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Sumarno
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INDONESIA
Pendhapa
Published by Institut Seni Indonesia Surakarta
ISSN : 20868138     EISSN : 27457249     DOI : https://doi.org/10.33153
Core Subject : Humanities, Art, Social, Engineering,
Arts Humanities Civil Engineering, Building, Construction & Architecture Environmental Science Social Sciences
Jurnal Desain Interior, Seni dan Budaya adalah jurnal yang mempublikasikan wacana dan hasil penelitian berterkiat dengan desain, desain interior dan diskursus desain interior terhadap kajian seni dan budaya. Pendhapa dalam susunan rumah tradisional Jawa merupakan ruang terbuka untuk menerima tamu, tempat pertemuan, tempat pertunjukan. Pendhapa memiliki fungsi yang cukup kompleks yakni fungsi sakral maupun profan, ritual sekaligus seremonial, publik sekaligus privat, meleburnya bagian luar dan bagian dalam interior-arsitektur bangunan, bertemunya tamu dan tuan rumah. Pendhapa sebagai paseban, merupakan medium bagi bertemu, bertukarnya ide, pemikiran, gagasan, informasi, strategi maupun formulasi menyangkut banyak hal untuk kemaslahatan. Selaras dengan fungsi pendhapa yang strategis hadir Pendhapa: Jurnal Desain Interior, Seni dan Budaya terbit berkala setahun dua kali pada bulan Juni dan Desember sebagai media penyaluran dan publikasi ide, gagasan, inovasi, hasil penelitian para ilmuwan desainer dan desainer ilmuwan.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 8 Documents
 1 
Search results for , issue "Vol 2, No 1 (2011)" : 8 Documents clear
ALIH KODE DALAM BAHASA SMS Ana Rosmiati
Pendhapa Vol 2, No 1 (2011)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3563.482 KB) | DOI: 10.33153/pendhapa.v2i1.1157

Abstract

The aims of this research are to find out  the forms of change of codes in the forms and functions in SMS (Short Message Service) discourse.            The population of this research was all of the utterances discovered in SMS language discourse from 2004 up to 2008. The utterances in SMS discovered in some cellular phones Sony Ericcsson K700i, Nokia 3100, Nokia 6030, Nokia 7610, Nokia N 81, Samsung N 620, Samsung E110, Motorola C15, and Sony Ericsson K310i in Surakarta area were used as a sample of this research. The data was collected by observation method of listening and interview with some informants endorsed with a noting technique. The writer directly sent SMS to some participants to validate the data. The data is analyzed by using padan pragmatic method to identify the form and structure of the discourse and the factors influencing SMS language. Identity method  is used to identify and classify lexical and grammatical aspects found in this discourse endorsed with delection and substitution techniques.            The result of this research showed that SMS language was a written discourse in the form of a dialogue between a speaker and interlocutor making use of the facilities in cellular phones. The internal change of code covered : the change of code of Indonesia standard variant into Indonesia non-standard variant , the change of code of Indonesia non-standard variant into Indonesia standard variant. The external change of code covered :  the change of code of Indonesia language into Kromo (high level of Javanese language), the change of code of Indonesia language into Madya (mid level of Javanese language), the change of code of Ngoko (low level of Javanese language) into Indonesia language,  the change of code of Javanese language into English,  the change of code of Kromo (high level of Javanese language) into English,  the change of code of Ngoko (low level of Javanese language) into English,  the change of code of Indonesia language into English, the change of code of non-standard Indonesia language into English, the change of code of Indonesia language into English.
PERJALANAN PANJANG FOTOGRAFI SEBELUM ABAD-21 Anin Astiti
Pendhapa Vol 2, No 1 (2011)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (8665.475 KB) | DOI: 10.33153/pendhapa.v2i1.1167

Abstract

To track back the History of Photography is like unraveling a messy ball ofyarn. Photography is considered a new form of art. lts origin started on 17thcentury as discovered by a Fine Artist and then followed along the way byscientists, philosophers and otherartists from different branches of arts. Theearly stage of photography focused more on the technique of developing,from the invention of plates and the negative-positive process. Thedevelopment of camera instruments such as the invention of lenses, shuttersand others went simultanously along the way.Keywords: History, Photography, Fine Art
BATIK DERMAYON SUATU KEINDAHAN DALAM SEBUAH KETERBATASAN Muh. Arif Jati Purnomo
Pendhapa Vol 2, No 1 (2011)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1291.383 KB) | DOI: 10.33153/pendhapa.v2i1.1159

