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ricky Irawan
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rickyirawan@isi-dps.ac.id
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Program Studi Musik, Fakultas Seni Pertunjukan, Institut Seni Indonesia Denpasar. Jalan Nusa Indah, Denpasar 80235
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INDONESIA
Journal of Music Science, Technology, and Industry (JOMSTI)
Published by Institut Seni Indonesia Denpasar
ISSN : -     EISSN : 26228211     DOI : https://doi.org/10.31091
Core Subject : Education, Art, Social,
Arts Social Sciences Other
Journal of Music Science, Technology, and Industry is a scientific media disseminating science, technology, aesthetic, and industry of music in relation to its uses in the society. JOMSTI is published with a focus on philosophy, aesthetic, concept, and theory of music; music analysis and genre; music education and learning; specific and/or common, traditional and/or modern, local and/or global music history and entity; music application, practice, show or performance, and technology; production, distribution, and consumption in music industrialization; anthropology, sociology, and psychology of music.
Arjuna Subject : Seni dan Humaniora - Musik
Articles 9 Documents
 1 
Search results for , issue "Vol. 5 No. 1 (2022)" : 9 Documents clear
Original Soundtrack dan Scoring Film Televisi Drama-Musikal “Bung Karno di Bawah Pohon Sukun” Guntur Eko Prasetyo; Ketut Sumerjana; I Komang Darmayuda; Ni Wayan Ardini; I Komang Arba Wirawan; I Wayan Adnyana; Nyoman Lia Susanthi; Agustinus Sani Aryanto
Journal of Music Science, Technology, and Industry Vol. 5 No. 1 (2022)
Publisher : Institut Seni Indonesia Denpasar

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Abstract

Proses Produksi Program Podcast Berbasis Audio-Visual sebagai Media Penyebaran Informasi Proses Kreatif Musisi Pop Bali Irene Nyoman Esterina Pregie Angga Dewi; Ricky Irawan; I Komang Darmayuda; Wahyu Sri Wiyati
Journal of Music Science, Technology, and Industry Vol. 5 No. 1 (2022)
Publisher : Institut Seni Indonesia Denpasar

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Abstract

Purpose: This research is to understand the production process of audio-visual-based podcast programs as a media for disseminating information on the creative process of Balinese pop musicians. Research Methods: In this internship program for the MBKM (Merdeka Belajar Kampus Merdeka) program, the authors and partner i.g. Bali TV want to produce a podcast program with the aim of preserving Balinese Pop Music culture which is currently experiencing global challenges in the context of the industrial revolution 4.0. Results and Discussion: The presence of podcasts is a form of development from conventional radio media which previously would have been one of the most popular media. Currently, podcasts are in great demand because podcasts have various advantages compared to radio, namely podcasts are on demand (the control of the podcast is on its listener). The convenience and advantages offered by podcasts provide a new platform for the dissemination of information widely. Implication: Music programs that exist today are considered only able to fulfill the purpose of being an entertainment and promotion. For this reason, a podcast program that presents speakers who are engaged in their fields and also provides information about the creative process of Bali Pop musicians is considered to be a form of preserving Bali Pop Music from now onwards.
Aktor Lokal, Industri Rekaman Musik, dan Musik Daerah: Peran dan Kontribusi Hila Hambala pada Gitar dan Gambus Tunggal Lampung Pesisir Ricky Irawan
Journal of Music Science, Technology, and Industry Vol. 5 No. 1 (2022)
Publisher : Institut Seni Indonesia Denpasar

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Abstract

Purpose: This article aims to examine the progress of music recording technology in cassette form and the role of local actors, encouraging the development and giving shape to the toponymy of Lampung regional music today. Research Method: through a diachronic perspective, the author focuses on Hila Hambala, a musician, composer of Lampung-language songs, who is also widely known as an important figure in the development of guitar and gambus tunggal Lampung Pesisir, and Lampung dangdut. Several issues will be discussed, including: the learning process, the music environment, and Hila Hambala's involvement in music recording (in Jakarta and Lampung) since the early 80's which resulted in recordings of her works in the form of audiocassettes and video compact discs. Results and Discussion: Hila Hambala's involvement since the 80s in regional music and popular music from the Lampung region has not only boosted the popularity of his name and works, but in turn has also helped to define and shape the landscape of local music in Lampung, namely guitar and gambus tunggal of coastal Lampung. Implication: This research contributes to the discourse on the role and implications of modernity through advances in music recording technology having an impact on regional music.
Batu Bernada di Ulahahan: Ide Pembuatan dan Organologi Alat Musik Batu “Pele Vatwam” Nelsano A. Latupeirissa
Journal of Music Science, Technology, and Industry Vol. 5 No. 1 (2022)
Publisher : Institut Seni Indonesia Denpasar

