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Studi Budaya Nusantara
Published by Universitas Brawijaya
ISSN : -     EISSN : 26211068     DOI : -
Core Subject : Religion, Humanities, Art, Social,
Religion Arts Humanities Environmental Science Social Sciences
Jurnal Studi Budaya Nusantara (SBN) adalah media komunikasi ilmiah yang diterbitkan oleh Jurusan Seni dan Antropologi Budaya, Fakultas Ilmu Budaya, Universitas Brawijaya Malang. Jurnal ini dimaksudkan untuk mewadahi hasil penelitian dan kajian ilmiah di bidang seni dan budaya Nusantara sebagai bentuk sumbangan masyarakat ilmiah bagi pengembangan wawasan seni dan budaya dalam kehidupan masyarakat yang lebih luas. Terbit 2 kali setahun (Juni dan Desember).
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Articles 6 Documents
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Search results for , issue "Vol. 5 No. 1 (2021)" : 6 Documents clear
IDENTIFIKASI PEPALIHAN BEBADUNGAN PADA GEDONG RATU DALEM DI PURA DALEM TOH JAYA Wasista, I Putu Udiyana
Studi Budaya Nusantara Vol. 5 No. 1 (2021)
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Abstract

Bebadungan style preservation is important, because of the large- scale renovation without paying attention to the legacy of knowledge for future generation. In addition, writings that spesifically discussing the various type of pepalihan bebadungan have not been found. This paper contain an identification of the various type of pepalihanbebadungan used in Gedong Ratu Dalem at Pura Dalem Toh Jaya, Banjar Lemintang, Dauh Puri Kaja Village, Denpasar City. This paper used qualitative method with descriptive presentation. This paper aims to documented and contributed to literacy that play a role in cultural preservation at the Denpasar City. The result is that there are 10 different types of pepalihan used, including palih dandan and palih cakep gula that is the spesific characteristics of bebadungan style. The whole things is visualized in a game of linear lines, with variations of bricklaying back and forth to create depth.
Perilaku Sunda Sebagai Entitas Karakter Kebangsaan yang Terancam Hilang Parhan, Muhamad
Studi Budaya Nusantara Vol. 5 No. 1 (2021)
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The phenomenon of ethical and moral degradation has become a discussion and complaint of every society. The values of politeness which are the core of a human being who are marginalized by the hegemony of science and technology development. There is nothing wrong with the development of science and technology, but society seems not yet ready to accept the onslaught of the new and talkative cultures that adopt them. This study wanted to determine the level of application of Sundanese values in everyday community interactions. In addition, it measures people's concern in transferring Sundanese values to the younger generation. The research method used is descriptive qualitative. The data were obtained using a google form filled out by 117 respondents. The data were filled in by respondents aged 19-21 years, the rest were respondents aged 25-50 years. The data shows that respondents who strongly apply Sundanese values in their daily life and do not feel proud. The data also shows that of the people who take part in transferring these local wisdom values, the minimum is the value of technical courtesy that is carried out in the need of interaction. For example, in speaking kind words to older people, getting in love, and saying excuse me when in society. This is if teachers and familiarize themselves at every level of society, it will form a harmonious national character. National character is the main asset and value if it is owned by individuals. Having this will attract him to other people and become a unique identity. There are still people who care about the preservation of local wisdom values, only transferred in different ways. This is because the character of society has also shifted due to various times of development.
PERAN GELAR ADAT SAI BATIN DALAM STRUKTUR SOSIAL DAN PELAKSANAAN UPACARA ADAT PADA MASYARAKAT DESA WAY EMPULAU ULU wijaya, rolim
Studi Budaya Nusantara Vol. 5 No. 1 (2021)
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In the village of way empulau ulu, the status and roles of each individu are called in a society called the sai inner's tribal title. The traditional title of sai batin holds a central role in the social structure and ritualistic practice in the village of way empulau ulu. The study uses a descretive qualitative approach. Studies are carried out in the village of way empulau ulu, in the districts balik bukit, Lampung barat, in the Lampung province, study to kepaksian sekala berak paksi buay bejalan di way dan nyerupa . Research has shown that (1) the role of the title adat sai batin in social structure is to regulate socialized and socialized processes and manage communities to respect each other. (2) in the performance of the traditional ceremony the title adat sai batin funcion to, control and planning of various performing rituals to be performed. (3) induvidu who has earned his degree adat have to understand its function and duties in kebot and society so as not to create new problems in kebot and society.
