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Virtuoso: Jurnal Pengkajian dan Penciptaan Musik
Published by Universitas Negeri Surabaya
ISSN : -     EISSN : 26220407     DOI : -
Core Subject : Humanities, Art, Social,
Arts Humanities Social Sciences
VIRTUOSO is a scholarly journal that presents music analysis and music composition articles. The expert editors receive articles on music and music studies from various groups of students, lecturers, musicians, teachers, and other elements of society. This journal encompasses original research articles, review articles, and performance analysis, including: Classic Music Traditional Music Contemporary Music Music Performance Musicology Music Education Musical Theatre Ethnomusicology Music Therapy World Music Film Music Digital Music Modern Music This journal provides immediate open access to its content on the principle that making research freely available to the public supports a greater global exchange of knowledge.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 6 Documents
 1 
Search results for , issue "Vol. 3 No. 2 (2020)" : 6 Documents clear
Akulturasi Minangkabau - Melayu Melalui Musik dan Tari di Batu Bara Sumatera Timur Muhammad Yusuf
Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 3 No. 2 (2020)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/vt.v3n2.p65-72

Abstract

The entry of the Minangkabau ethnicity in North Sumatra, especially in East Sumatra, is not just a population migration. This migration also had an impact on the acculturation of culture, one of which was music and dance. This researcher focuses on the acculturation of Malay and Minangkabau culture on the Bansi musical instrument and the Gobuk Melayu dance. This research was conducted in order to find the roots and how acculturation can occur. In this research, the research method used is descriptive quantitative research. It is hoped that from this research, other similar studies will be born and dig deeper into the forms of acculturation in North Sumatra, especially East Sumatra.Keywords: acculturation,Minangkabau, Malay, East Sumatera
Analisis Komposisi Soundtrack Epic œYou See Big Girl Karya Hiroyuki Sawano dalam Serial Animasi Attack on Titan Metta Muliani
Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 3 No. 2 (2020)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/vt.v3n2.p73-83

Abstract

Action-fantasy are some movie genres that has the most expansive franchises in film industry and tend to use cinematic music to correlate the atmosphere and emotions of the movies imaginary universe. The analysis of You See Big Girlis due to its majestic cinematic music arrangement, its suitability in accompanying the battle scene, and also can be enjoyed as an independent track despite of its role in accompanying the scene. This qualitative descriptive research aims to analyze the musical composition technique by describing the epic musical element. This research contains of literature study, discography, and observation as the research methods, along with the approach of Lehman and Derrick Werlésexamine on epic music to analyze the epic element. The result shows that the You See Big Girl is one of the various epic music with the use of battle and war instrument, as well as tension built gradually from a section to the following by the use of polyrhythm, marcato accent, big crescendo, sequence, sudden silence to ends the musical phrase, ostinato, and abstract theme, to portray a majestic, vibrant, war and battle scene, and the greatness through the music. Keywords: analysis, composition, animation, epic soundtrack, You See Big Girl 
Penciptaan Keteng-Keteng Elektrik Telu Ngawan Adina Sastra Sembiring; Uyuni Widiastuti; Brepin Tarigan
Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 3 No. 2 (2020)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/vt.v3n2.p110-115

Abstract

Keteng-keteng is a traditional Karo music that is played by beating with two sticks. So far, keteng-ketengare made from one segment of bamboo, therefore this research creates an electric keteng-ketengtelu ngawan which is the development of one bamboo segment into three bamboo sections by adding an equalizer to the keteng-ketengso that the resulting keteng-ketengssound can actually be adjusted according to the color of the sound on the middle bass and treble. The objectives of this study were to: (1) produce electric keteng-keteng telu ngawan; (2) to find out the technique of playing the electric keteng-ketengtelu ngawan; (3) to determine the musical composition of electric keteng-ketengtelu ngawan. The method used in this research is the Research & Development approach, which consists of: (1) defining the concept of creating electric keteng-keteng telu ngawan; (2) Creation of electric keteng-ketengtelu ngawan; (3) validation by experts, namely traditional Karo music artists. With the creation of electric keteng-keteng telu ngawan, it can minimize keteng-keteng play and produce Electric Keteng-Keteng Telu Ngawan sound with three different characters, namely high, midle and low characters. From this combination, two different gung characters were found because berunausesvibrating aids, while Daluna did not use vibrating aids.Keywords: Creation, Keteng-Keteng, Electric, Telu Ngawan.
Pengembangan Media Pembelajaran Berbasis Etnis Sumatera Utara Uyuni Widiastuti; Adina Sastra Sembiring; Mukhlis Mukhlis
Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 3 No. 2 (2020)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/vt.v3n2.p84-88