Abstract

Indramayu batik or people used to call the Dermayon batik is one of the coastal batik that had its own uniqueness and beauty of the coastal batik among others. One hallmark of this Dermayon batik is the emergence of technique "cocohan" on some batik fabric. Technique "cocohan" is a technique for making “isen-isen” of batik that form "cecek" or dots using “complongan” tool. It is made of wood that there is a lot of nails at the bottom that used to pierce the layers of wax (malam) that has been attached to the fabric. “Cocohan” technique is emerging as a creative effort of batik paintings who incidentally are the fisherman's wife who tries to find an additional income while waiting for their husbands come home from fishing. From the limited time available to make a piece of batik cloth, then comes the staining technique “cocohan” with a very minimalist but capable of producing batik works of unique and interesting.Keywords: Dermayon batik, “cocohan”
BLUES UNTUK BONNIE KARYA WS RENDRA DALAM KAJIAN SEMANTIK Sri Hesti Heriwati
Pendhapa Vol 2, No 1 (2011)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (6388.735 KB) | DOI: 10.33153/pendhapa.v2i1.1169

Abstract

Memasuki bulan Sumpah Pemuda menjadikan teringatsosok pemuda yang sangatkreatif, aktifdan romatik, dia adalah Mas Willy (sebutan akrab WS Rendra) - dalam ingatan kita bagaimana gegap gempitanya sambutan umum terhadap Rendra pada malam “Puisidi bawah Represi”sepuIuh tahun lalu di Amsterdam. Suatu kegiatan kebudayaan yangtak lepas dari rangkaian perjuangan demi kemerdekaan, demokrasi dan hak-hak azasi manusia itu juga ikut serta penyair tenar yang mengalami represi Orba Iainnya. Sebagai rasa kepeduliaan terhadap mendiang W.S Rendra, tulisan ini mencoba mengenangnya kembali dalam nostalgia dengan menyimak karya-karya puisinya. Apabila dilihat puisi dewasa ini kian kompleks yang mengilhami para penyair untuk memanifestasikan ke dalam tema-tema yang kompleks pu/a. Kadang-kadang tema diangkat dari adanya kehidupan manusia yang harus mempunyai keseimbangan antara pikiran akal yang harus menganalisis dan memecahkan perasaan. Penyair begitu kreatifsehingga memberikan kesempatan kepada kita untuk melepaskan himpitan-himpitan kenyataan sehari-hari dengan membaca /ewat puisi para penyair Pada prinsipnya puisi merupakan sebuah struktur yang komplek, untuk dapat memahaminya perlu dianalisis, sehingga dapat diketahui begian-bagian sertajalinannya secara nyata. Analisis yang bersifat tepat dapat dilihat melalui strata norma.Kata Kunci: puisi, tema.
MANIERA SEBAGAI MANIFESTASI KONSEP MA PADA KARYA INTERIOR ARATA ISOZAKI Harmilyanti Sulistyani
Pendhapa Vol 2, No 1 (2011)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1969.418 KB) | DOI: 10.33153/pendhapa.v2i1.1161

Abstract

Arata Isozaki is known as Japan's Postmodern architect.  Japanese culture knowledge and the influence of Western clasissme are the advantages possessed of Isozaki. He combine the Japanese architecture that thick with the composition of form and detail with clasissme from the West. The view of eastern culture influences Isozaki productivity as interior architects to produce works that the artifacts spread in various parts of the world. The uniqueness of the works that influenced by family background and environment makes his work have more value.That’s way the Isozaki work so worthy to be explore to get a concept which is applied to his interior work.The purpose of this research is to find the embodiment of the Japanese concept called Ma on the Isozaki interior work. This article is the result of desk study research with rationalistic paradigm.  Literature is used as a source of study. Statements and writings have ever published is the main source of study, the physical results of the interior work as the product is used to find the application from view in the work Isozaki.Maniera is the embodiment of traditional Japanese concept called Ma combined with mannerism from European used by Isozaki in his interior work. These conditions can’t be separated from the family that raised and pursued education environment. Although live in the modern era but he still maintaining Japan traditional values. From many different function, Isozaki's work shows the concept of Ma as a source of ideas on his interior work.Keywords: Arata Isozaki, interior, concept of Ma, Maniera.
TRANSFORMASI POLA TATA RUANG RUMAH TRADISIONAL JAWA KE DALAM POLA TATA RUANG RUMAH TINGGAL SEDERHANA Joko Budiwiyanto
Pendhapa Vol 2, No 1 (2011)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (7212.523 KB) | DOI: 10.33153/pendhapa.v2i1.1171