KOMODIFIKASI SENI RUPA DALAM BRANDING PARIWISATA BALI DI MASA KOLONIAL Sindu Putra, Ida Bagus Komang
Studi Budaya Nusantara Vol. 5 No. 1 (2021)
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Bali island is very thick with arts and tourism. Balinese Fine Arts has gone through a long historical journey from the prehistoric era to the present. Many observers say that the art that has developed on the island of Bali has its own characteristics. Balinese Fine Arts as part of Balinese culture has its own complex development. When compared to the fine arts that have developed in other areas such as Yogyakarta, Bandung and Jakarta, Balinese art has a different ecosystem. In Balinese fine arts, the religious aspect is still very influential, in line with the flow of modernism brought by the entry of tourism that has occurred since the colonial period. Today, in Bali, art, which became present as an offering and is communal in a contextual context, continues and has become part of the traditions of the Balinese Hindu community in the midst of the development of modern / contemporary art which is personal and profane. In the context of artistry, Balinese fine arts to this day develop very dynamically where traditional art, as well as modern / academic art, develop and have their respective actors, enlivening the Balinese art ecosystem. The position of the Balinese art ecosystem that intersects with the development of the world of tourism is actually a potential that can be mobilized as Bali tourism branding. The purpose of this research is that the two of them can collaborate for mutually reinforcing developments. This research will be conducted using the literature method from existing data.
PENGELOLAAN KETAKUTAN MELALUI NILAI TRADISI DI TENGAH PANDEMI COVID-19: KAJIAN MULTISPESIES ANTROPOLOGI Perdani, Agung Sandi
Studi Budaya Nusantara Vol. 5 No. 1 (2021)
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This paper argues that the Covid-19 virus needs to be seen in a unity of cultural phenomenon so that cultural and nature boundaries can be eliminated and produce holistic and valid ethnography. Psychological and health approaches tend to put the Covid-19 virus outside of culture. The management of fear in the midst of a pandemic in the community is seen as not contextual and ignores local wisdom. Covid-19 virus needs to be placed as a companion species equivalent to humans in a culture. This research studies the community of Kukusan Village, Kendit District, Situbondo Regency. The data is collected through fieldwork, using the methods of in-depth interview, participant observations and literature studies. This research shows that Kukusan Village which is religious with a strong kinship coexists with Covid-19 based on the management of fear and shame in the midst of the pandemic. Managing fear and shame when experiencing various conditions such as exposure to Covid-19 virus, death, and illness in the midst of the pandemic raises anti-fear for the people of Kukusan village. Medical anthropological perspectives that tend to be anthropocentric and see a disease or virus separate from humans make it seem as if Covid-19 is just a health phenomenon. Anthropologists with multispecies perspective in looking at health issues try to see the Covid-19 virus as a whole unity in society and become an active subject in health and cultural phenomena.
REPRESENTASI AKTIVITAS PEREMPUAN "MANUMBUAK PADI" DALAM KARYA LUKIS EVELYNA DIANITA Sari, Nani Dian; Asril, Asril; Munaf, Yuniarti
Studi Budaya Nusantara Vol. 5 No. 1 (2021)
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Abstract

This paper discusses the Representation of the Minangkabau Women's Activity " Manumbuak Padi" in Evelyna Dianita's painting. Evelyna is a female painter who presents the themes of activities and roles of Minangkabau women such as women's daily activities, women in rituals, women in markets, women in the rural realm and women in kaba / stories. This became the identity of his work as a female painter who was born and grew up in Minangkabau. This article aims to discuss Evelyna's work entitled manumbuak padi from a semiotic perspective. Manumbuak Padi is a form of collaborative activities carried out by Minangakabau women in the gadang home yard, this traditional activity for the Minangkabau community aims to separate rice from its skin. This study uses a qualitative method that passes observations, interviews, documentation and data analysis. Based on the results of the analysis that Evelyna's anxiety about the habit of pounding rice in the traditional way in the Minangkabau community had begun to fade, which was replaced by advanced technology such as helers. This feeling can be seen in the meaning of the sky color symbol that is presented by Evelyna in her work. The writing about Evelyna Dianita's paintings is expected to be a reference, so that there are opportunities for other researchers to examine from different perspectives and sciences.

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