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Besaung : Jurnal Seni Desain dan Budaya

Besaung
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Published by Universitas Indo Global Mandiri

ISSN : 25028626 EISSN : 25494074 DOI : -

Core Subject : Art, Social,

Arts Social Sciences

Besaung is a scientific journal Visual Communication Design Study Program, Faculty of Government and Culture of the University of Indo Global Mandiri which includes the results of research, meetings, community service, conceptual coordination (thinking), and analytical studies in the fields of art, design and culture. Besaung is expected to be a medium for writers to publish their works, so publishing this journal can help in advancing science in the fields of art, design and culture. This journal is published twice in one year in March and September.

Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)

Articles 8 Documents

Search results for , issue "Vol 1, No 2" : 8 Documents clear

KAJIAN BENTUK DAN FUNGSI SENI KERAJINAN LAKUER TEPAK SIRIH PALEMBANG Husni Mubarat
Besaung : Jurnal Seni Desain dan Budaya Vol 1, No 2
Publisher : UNIVERSITAS INDO GLOBAL MANDIRI

Art Craft Lakuer Tepak Sirih Palembang, a cultural heritage of the past is handed down from generation to generation. The craft has a wide range of products that serve as a means of household fittings such as plates, tins, trays, betel slap and others. As for becoming the focal point of the author are Art Craft Lakuer Tepak Sirih Palembang. Historically craft Lakuer Palembang was originally brought by traders from the Chinese and India around the 6th century AD whose purpose is as a tribute or a prize given to the kings of Srivijaya, while traditions chewing or menginang in South Sumatra, especially in Palembang estimated in the 6th century until the 7th century AD this tradition influenced by Hindu-Buddhist culture which was followed by the Arabs. As artepak culture, the existence of such craft should be appreciated as works of art valued craft classic. The values contained in it is a reflection of the value of the historical, social, cultural and aesthetic. Visually, Art Craft Lakuer Tepak Sirih Palembang resemble the shape of truncated pyramid, with a slope of approximately 25 degrees, with a form of decoration in the form of animal motifs distilir and plants motif. Overall physical form (visual) this craft also emerged from the shades of color, such as dark golden brown, crimson red and golden yellow and combination black ink china. Each of these colors give shape (visual effects) with the uniqueness of each. In terms of functionality, this craft discount variety of functions, among which are a function of social, cultural and decorative objects (as works of craft art in terms of art crafts). Overall it can be said craft craft unique, different from the craft in most other areas, especially in Sumatra. In particular goal of this study is to know and understand the forms and functions that exist in the craft Lakuer Tepak betel Palembang. This study is expected to be the starting point for the author to learn more about the craft Lakuer Palembang in general, especially in this case are Art Craft Lakuer Tepak Sirih Palembang, either through research or in the form of product development as a work valuable cultural and economic value, thus. The results of this study are expected later can be beneficial as science, both for themselves writers, academics, artisans and community lakuer PalembangKeywords :Form, Function, Lakuer, Tepak Sirih Palembang

KAJIAN SEMIOTIKA PADA IKLAN TELEVISI OLX.CO.ID “BEKAS JADI BERKAH” Bobby Halim
Besaung : Jurnal Seni Desain dan Budaya Vol 1, No 2
Publisher : UNIVERSITAS INDO GLOBAL MANDIRI

The purpose of this research is to know the semiotics of an OLX commercial named with “Former became Blessing”. It examined the relationship of laying camera angle in influencing message delivered by a TVC and how the cinematography is used as a visual rhetoric. The study was conducted qualitatively by semiotic analysis approach to the film. It analyzed by using a diachronic view of signifier and the signified. This study reveals the meanings contained in the TVC OLX.co.id “Former became Blessing”. By using one of the theories of Ferdinand de Saussure, TVC is the subject of the study authors described a scene. Presented through tables and also in the form of a paragraph so that the reader can follow the process of analysis that has been done by researchers. Keywords: commercial, semiotics, film, cinematography