Abstract

The research on "The lnteriorDesign Transformation of a Javanese Traditional house into basichousing in Surakarta ” is a qualitative»descn'ptive research. The research was focused on interpretingthe interior design transformation of a house and their influencing factors. The location for theresearch was Surakarta and its surroundings. The source ofinformation covers written and verbalsources, artifacts, and recordings. The triangulation method of sources and review informantwere used to ï¬nd out the accuracy and reliability of the data. The data was analyzed using atechnique based on an interactive model.The research results show that a Javanese traditional house consists of the rnain house and theadditional house. The main house consists of pendapa (open pavilion-like veranda) pringgitan(section of a traditional-style house), kuncung, tratag, dalem ageng, sentong kiwa (small innerroom on the left), senthong tengen (small inner room on the right), and senthong tengah (smallinner room in the middle). The additional house consists of gandhok (wing of a house), Gadri,Pawon (kitchen) and Pekiwan (lavatory). The interior design of basic housing consists of onebedroom, one versatile room, and one bathroom. The interiordesign of Javanese traditional houseis divided based on social strata and custom while that of Basic Housing is divided based onpractical and pragmatic functions. The transformation can be traced back to the transformation ofform, function, meaning and the interior design. The interior design transformation of traditionalJavanese house into basic housing is caused by some factors such as the cultural factor comingfrom the outside (external), social condition of the society (internal practical function and theowners ï¬nancial condition.Key words: transformation, interior design, Javanese house, basic housing
DINAMIKA PERKEMBANGAN BATIK KLASIK Dharsono (Sony Kartika)
Pendhapa Vol 2, No 1 (2011)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (4123.411 KB) | DOI: 10.33153/pendhapa.v2i1.1163

Abstract

Batik is a painting or drawing which is made by using a tool called “canting” (a copper vessel with a spouted nib) on a white cambric. A person painting, drawing or writing on a white cambric using canting is called membatik (to do batik work). Doing batik work produces a batik work having a variety of motifs with special characteristics. The emergence of hand-blocked batik (batik cap), although it is not as soft as hand-drawan batik, can keep traditional values existing in hand –drawn batik alive. Hand-blocked batik reproduces previosly prohibited batik works. After that, it is not waxing process in batik that is speeded up but drawing motifs and colouring so that cloth with batik motif which is really similar to batik. This batik cloyh is called “batik printing” (hand-blocked batik).The dynamic of batik development diverts batik consumers. People swift to batik motif textile while Indonesian bourgeois class wear hand drawn batik cloth in the interest of formal occasions or parties. The dynamics will take hand-drawn batik to an exclusive throne. Then batik becomes a source of glorification and then it will be a philosophical exemplar and the source of inspiration to make and develop batik further.  According to Javanese culture, batik is not only esthetically pleasing but the motif of classical batik also become a guidance (principle). That is why, batik is the great work of  Indonesian people and now it has been acknowledged as the tangible and intangible heritage of the world.Keywords: batik,canting,printing
KEBIJAKAN LARANGAN EKSPOR ROTAN DAN PENGEMBANGAN DSAIN PADA INDUSTRI ROTAN Sumarno -
Pendhapa Vol 2, No 1 (2011)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3400.259 KB) | DOI: 10.33153/pendhapa.v2i1.1165

Abstract

Indonesia is a tropical and largest rattan producing country in the world. Such the condition in global context should become the national rattan industry superiority. However, strangely the condition in the ï¬eld frequently shows the scarcity of rattan main material. The main material scarcity often becomes the obstacle for the national rattan industry performers, particularly in Java. This background encouraged the government to enforce the policy of rattan main material export prohibition. In order to support the main material absorption through the improvement of productivity, the government devises to develop rattan industry design. Unfortunately, it has not been mentioned in detailed how the implementation of such the design development policy is. This article belongs to a qualitative research, attempting to explain the a priori design development. The approach method used was a discourse analysis in analytical descriptive manner. The concepts of aspect design development having the most important role were marketing, designer, production. Organization trilogy in that industry included three interrelated and interdependent components. The aspect of design in domestic rattan industry includes the need for understanding, function, and comprehensive role of design among the industries. Keywords: rattan policy, design development, industry.

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