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Agung Zainal Muttakin Raden
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LPPM UNIVERSITAS INDRAPRASTA PGRI KAMPUS A. GEDUNG 3 LANTAI 2 Jl. Nangka No. 58 C (TB. Simatupang), Kel. Tanjung Barat, Kec. Jagakarsa, Jakarta Selatan 12530, Jakarta, Indonesia
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Cultural Syndrome
Published by Universitas Indraprasta PGRI
ISSN : -     EISSN : 26853825     DOI : https://doi.org/10.30998/cs
Core Subject : Humanities, Art, Social,
Arts Humanities Social Sciences
Cultural Syndrome welcomes and acknowledges high quality theoretical and empirical original research papers, case studies, review papers, literature reviews, book reviews, conceptual framework, analytical and simulation models, technical note from researchers, academicians, professional, practitioners and students from all over the world. Cultural Syndrome focused to publish high-quality articles in the field of Cultural Studies, Art and Humanities, Visual Culture, and other related fields of Humanities and Social Science. The scope of this jurnal to study Design Thinking, Visual Communication, Photography, Creativity, Typography, Graphic Design, Semiotics, Communication Design, Visual Design, Design Education, Visual Rhetoric, Signage Design, Wayfinding & Environmental Graphics, Critical Thinking, Popular Cultures, Media Studies, Visual Cultures, Folklore, Folk Art, Performing Art and Cultural Heritage.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 4 Documents
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Search results for , issue "Vol 3, No 1 (2021): Cultural Syndrome (In Print)" : 4 Documents clear
Representation of Women's Struggles in the Film "Imperfect: Career, Love, Scales"(“Imperfect: Karir, Cinta, Timbangan”) Catur Sunu Wijayanto; Bambang Perkasa Alam; Fitria Iswari
Cultural Syndrome Vol 3, No 1 (2021): Cultural Syndrome (In Print)
Publisher : Universitas Indraprasta PGRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30998/cs.v3i1.623

Abstract

Imperfect Film: Career, Love, Scales is a clear proof that the stigma in society towards body image and other people's expectations of women, especially on the physical appearance of the woman herself, is still very strong. How come? The diversity of tribes and cultures that this nation possesses only refers to one standard of beauty which is quite absurd, at least most men think that women’s standards are the ones who are white, have long hair, tall and slim. This research aims to identify the representation of women's struggles in the Imperfect film: Career, Love, Scales, which raises the issue of insecure/body shaming against women and also instills a message that a perfect life is to accept those imperfections, unless, one would forever live in worry and insecurity. This research method employed John Fiske's semiotic method of reality, representation and ideology which will later be built with the perception of myth through an online correspondence survey methodology regarding with representations of women's struggles in the Imperfectfilm: Career, Love, Scales. The data was collected by using film analysis, internet surfing, documentation and online survey. This present research results point out that the women’s representation of women in the Imperfect film: Career, Love, Scales depicts verbal violence, so the authors suggest that people should eliminate opinions or judgments that can hurt someone both physically and non-physically.
Putala Naach and Wayang: Ramayana Tradition in Puppet Theatre in Assam and Bali Saswati D Bordoloi
Cultural Syndrome Vol 3, No 1 (2021): Cultural Syndrome (In Print)
Publisher : Universitas Indraprasta PGRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30998/cs.v3i1.734

Abstract

The Ramayana is not only a Hindu epic, it is a symbol of truth, victory over evil, and this is the reason the main route of the epic has accepted by many countries along with India also. Many local parts of Ramayana have also recognised. Not only in literature, but the Ramayana tradition has preserved in performing art form also. Bali of Indonesia is one of the tourist attraction places for its tradition, culture, and puppetry. Besides the local version of Ramayana, through the Wayang (puppet) the Ramayana has been preserved in Bali. For thousands of years, the stories of Rama, Sita, Hanoman and Ravana have been told in Java and Bali in Indonesia, and thru Wayang (Wayang Kulit and wayang Golek) the Ramayana tradition has been performing. In the North-eastern state of India in Assam, the Ramayana tradition has been performing thru Putala Naach (puppet). The Ramayana tradition has been preserved in two different puppetry forms. In Bali, the Ramayana tradition has performed in shadow puppet (Wayang Kulit), but in Assam, the Ramayana tradition has been performing thru string puppet. Though there is a vast difference between Wayang and Putala Naach, this paper has tried to examine the relationship between them thru the stories of Ramayana, the repertoires, the puppeteers, the beginning rituals, and the musical accompaniments.
A Review of Interior Layout and Furniture Fit out Strategies of Bringing Greenery Indoors Ikmal ‘Arief Niyazi Che Razi; Norzalifa Zainal Abidin
Cultural Syndrome Vol 3, No 1 (2021): Cultural Syndrome (In Print)
Publisher : Universitas Indraprasta PGRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30998/cs.v3i1.735

Abstract

Interior design is a of study of designers in crafting spaces that anticipate human needs and appeal to their emotions while pulling from a broad set of skills and technical knowledge. Recently, Green building development has become a worldwide popular topic in building industry. As an indispensable phase of a building project, interior decoration has an unavoidable impact on the environment and public health. Currently, there have been several green building evaluation standards for interior decoration. However, there is no specific evaluation standard, which is complied with the domestic situation of Malaysia, for green interior decoration. This study aims to develop an assessment standard for green interior decoration in the context of Malaysia. To start with, a compilations review of existing green interior building rating tools and focus group were held to filter the assessment items and to determine the basic framework of the proposed assessment standard. It applies not only on the availability of green product but also applies in term of interior spaces form, spatial layout and also in the application of furniture. 
Architectural Regionalism During the Neo-Classical Era: Classifying the Architectural “Hybrid” Stylistic Forms Tengku Anis Qarihah Binti Raja Abdul Kadir; Norwina Mohd Nawawi
Cultural Syndrome Vol 3, No 1 (2021): Cultural Syndrome (In Print)
Publisher : Universitas Indraprasta PGRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30998/cs.v3i1.736

Abstract

Stylistic architectural changes that occurred during colonial era in South East Asian nations such as Malaysia and Indonesia, particularly in the 1800s had always been simplistically ‘lumped’ together as the colonial style. Using case studies of the Malay world, this paper argues, for the contrasting streams of public architecture; the modernized Malay Classical style; vs the Malayalised Colonial style; though they depict similar combinations of hybrid architectural tectonic language in buildings. This paper argues that various present writings and discourses had ‘hijacked’ the essentially evolving Malay style and had grouped these with the changes attributed to Colonial stylisations, rather than attributing them to the modernization of their own vernacular style. Using aristocratic buildings, the paper highlights cases with aim to expand the discourse on to include the evolving language of local Classical (Malay) architecture, which represent an evolvement from tradition to the Neo-Classical era of modernity. The missing discourse is characteristic of nation undergoing postcolonialism attributing to the rupture of history.  These essentially regionalized forms within the Neo-Classical era   are often mistaken as Colonial pastiche-like borrowings or ‘kitsch’ , rather than associating it within a broad local early modern vernacular which  arises local phenomena desire to modernize.  

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