SENI MURAL SEBAGAI UNSUR POLITIK DALAM KEHIDUPAN SOSIAL Heri Iswandi
Besaung : Jurnal Seni Desain dan Budaya Vol 1, No 2
Publisher : UNIVERSITAS INDO GLOBAL MANDIRI

Mural is any piece of artwork painted or applied directly on a wall, ceiling other large permanent surface. There are some messages to be conveyed by the makers of mural. It’s to create the condition around him to express of aesthetic, social, and cultural. By this process, it will begin of aesthetic politic and others. The aesthetic is process of effort and making of art to the real thing. There are efforts in the aesthetic of politic to provide a political action by a way of expressing through art media that called mural.Keyword : Mural, social message, political elements.

LAKER SEBAGAI MEDIA SENI APLIKATIF KHAS PALEMBANG Yosef Yulius
Besaung : Jurnal Seni Desain dan Budaya Vol 1, No 2
Publisher : UNIVERSITAS INDO GLOBAL MANDIRI

As one of the art and cultural heritages of the archipelago, Palembang’s lacquer put its position as a creative media for artists to work. With all the advantages and uniqueness, palembang’s lacquer still survive and exist from time to time to be recognized and studied as a science of art. As a natural creative media, Palembang’s lacquer is an alternative for the artists or designers from various branches of scientific art to try and apply the new skill and creativity in creating a work. With the presence of Palembang’s lacquer knowledge, the knowledge of the working process becomes more extensive and innovative, Palembang’s lacquer inspires the working process of artists or designers to be able to explore ideas or creative concept in the process of working more competently, in addition to all the advantages of Palembang’s lacquer, working with this media is expected to be able to bring and introduce the local culture of the archipelago to all the art lovers in Indonesia. Key words : The Traditional Furniture from Palembang, Aesthetic Values, Art Development, Product Designs, Lacquer, Art

POSE YOGA DALAM KARYA KRIYA Didiek Prasetya
Besaung : Jurnal Seni Desain dan Budaya Vol 1, No 2
Publisher : UNIVERSITAS INDO GLOBAL MANDIRI

Yoga is a way to achieve harmony and balance the mind. In the program Seven Spiritual Laws of Yoga aims to achieve success is a natural law that is applied to the human exsperiece. Yoga is a series of principles that create what has not materialized be realized. Yoga poses made in the depiction of human life, therefore in the process of creating works of yoga poses are in though as the source of the idea of creation into a work of art. Source of inspiration in this work is a yoga pose from The Seven Spiritual Laws of Yoga. The findings in this creation is the incorporation of wood circles 2cm diameter and 2.3 cm in the work of art. "Yoga Pose In Kriya work" is expected to enrich the artistic creation of the circle unique wood and characteristics, arouse awareness of the audience towards the aesthetic works to absorb the meaning contained in the artwork. Keywords : Yoga Pose, wood craft

EKSPRESI GORESAN GARIS DAN WARANA DALAM KARYA SENI LUKIS Aldi Yunaldi
Besaung : Jurnal Seni Desain dan Budaya Vol 1, No 2
Publisher : UNIVERSITAS INDO GLOBAL MANDIRI

In the essence of painting was not out of line and color, it was very important in a painting. Line was a basic element in art that mean more than just a scratch, Role lines were very important in the process embodiment form, because the line determines the quality of expression of an artist who appeared in strokes or in granting certain accentuation on the object creation. When the line was structured, such as arranged through rhythm, symmetry, balance would form certain patterns so that the line was able to speak as a medium of expression. Likewise with color, an outline of the meaning of the colors that we could actually described its. With a record if the colors were in a state of stand alone or be dominant compared with other colors. Scientifically, understanding of color was an electromagnetic wave that led to our eyes were translated by the brain as a color. In other words, the colors were also something to do with human emotions. And it could cause psychological influence. Keywords : Expression, Emotion, line, colour.