Abstract

The development of instructional media in this paper is the development of learning media used in learning Arts and Culture class X High School in Pangururan District, Samosir Regency. The learning media developed are invincible with the syllabus in class X, namely "presentation of musical works". The objectives of this study were to: (1) develop traditional Karo music learning videos; (2) Developing Karo traditional music learning textbooks. This research uses a Research & Development or research and development approach. The development of this learning media will be used by art teachers who are members of the MGMP (subject teacher deliberation) for Cultural Arts, especially art teachers in Pangururan District, Samosir Regency. The research conducted resulted in the development of instructional media in the form of learning videos for learning traditional Karo music and textbooks for learning traditional Karo music. The learning media developed in the form of learning videos for traditional Karo music includes the technique of playing Karo traditional music which is incorporated in the kulcapi drum ensemble whose instruments consist of kulcapi, keteng-keteng, and mangkuk. The next learning media is in the form of a textbook which contains the techniques for playing the kulcapi drum in the song Piso Surit and Terang Bulan. The two learning media that have been developed help the arts and culture teachers in carrying out the ethnicity of the ethnic North Sumatra.Keywords: Development, Learning Media, Ethnicity, North Sumatra 
Formula Latihan Teknik Tangan Kanan dalam Gitar Klasik: Shearer, Parkening, dan Werner Birul Walidaini
Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 3 No. 2 (2020)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/vt.v3n2.p89-96

Abstract

Classical guitar developed until now. Aspects and the surrounding area have also experienced developments such as the creation of new compositions, innovation in guitar construction, and the holding of performances that accommodate classical guitar. However, the author tries to raise another area that is quite important in learning classical guitar, namely the teaching method. Along with the development of the times and technology, the basic methods of learning classical guitar are becoming less attention. This article aims to dissect the most basic classical guitar methods and are limited to techniques and instructions for the right hand. This research is a descriptive study with a qualitative design and the classical guitar method book document as an object. The objects raised are the classic Classic Guitar Technique from Aaron Shearer (1963), The Christoper Parkening Guitar Method, Vol. 1 (1997), and the Classical Guitar Method from Bradford Werner (2017). The results of this study present the formula of each method offered to train the right hand in playing classical guitar in their own way. In closing, the authors hope that the classical guitar method remains the basis for learning classical guitar and is further developed in the future.Keywords: classical guitar, right hand, classical guitar method
Interpretasi dan Bentuk Penyajian Lagu Habanera Dalam Opera Carmen Karya George Bizet Oleh Heny Janawati Salma Falista Salsabilla
Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 3 No. 2 (2020)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/vt.v3n2.p97-109

Abstract

AbstractHabanera, one of the most famous songs in Opera Carmen, tells the love life of Carmen as the main role. Interestingly, the song Habanera was sung by an Indonesian mezzo-soprano singer from Bali, Heny Janawati, who has perform the Opera Carmen while singing in Europe and Indonesia with different interpretations and performance of song Habanera. The purpose of this study was to analyze the interpretation and performance form of the Habanera Opera Carmen song when it was performed in Jakarta in 2016 in order to become a knowledge. This research process used qualitative methods. The data in this study were obtained through observation, interviews, and documentations. Data analysis techniques used data reduction, data presentation, and data inference. As for the data validity test used triangulation. The results of this study indicate that Heny Janawati has characteristics to interpret this song through out the structure, tempo, dynamics, and intonation of this song. That she present in Opera Carmen are more modern from it's europe counterpart, which in Europe its characteristics, number of accompaniments, dimensions of the setting, lighting and wardrobe are more traditional. 

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