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All Journal Grenek: Jurnal Seni Musik BAHAS JURNAL PENGABDIAN KEPADA MASYARAKAT Jurnal Pendidikan dan Kajian Seni Panggung Gondang: Jurnal Seni dan Budaya Jurnal SOLMA Batoboh : Jurnal Pengabdian Pada Masyarakat Jurnal Sitakara JCRS (Journal of Community Research and Service) Socius (Jurnal Pendidikan dan Pembelajaran Ilmu Pengetahuan Sosial) (Edisi Elektronik) Budapest International Research and Critics in Linguistics and Education Journal (Birle Journal) Budapest International Research and Critics Institute-Journal (BIRCI-Journal): Humanities and Social Sciences Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Britain International for Linguistics, Arts and Education Journal (BIoLAE Journal) (JSM) Jurnal Seni Musik
Uyuni Widiastuti
Universitas Negeri Medan
Religion Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Social Sciences Other

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Penciptaan Keteng-Keteng Elektrik Telu Ngawan Sembiring, Adina Sastra; Widiastuti, Uyuni; Tarigan, Brepin
Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol 3, No 2 (2020)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/vt.v3n2.p110-115

Abstract

Keteng-keteng is a traditional Karo music that is played by beating with two sticks. So far, keteng-ketengare made from one segment of bamboo, therefore this research creates an electric keteng-ketengtelu ngawan which is the development of one bamboo segment into three bamboo sections by adding an equalizer to the keteng-ketengso that the resulting keteng-keteng’ssound can actually be adjusted according to the color of the sound on the middle bass and treble. The objectives of this study were to: (1) produce electric keteng-keteng telu ngawan; (2) to find out the technique of playing the electric keteng-ketengtelu ngawan; (3) to determine the musical composition of electric keteng-ketengtelu ngawan. The method used in this research is the Research & Development approach, which consists of: (1) defining the concept of creating electric keteng-keteng telu ngawan; (2) Creation of electric keteng-ketengtelu ngawan; (3) validation by experts, namely traditional Karo music artists. With the creation of electric keteng-keteng telu ngawan, it can minimize keteng-keteng play and produce Electric Keteng-Keteng Telu Ngawan sound with three different characters, namely high, midle and low characters. From this combination, two different gung characters were found because berunausesvibrating aids, while Daluna did not use vibrating aids.Keywords: Creation, Keteng-Keteng, Electric, Telu Ngawan.
KEBERADAAN KEYBOARD PADA GENDANG GURO-GURO ARON DAN PENGARUHNYA TERHADAP KARAKTER MUDA- MUDI KARO SITTI RAHMAH; UYUNI WIDIASTUTI; PITA HD SILITONGA
BAHAS No 84 TH 38 (2012): BAHAS
Publisher : BAHAS

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/bhs.v0i84 TH 38.2340

Abstract

Perubahan yang terjadi dalam kesenian tradisional Karo adalah perubahan pemakaian alat musik, yaitu alat musik tradisional digantikan oleh satu alat musik barat yang dikenal dengan nama keyboard. Perubahan tersebut menimbulkan akulturasi di dalam seni pertunjukan tradisional Karo.  Hadirnya musik keyboard memunculkan masalah yang  baru pada satu sisi, yaitu  masalah etika menjadi tidak diperhatikan bagi muda-mudi Karo sebagai penerus budaya Karo. Tata cara menari yang semakin seronok dan serampangan sering terjadi dengan atau tanpa sengaja oleh komunitas pendukungnya.
Inovasi Instrumen Biola Berfret di MTS Nurhasanah Kabupaten Batubara Ade Fauzi; Uyuni Widiastuti
Grenek: Jurnal Seni Musik Vol 10, No 1 (2021): Grenek: Jurnal Seni Musik
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/grenek.v10i1.23322