FUNGSI SOSIAL ANSAMBEL MUSIK GAMBUS DALAM KEHIDUPAN MASYARAKAT RIAU Rio Eka Putra
Besaung : Jurnal Seni Desain dan Budaya Vol 1, No 2
Publisher : UNIVERSITAS INDO GLOBAL MANDIRI

Logically naturally social function is the usefulness of a thing for the life of a society and a culture of creativity, taste and human initiative in meeting their needs are complex. Wholly includes knowledge belief, art, customary law, every conversation and habits. In my opinion is one of the traditional arts community culture that has existed and evolved from the first until now, traditional arts became one of the community needs either a primary or secondary. Stringed musical ensamble became the pride of the people of Riau did have game concept and distinctive musical compositions typified the spirit that is rooted in the life of the people of Riau. When talking about the use of music, of course we are referring to the way the music is used or to what is usually the music, either from the instrument itself or its relationship with various other community activities. The social function of music in society with symbols sing a song on someone’s lover, used in this way and other functions globally to pray to a god or singing call (capture) animal. Music used in the right situation and the situation was becoming part of the culture but can have a profound function or may not have a function.Keywords : social function, a stringed instrument ensemble Riau.

KAJIAN ESTETIKA ORNAMEN RUMAH LAHEIK DESA SELEMAN KABUPATEN KERINCI - JAMBI Mukhsin Patriansyah
Besaung : Jurnal Seni Desain dan Budaya Vol 1, No 2
Publisher : UNIVERSITAS INDO GLOBAL MANDIRI

Humans are creatures of culture all upload their work to give effect to the environment around it. The realization of these activities give shape and structure in accordance with the new physical and spiritual needs. Man in her life has always had a passion for beauty. The beauty desire tertuangkan one of them in the form of ornaments. this can be seen from the activity Kerinci ancestors who already know how to decorate a decorative ornament in the form contained in laheik house in the village of SelemanKab. Kerinci-Jambi. Humans in general are always exploit and use ornaments as will efforts to realize the beauty of its objects. Human activities in the use of ornaments can be seen from the objects left behind as nekara, vessel, traditional house, Rumaharrayand so forth. All of it is a form of visual created by the use of motifs as the added value of the beauty of the object. The process of creation can not be separated from the influence of the surrounding natural environment that has changed the shape of the original.Study ornament array house in which there are two fundamental elements that shape and structure. Visual form of ornaments Home Village arraySeleman many refer to the surrounding nature, for example the plants and animals that distilisasikan the motive or ornaments. array house ornament in its creation can not be separated from the principles of harmony, balance, rhythm and so forth. ornaments presence in the House array has two functions namely as aesthetic and as a symbolic expression and way of life for the people of Kerinci. Symbols are present on the ornament is a convention on a community agreement. Keywords : Ornament, Symbol, Functions, laheik house

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Home Page

OAI Link

Editorial Team

Contact

Reviewer

Google Scholar

Contact Name
Terttiaavini

Contact Email
avini.saputra@uigm.ac.id

Phone
+6285377238800

Journal Mail Official
lppm@uigm.ac.id

Editorial Address
Jl. Jend Sudirman No 629 KM 4 Palembang

Location
Kota palembang,

Sumatera selatan

INDONESIA

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Home Page

OAI Link

Editorial Team

Contact

Reviewer

Google Scholar

Contact Name Terttiaavini

Contact Email avini.saputra@uigm.ac.id

Phone +6285377238800

Journal Mail Official lppm@uigm.ac.id

Editorial Address Jl. Jend Sudirman No 629 KM 4 Palembang

Location Kota palembang, Sumatera selatan INDONESIA

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Contact Name
Terttiaavini

Contact Email
avini.saputra@uigm.ac.id

Phone
+6285377238800

Journal Mail Official
lppm@uigm.ac.id

Editorial Address
Jl. Jend Sudirman No 629 KM 4 Palembang

Location
Kota palembang,

Sumatera selatan

INDONESIA