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Journal of Music Science, Technology, and Industry (JOMSTI)

jomsti
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Published by Institut Seni Indonesia Denpasar

ISSN : - EISSN : 26228211 DOI : https://doi.org/10.31091

Core Subject : Education, Art, Social,

Arts Social Sciences Other

Journal of Music Science, Technology, and Industry is a scientific media disseminating science, technology, aesthetic, and industry of music in relation to its uses in the society. JOMSTI is published with a focus on philosophy, aesthetic, concept, and theory of music; music analysis and genre; music education and learning; specific and/or common, traditional and/or modern, local and/or global music history and entity; music application, practice, show or performance, and technology; production, distribution, and consumption in music industrialization; anthropology, sociology, and psychology of music.

Arjuna Subject : Seni dan Humaniora - Musik

Articles 8 Documents

Search results for , issue "Vol. 3 No. 1 (2020)" : 8 Documents clear

Meyerâ€™s Approach on Musical Analysis and Its Relevance to Indonesian Analytical Study of Western Music Andre Indrawan
Journal of Music Science, Technology, and Industry Vol. 3 No. 1 (2020)
Publisher : Institut Seni Indonesia Denpasar

This critical review of Leonard Bunce Meyer's musical analysis theory is aimed at obtaining a basic understanding of an approach that seems uncommon in Indonesian studies of Western music. This study uses a speculative method with descriptive as well as critical approaches, where Meyer's analysis theory is depicted critically by conforming it toward Nicolas Cook's critical review which was based on the Shenkerian concept. The relevance application of this analysis model in the studies of musical form in Indonesia then is discussed. This study concluded that the psychological music analysis of Meyer was carried out by the foreground expectations of the tonal music linear and rhythmical analysis. Compared to the Shenkerian approach which gives greater attention to the harmonic reduction that focused on the harmonic background of tonal music, Meyerâ€™s approach would be less practical in observing at large-scale musical structures. Meyerâ€™s analysis would be valuable to the performers as well as music analysts if they also take into account their musical style concepts which mostly regarded as the area of aesthetic rather than technical analysis. For Indonesia, this method is appropriate for Master and Doctorate studies in Western Music.

Analysis of Besaman Music Rhythm Patterns Hardiansyah Ay
Journal of Music Science, Technology, and Industry Vol. 3 No. 1 (2020)
Publisher : Institut Seni Indonesia Denpasar

Besaman (bersaman) is a daily mention of the Gayo people for art activities which are currently only known as saman dance. saman is a traditional Gayo art which includes music, dance and literature. Within the elements of music, dance and literature have an equally important portion, in which each type of art takes place in mutualism, such as the motion of creating music, music (melodic form of song and poetic structure) is considered in creating the rhythm of motion. In the perspective of dance music, saman is a dance that uses a form of music presentation internally, internally what is meant is music that arises or is produced by the dancer itself (without accompaniment of music). Music in besaman is produced by clapping hands, chest, thighs, finger flicks and vocals. Clapping hands, chest, thighs and flick fingers form a choreography in the dance. The forms of song melodies and literary structures adjust and are also adjusted in creating a form of musical rhythm as well as dance moves. Therefore, the Gayo community calls this form of art activity with the plait not just dancing saman, because the three types of music, dance and literature take an equally important role in doing this art.

Terminologi Gambus dalam Spektrum Musik di Indonesia Ricky Irawan
Journal of Music Science, Technology, and Industry Vol. 3 No. 1 (2020)
Publisher : Institut Seni Indonesia Denpasar

This Article aims to review the expansion of the meaning of gambus in three categories. It is, firstly, the gambus as a musical instrument; secondly, gambus as a music performance format; and thirdly, stringed as a musical style. This categorization helps to understand the context in which the term gambus is used. Thus, the discussion about gambus can be understood more clearly. It was found that, initially, the term gambus is used to refer to a stringed musical instrument from the Middle East that came together with trading activities and the spread of Islam in Southeast Asia. But in its development, gambus is also used to refer to a format of musical performances such as orkes gambus, gambus Melayu, gambus tunggal and others. Later, gambus was used also to refer to musical styles associated with Islamic musical arts such as gambus dzikir, gambus sholawat, gambus qasidah. Seeing the various uses, it is difficult to interpret it only as the name of a musical instrument, but must also accommodate the expansion of its meaning at this time.

Hibriditas Multidimensional: Studi Kasus Karya Musik Komunitas Badan Gila Komang Sudirga
Journal of Music Science, Technology, and Industry Vol. 3 No. 1 (2020)
Publisher : Institut Seni Indonesia Denpasar

This paper wants to show that the Komunitas Bada Gila (or Crazy Body Community) is an art community in Telepud Village, Tegalalang District, Gianyar Regency. This research is directed to answer questions related to the existence, aesthetic foundation, and creative processes that are behind the show. To answer these qualitative questions, this study applies various techniques and procedures for collecting data in the form of interviews and observations. I find that this community was founded in 2008 by 16 artists who have a commitment to devote their lives in the ecosystem of the art world. The idea to build this art community began with the Final Project of Artwork by Wayan Sutapa, which was inspired by genjek, the song that was played while drinking wine. Initially Sutapa aims to change the perception of traditional art which is considered as the 'art of the drunk' by placing it in a new context. However, instead of changing these negative perceptions, the works of the community have opened the possibility of expanding the creativity of kecak and genjek art into a more attractive form with the body as the medium. The creative works of the community reaffirm that Balinese society is open and a necessity for local-global struggle and association in Bali.