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Abstract

Purpose: This article is an organology study and a report on the exploration and development process of a traditional musical instrument called Pele Vatwam. Research Methods: this study uses a qualitative descriptive method. Results and Discussion: This musical instrument has its own uniqueness, the basic material for making this musical instrument is from natural flat andesite stones located on the coast of Telutih bay, the stones are collected and tuning the tone through a tuner application without the process of cutting or scraping the stone with using a cutter or machine to produce a pitched stone. Implication: Efforts to develop the traditional musical instrument Pele Vatwam can be one of the riches and uniqueness of musical culture on Seram Island, Maluku.
Musik dan Gerak: Pendidikan Seni bagi Anak Usia Dini Putu Sandra Devindriati Kusuma; Ni Made Dian Widiastuti; Ni Wayan Iriani
Journal of Music Science, Technology, and Industry Vol. 5 No. 1 (2022)
Publisher : Institut Seni Indonesia Denpasar

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Abstract

Purpose: This study aims to look at the position of art education for early childhood. Art education for children this age is not only limited to singing or composing existing songs and changing the lyrics. Research Methods: This article is the result of a literature study which is strengthened by interviews with one of the educators who is also an early childhood education activist. The data presented in the form of descriptive text, so the nature of this research is descriptive analysis. Results and Discussion: The results of the study show that art is one aspect of development for early childhood is included in ministerial regulations and curriculum. The things that include in the art development program are the embodiment of an atmosphere for the development of exploration, expression, and appreciation of art in the context of play for early childhood. With the art aspect that has been regulated by the Indonesian government, from an early age children can practice their balance through art because art can inspire feelings and thoughts to be human. Implication: In this case, educators must be sensitive because art is to train sensitivity, such as observing children's responses when they hear music and then moving, observing children's body shapes when moving, and creating fun music and movement activities for early childhood to fill their development at in the golden age.
“Perspektif”: Sebuah Komposisi Jazz untuk Band Kombo Kevin Valencio Suwandi; Ketut Sumerjana; I Wayan Suweca
Journal of Music Science, Technology, and Industry Vol. 5 No. 1 (2022)
Publisher : Institut Seni Indonesia Denpasar

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Abstract

Purpose: In this modern jazz composition entitled “Perspektif”, composers were exploiting 3 major aspects of music, which is: rhythm, melody and harmony. The main purpose in this piece is to persuade other composers to not only think creatively but to maximize and research deeply all the basic aspects of music. Research Methods: Modern jazz music can’t be separated from the old school jazz and classical music. The key to be making innovative and creative composition was by learning the music from the previous era. Results and Discussion: By learning the history and research deeply into all the basic aspects of music, the composers can easily come up with something innovative and creative, which in this case is combining jazz music instruments with different kind of sports as non-musical instrument. However, not only it features the sound of the sport but also playing advanced rhythm and filling the space what the music instruments can’t do. Implication: In the process of making this composition from 3 major aspects in music, the composers got enlightened that all of each aspect has many different ways to be looked at or played at. Since the composers named this piece “Perspektif” with a format of 4 pieces jazz combo, 2 guys playing badminton, 1 guy playing basketball and the other 2 doing boxing.
“Gamolan Pekhing”: Telaah Filsafat pada Kesenian Masyarakat Lampung Riyan Hidayatullah
Journal of Music Science, Technology, and Industry Vol. 5 No. 1 (2022)
Publisher : Institut Seni Indonesia Denpasar

