan kebajikan, protagonis dan antagonis, kebenaran melawan kejahatan. Penelitian ini bertujuan untuk mendeskripsikan aspek teori konflik Marx dalam kaitannya dengan Baratayuda sebagai solusi konflik Kurawa dan Pandawa. Penelitian ini menggunakan perspektif sosiologis dengan menempatkan teori konflik Marx sebagai alat analisis. Hasilnya menunjukkan bahwa: (1) Konflik Kurawa-Pandawa didasarkan pada materi sebagai faktor psikis, yaitu kamukten dari negara Amarta dan Astina serta karakteristik Duryudana, yaitu ambeg angkara murka, (2) Konflik Kurawa-Pandawa bisa dikategorikan sebagai konflik sosial, (3) Perjuangan Pandawa yang tidak dapat dikategorikan sebagai perjuangan antara kaum miskin dan kaya untuk menghindari tekanan Kurawa. Konflik Kurawa-Pandawa tidak terbentuk dari faktor ekonomi. Kata kunci: Baratayuda, konflik, psikis, sosial, ekonomi
Fotografi Ekspresi : “Permainan Bentuk Tubuh Manusia” Purwastya Pratmajaya Adi Lukistyawan
Ornamen Vol 9, No 2 (2012)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (5945.782 KB) | DOI: 10.33153/ornamen.v9i2.1031

Abstract

Photography in general as a tool for documentation of an event or incident. Along with the advancement of technology and the development of human creative ideas, then photography captured managed to make a more unique and different. Photography is designed with a particular concept, processed and presented as an artistic expression discharges took it, then it becomes a work of photographic expression works .(Soeprapto Soedjono, 2007; 27). Photographic expression of the theme of the body shape is a creation of photography as an expression of the author's personal expression in response to the artistic value of body shape. Based creative ideas, the author will explore the form of the human body, which then drafted, processed and presented as an expression of the authors discharges. In the creation of works of art, the game is something that is autonomous. The game will be the occasion of pure appearance, a structure, work independently. Independence will give size of meaning (Bambang Sugiharto, Agus Rachmat W, 2000, 251). In the creation of this work, the author will play the body to be used purely as a game viewing, structured to be an independent body and the artistic significance of the body. Form in the creation of this work is the general body structure of the entity, which is then explored a visual form of artistic photography and have an abstract impression Susan Sontag in the book of Acts Eyes is written by Seno Gumira Ajidarma; "nude photos is not the nudity but also game shape, the body beyond itself, so the sensuality down, lifted the body shape abstractness" (Susan Sontag in Gumira Ajidarma Seno, 2002, 50). Key words: Expression of Photography, Game, Shape, Body.
Seni Perhiasan Pada Masa Kerajaan Majapahit Ari Supriyanto
Ornamen Vol 9, No 2 (2012)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (10246.744 KB) | DOI: 10.33153/ornamen.v9i2.1035

Abstract

Majapahit was one of the kingdoms in Java from late classical period. Various relics of the Majapahit empire had been found, but the discovery of artifacts in the form of jewelry from the Majapahit kingdom was not much that was rescued by the government. Based on these, encouraging writers to try to write about the jewelry of the kingdom of Majapahit. This short paper is a preliminary study on the headway of jewelry from the Majapahit kingdom, and in connection with the relics of a bygone era then the preparation of this paper comes from many sources related to the history of the kingdom of Majapahit and jewelry produced from that era. Keywords: jewelry, Majapahit kingdom
Kata Pengantar Dan Daftar Isi Redaksi Redaksi
Ornamen Vol 9, No 2 (2012)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (162.853 KB) | DOI: 10.33153/ornamen.v9i2.1021

Abstract

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