Identity of Kecak Touristic Performance in Uluwatu Temple I Putu Adis Putra Kencana; I Gede Mudana; Ni Wayan Ardini
Journal of Music Science, Technology, and Industry Vol. 3 No. 1 (2020)
Publisher : Institut Seni Indonesia Denpasar

Touristic performances at Uluwatu Temple have some differences in other tourist attractions, so this research was conducted aimed at providing information or an overview of identity in tourist performances at Uluwatu Temple itself. This study uses qualitative methods that prioritize objectivity and honesty in gathering data so that the results obtained will be truly based on research. The results obtained from this study are the performing arts tour in Uluwatu Temple has an identity and characteristics on the presentation. The presentation is good in terms of a strategic place with views of cliffs, the sea, and sunsets, a unique presentation mode spiced with jokes that gives an interesting impression on the presentation. Likewise with the attractions that are served, such as Hanoman dancers who rise above the temple and the scene when burned. All of that has its own charm in this show at Uluwatu. This show is very different from ones in other places.

MERLOT: Belajar Musik di Era Digital Riyan Hidayatullah
Journal of Music Science, Technology, and Industry Vol. 3 No. 1 (2020)
Publisher : Institut Seni Indonesia Denpasar

This article is a literature review on MERLOT (Multimedia Education Resources for Online Learning and Teaching), an open-source multimedia-based learning resource for asynchronous music learning needs. Conventional music learning methods that deal with practical activities and theory classes. This activity is usually done in a classical or private class. In addition to general problems in music pedagogy and psychology, access to music materials in the form of music theory, music forms, and music literature is a problem that is specifically for music teachers in Indonesia. Access and publishing of music books are still minimal. These kinds of stuff carry out music teachers with non-music educational backgrounds to arrange music materials systematically, find out credible music learning resources, the latest issues about music learning and digital tools that can be used for online music courses. Various pieces of literature show that MERLOT is contributing to information literacy, digital, and supporting the learning of music nowadays.

Faktor Penunjang Pertunjukan Musik: Input, Proses, dan Output Ovan Bagus Jatmika
Journal of Music Science, Technology, and Industry Vol. 3 No. 1 (2020)
Publisher : Institut Seni Indonesia Denpasar

This research examines the supporting factors in improving the quality of musical performances. The method used is qualitative and the research data are found through library research. The author concludes that a performance is considered to have ideal conditions if it involves three elements that support each other in the process towards the end of the musical execution on the stage, namely input, process, and output. These three elements (input, process, and output) are expected to improve the quality of the performance. The intended form of quality improvement is the formation of two-way communication or dialogue between the player and the audience. The player conveys the musical content of their interpretation of the work being played, while the audience responds to the standard measure of musical, visual and gestural norms that they have / believe in. Keywords: musical stimuli, musical emotions, learning motivation, exercise effectiveness, musical memory.

Peran Musik dalam Film Score Dimas Phetorant
Journal of Music Science, Technology, and Industry Vol. 3 No. 1 (2020)
Publisher : Institut Seni Indonesia Denpasar

Scores are things that cannot be separated from the film. The score has an important role in the film. Apart from being a communication tool, scores are needed to convey visual messages. The rise of filmmaking lately especially those related to scores requires composers with a variety different disciplines. This paper discusses the score on the film. The method used is observation. The data studied is in the form of journals, books, pictures, videos, which have been described in written form.

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Contact Name
ricky Irawan

Contact Email
rickyirawan@isi-dps.ac.id

Phone
+6285694109326

Journal Mail Official
jomsti@isi-dps.ac.id

Editorial Address
Program Studi Musik, Fakultas Seni Pertunjukan, Institut Seni Indonesia Denpasar. Jalan Nusa Indah, Denpasar 80235

Location
Kota denpasar,

Bali

INDONESIA

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Home Page

OAI Link

Editorial Team

Contact

Reviewer

Google Scholar

Contact Name ricky Irawan

Contact Email rickyirawan@isi-dps.ac.id

Phone +6285694109326

Journal Mail Official jomsti@isi-dps.ac.id

Editorial Address Program Studi Musik, Fakultas Seni Pertunjukan, Institut Seni Indonesia Denpasar. Jalan Nusa Indah, Denpasar 80235

Location Kota denpasar, Bali INDONESIA

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Contact Name
ricky Irawan

Contact Email
rickyirawan@isi-dps.ac.id

Phone
+6285694109326

Journal Mail Official
jomsti@isi-dps.ac.id

Editorial Address
Program Studi Musik, Fakultas Seni Pertunjukan, Institut Seni Indonesia Denpasar. Jalan Nusa Indah, Denpasar 80235

Location
Kota denpasar,

Bali

INDONESIA