Abstract

Tujuan Penelitian ini 1) Untuk mengetahui proses pembelajaran biola menggunakan inovasi instrumen biola berfret di MTs Nurhasanah Kabupaten Batubara, 2) Untuk mengetahui proses pembuatan Inovasi Instrumen biola berfret. Teori yang digunakan adalah teori inovasi, teori pembelajaran, teori biola, dan fret (pembatas nada). Teknik pengumpulan data melalui observasi, wawancara, dan dokumentasi. Hasil penelitian ini menunjukkan 1) Proses pembelajaran biola mencakup penjelasan mengenai bagian-bagian biola beserta fungsinya diikuti dengan membaca notasi musik dengan tabulasi angka serta materi ajar dari buku panduan metode Suzuki. 2) Proses pembuatan instrumen biola berfret terdiri dari beberapa tahapan antara lain: (1) proses pembuatan, (2) langkah-langkah pembuatan, (3) material yang digunakan, dan (4) kelebihan serta kekurangan instrumen biola berfret. Proses pembuatan cukup sederhana hanya menambahkan fret yang ditanam pada fingerboard kemudian diukur dengan alat ukur cromatic tuner
Penerapan Inovasi Model Instrumen Musik Kulcapi Senar 4 pada Kelompok Seniman Tradisional Produktif di Kecamatan Kabanjahe Kabupaten Karo Uyuni Widiastuti; Panji Suroso; Merdy R. S Togatorop; Tri Danu Satria
Grenek: Jurnal Seni Musik Vol 9, No 2 (2020): Grenek: Jurnal Seni Musik
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/grenek.v9i2.20428

Abstract

Studi ini bertujuan menjelaskan proses penerapan produk hasil inovasi kulcapi senar 4, pada kelompok seniman tradisional produktif yang ada di Kecamatan Kabanjahe, Kabupaten Karo. Metode yang digunakan adalah pendekatan kualitatif, mengikuti pendapat Miles dan Huberman (1984) yakni: 1) pengumpulan data yang dilakukan melalui wawancara dan pengamatan; 2) pengamatan intisari dokumen; 3) perekaman dan pencatatan; 4) reduksi data; 5) memilih hal-hal yang pokok untuk dapat direduksi; 6) memfokuskan hal-hal yang penting dan membuang yang tidak perlu; dan 7) menyajikan data secara lengkap dilakukan dengan mendeskripsikan data dalam bentuk teks yang bersifat naratif dan bagan. Penarikan kesimpulan dan verifikasi dilakukan pada bagian konklusi. Dalam studi ini dideskripsikan kulcapi 4 senar menjadi solusi alternatif yang memungkinkan para seniman untuk mengeksplorasi nada-nada dengan jangkauan yang lebih luas. Hasil studi menunjukkan bahwa inovasi model instrumen musik kulcapi senar 4 merupakan pengembangan konsep organologi dari senar 2 menjadi senar 4 dengan alasan untuk dapat mengeksplorasi dan menjangkau nada-nada secara lebih luas. Penerapan inovasi model instrumen kulcapi senar 4 pada kelompok seniman produktif di Kecamatan Kabanjahe Kabupaten Karo bertujuan membentuk kemampuan seniman produktif dalam menciptakan inovasi atau memproduksi instrumen kulcapi senar 4, yang dampaknya dapat meningkatkan perekonomian seniman. Serta untuk menciptakan atau mengembangkan ide dan konsep baru dalam menyajikan pertunjukan musik ansambel gendang kulcapi Karo.
HAND SIGNS IN THE LERANING OF TRADITIOINAL ANGKLUNG INSTRUMENTS IN SMA NEGERI 1 BABALAN PANGKALAN BRANDAN Julio Pegenusa; Uyuni Widiastuti; Herna Hirza
Grenek: Jurnal Seni Musik Vol 9, No 1 (2020): Grenek: Jurnal Seni Musik
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/grenek.v9i1.17227

Abstract

This research is the Use of Hand Signs in Learning Angklung traditional musical instruments in SMA Negeri 1 Babalan. The purpose of this study was to determine the learning process of Angklung traditional musical instruments in SMA Negeri 1 Babalan, to determine the use of hand signs in learning angklung traditional music, to determine the difficulties faced by students from using Hand Signs in learning traditional angklung music at SMA Negeri 1 Babalan, to know the student's learning ability in understanding the use of hand signs in the learning of traditional angklung music in SMA Negeri 1 Babalan. The theory used in this research is the theory of Hand Signs, learning, angklung traditional music, difficulties and learning abilities. The method used in this research is a descriptive method with a qualitative approach which includes several aspects: Observation of observation, interviews, documentation and study of literature. This research was carried out in SMA Negeri 1 Babalan, North Sumatra, located at Jalan Melati number 2 Kec. Babalan City of  Pangkalan Brandan postal code 20857 North Sumatra. When this research was conducted from April 2019 to June 2019.
INOVASI INSTRUMEN BIOLA BERFRET DI MTS NURHASANAH KABUPATEN BATUBARA Ade Fauzi; Uyuni Widiastuti
Grenek: Jurnal Seni Musik Vol 9, No 1 (2020): Grenek: Jurnal Seni Musik
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/grenek.v9i1.23292