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Abstract

Purpose: This study attempts to describe the findings of field research. Data from observations and interviews with key informants were analyzed from the standpoint of the philosophy of science. Philosophy is made up of three major components: ontology (knowledge), epistemology (methodology), and axiology (values). Research Methods: Gamolan pekhing's musical elements are described as a form of ontological reality. Furthermore, in terms of epistemology, explaining the process of establishing the gamolan pekhing music tradition as established knowledge. Gamolan pekhing music is axiologically directed to an awareness of the value of usefulness. Results and Discussion: As a result, the ontology of gamolan pekhing music applies the concept of mimesis (imitation) to an already existing reality. The form of imitation is represented by musical instruments and the system of scales. Implication: The epistemological aspect reveals the limits, sources, structure, and validity of knowledge. The gamolan pekhing music tradition establishes an ecosystem in which its elements thrive. On the axiological relevance of gamolan pekhing, the ecosystem includes musicians, craftspeople, musical materials, musical works, inheritance models, learners, and notation systems. Music will continue to impact the community that supports it positively. Because of these values, gamolan pekhing music has survived today.
Realitas Magis pada Musik Tradisi Minangkabau: Sebuah Perspektif Kajian Budaya Wardizal Wardizal
Journal of Music Science, Technology, and Industry Vol. 5 No. 1 (2022)
Publisher : Institut Seni Indonesia Denpasar

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Abstract

Purpose: This paper aims to briefly discuss the magical aspects of traditional Minangkabau music. Magical reality is found in some traditional music such as the use of spells, the process of making musical instruments, how to treat musical instruments and the use of facilities in musical performances. This article aims to understand the form and function of magical practice in the context of Minangkabau traditional music. Research Methods: This phenomenon is discussed through the perspective of cultural studies as a form of dialectic between adat (art processes) and the religion of the Minangkabau community. Results and Discussion: The Minangkabau community is a devout Muslim. They only believe in God as taught by Islam. Thus, all the actions of the Minangkabau people must be based on the rules justified by Islam. Although in Islamic belief, shamanism, magic or all forms of activity or behavior are “sirik”, shamanic practices or magical ritual activities are still practiced in the community. Implication: Beliefs and behaviors related to magic are essentially part of Minangkabau culture which contains ideas and feelings, actions and works produced by the community through the learning process.
Understanding and Training Strategy on Hindu Religious Choir in Denpasar City: A Theo-aesthetic Analysis Desak Made Suarti Laksmi
Journal of Music Science, Technology, and Industry Vol. 5 No. 1 (2022)
Publisher : Institut Seni Indonesia Denpasar

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Abstract

Tujuan: Penelitian ini dilakukan untuk mengetahui: (1) mengapa pemahaman dan strategi pelatihan kidung diperlukan di Kota Denpasar? (2) bagaimana pemahaman kidung di Denpasar terhadap isi kidung yang dinyanyikan untuk upacara ritual? (3) bagaimana strategi pelatihan kidung di kota Denpasar agar para penyanyi mencapai tingkat mahir dalam bermusik? (4) apa implikasi pelatihan kidung di Kota Denpasar? Metode Penelitian: Permasalahan tersebut dianalisis melalui pendekatan teo-estetika berdasarkan fakta sosial dengan tiga teori: teori fungsionalisme struktural, teori semiotika dan resepsi, dan teori motivasi. Pengumpulan data dilakukan melalui observasi, wawancara, dan studi dokumen. Hasil dan Pembahasan: Hasil penelitian ini menunjukkan bahwa: (1) pemahaman dan strategi pelatihan kidung diperlukan untuk mendukung upacara keagamaan Hindu, pemahaman dan strategi pelatihan kidung untuk memperkuat fungsinya dalam upacara. Penafsiran kidung yang tidak tepat melanggar aspek teologis estetika dan membuka ambiguitas terminologi kidung. (2) Pemahaman penyanyi kidung di Denpasar terhadap isi teks perlu mendapat perhatian khusus karena tidak semua penafsir kidung memiliki pemahaman yang benar tentang makna sastra dan melodi yang tepat. (3) strategi pembinaan kidung di Kota Denpasar perlu ditingkatkan. Perlu dikembangkan strategi yang tepat dan metode yang menarik. (4) implikasi pembinaan kidung di kota Denpasar sangat positif. Implikasi: Sesaji kidung agama Hindu menumbuhkan keyakinan dan memperkuat ketakwaan terhadap Tuhan Yang Maha Esa, Ida Sang Hyang Widhi Waça.

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