Abstract

The purpose of this study 1) To determine the learning process of the violin using the innovation of the fret violin instrument at MTs Nurhasanah Batubara Regency, 2) To determine the process of making the violin instrument innovation. The theories used are innovation theory, learning theory, violin theory, and fret (tone barrier). Data collection techniques through observation, interviews, and documentation. The results of this study indicate 1) The learning process of the violin includes an explanation of the parts of the violin and their functions followed by reading music notation with tabulated numbers and teaching material from the Suzuki method manual. 2) The production of the stringed violin instrument consists of several stages, including: (1) the manufacturing process, (2) the manufacturing steps, (3) the materials used, and (4) the advantages and disadvantages of the stringed violin instrument. The manufacturing process is quite simple, just adding a fret that is planted on the fingerboard and then measured by a cromatic tuner measuring instrument.
ESKALASI KOMPETENSI MASYARAKAT DESA SIOPAT SOSOR MENUJU SAMOSIR KOTA WISATA Elvi Mailani; Lala Jelita Ananda; Uyuni Widiastuti
JURNAL PENGABDIAN KEPADA MASYARAKAT Vol 27, No 4 (2021): OKTOBER-DESEMBER
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/jpkm.v27i4.29115

Abstract

AbstrakMitra yang menjadi sasaran kegiatan KKN-PKM Eskalasi Kompetensi Masyarakat Usia Produktif Desa Siopat Sosor Menuju Samosir Kota Wisata adalah masyarakat yang berada di desa Siopat Sosor kecamatan Pangururan wilayah naungan Dinas Pendidikan Kabupaten Samosir dan Sanggar Jolo New Traditional Cration dance. Permasalahan utama mitra: (1) rendahnya kemampuan kognitif pada pelajaran sains dan matematika, (2) rendahnya kemampuan seni dan budaya, (3) rendahnya kemampuan pada aspek keterampilan berbahasa Inggris. Berdasarkan permasalahan tersebut solusi yang dilakukan adalah kegiatan pendampigan. Target khusus dan luaran yang akan dihasilkan: (1) terciptanya koordinasi yang sinkron dan sinergis antara pemerintah daerah dengan masyarakat dan UNIMED, (2) peningkatan kompetensi masyarakat usia produktif Desa Siopat Sosorpada mata pelajaran seni budaya, MIPA dan bahasa Inggris, (3) terlaksananya program Eskalasi Kompetensi Masyarakat Usia Produktif Desa Siopat Sosor Menuju Samosir Kota Wisata, (4) terwujudnya Samosir kota wisata yang menjadi visi dan misi pemerintah kabupaten Samosir. Metode pelaksanaan kegiatan dilakukan secara bertahap, berkelanjutan, dan komprehensif yang dilaksanakan melalui metode pendampingan guna memberikan bekal kompetensi bagi masyarakat usia produktif desa Siopat Sosor dan peningkatan kompetensi bagi Sanggar Jolo New Traditional Cration dance agar siap mendampingi masyarakat usia produktif Desa Siopatsosor demi mewujudkan kabupaten samosir menuju kota wisata.Kata kunci: Eskalasi, kemampuan, samosir, kota wisata
Work in Progress on the Creation of the Three-Stringed Kulcapi Panji Suroso; Uyuni Widiastuti; Rahmat Riswan Aidil Syahputra Siregar; Adina S Sembiring; Obed Sembiring; Ewin Johan Sembiring
Britain International of Linguistics Arts and Education (BIoLAE) Journal Vol 1 No 2 (2019): Britain International of Linguistics, Arts and Education - November
Publisher : Britain International for Academic Research (BIAR) Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/biolae.v1i2.93

Abstract

This research tittle ‘work in progress on the creation of the three-stringed kulcapi’ wanted to examine how the work process of the creation of the kulcapi music instrument and can be explained descriptively. The kulcapi musical instrument which is considered to still have limitations in terms of producing its notes, and only having 2 strings, seems to be the cause of the less than optimal function in exploring the notes. In addition, the form of the kulcapi instrument is seen to be still very plain and very simple, this is felt to be one of the issues that must be overcome to be able to explore the kulcapi musical instrument to be more functional, both in producing tones and adding aesthetic value to the form of the kulcapi music instrument. In this research, a qualitative descriptive method is used. The process of tracing data and information is done diachronically to find out in full and complete about the kulcapi music instrument. The data collected comes from two sources, they are primary and secondary data. Primary data obtained through in-depth interviews and participant observation that aims to collect data followed by focus group discussions. This research produces findings including: a) The creation of three-stringed kulcapi instruments has a wider range of tone areas. b) can be functioned more flexible and can be explored in playing pentatonic and diatonic tones. c) The shape has the characteristic of the Karo people with the presence of ethnic Karo ornaments on the kulcapi’s body.
The ensemble of Keteng-Keteng Telu Ngawan Adina S Sembiring; Uyuni Widiastuti; Purbatua Manurung; Hendy Obed Sembiring; Ewin Johan Sembiring
Budapest International Research and Critics Institute (BIRCI-Journal): Humanities and Social Sciences Vol 4, No 3 (2021): Budapest International Research and Critics Institute August
Publisher : Budapest International Research and Critics University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/birci.v4i3.2408

Abstract

The creation of three-segment keteng-keteng (telu ngawan) with high, midle, and low characters, is carried out through the Soprano, Alto, tenor, and Bass frequency approaches, so that the keteng-keteng telu ngawan instrument becomes a “new” musical ensemble called the keteng-keteng Ensemble. Keteng-keteng Telu Ngawan. The frequency of keteng-keteng telungawan with soprano character is on a scale of 261,626-1046.50 Hz, the frequency of keteng-keteng telungawan with alto character is on a scale of 174,614-698,456 Hz, the frequency of keteng-keteng telungawan with tenor character is on a scale of 130,813-523,251, and the frequency of keteng-keteng telungawan bass character is on a scale of 82.4069-329.628. The determination of the tuning of the four keteng-keteng telungawan is done by recording the sound of the four keteng-keteng telungawan then transferring the sound to a string instrument category and entering it into several music tuner applications such as Da Tuner, Guitar Tuna or other similar applications. The results of the music tuner will be entered into the website so that it will automatically know where the frequency of the sound for each keteng-keteng telu ngawan is.
Penciptaan Keteng-Keteng Elektrik Telu Ngawan Adina Sastra Sembiring; Uyuni Widiastuti; Brepin Tarigan
Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 3 No. 2 (2020)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/vt.v3n2.p110-115

Abstract

Keteng-keteng is a traditional Karo music that is played by beating with two sticks. So far, keteng-ketengare made from one segment of bamboo, therefore this research creates an electric keteng-ketengtelu ngawan which is the development of one bamboo segment into three bamboo sections by adding an equalizer to the keteng-ketengso that the resulting keteng-ketengssound can actually be adjusted according to the color of the sound on the middle bass and treble. The objectives of this study were to: (1) produce electric keteng-keteng telu ngawan; (2) to find out the technique of playing the electric keteng-ketengtelu ngawan; (3) to determine the musical composition of electric keteng-ketengtelu ngawan. The method used in this research is the Research & Development approach, which consists of: (1) defining the concept of creating electric keteng-keteng telu ngawan; (2) Creation of electric keteng-ketengtelu ngawan; (3) validation by experts, namely traditional Karo music artists. With the creation of electric keteng-keteng telu ngawan, it can minimize keteng-keteng play and produce Electric Keteng-Keteng Telu Ngawan sound with three different characters, namely high, midle and low characters. From this combination, two different gung characters were found because berunausesvibrating aids, while Daluna did not use vibrating aids.Keywords: Creation, Keteng-Keteng, Electric, Telu Ngawan.
Co-Authors Ade Fauzi Ade Fauzi Ade Fauzi, Ade Adina S Sembiring Adina S Sembiring Adina Sembiring Anggraini, Adisty Asmon, Shafira Permata Dewi Brepin Tarigan Christine Helena Natalia Eben Haezarni Telaumbanua Elvi Mailani Erfinaika Siringoringo Ewin Johan Sembiring Ewin Johan Sembiring HERNA HIRZA Hesti Fibriasari Ifwanul Hakim Inggit Prastiawan Iskandar Muda Julio Pegenusa LALA JELITA ANANDA Lamhot Basani Sihombing MANURUNG, PURBATUA Merdy R. S Togatorop Merdy Roy Sunarya Togatorop Mukhlis Nainggolan, Pitriana Nurkhaliq, Raja Fitrian Obed Sembiring Panji Suroso Pegenusa, Julio PITA HD SILITONGA Putri, Tansa Trisna Astono Rahmat Riswan Aidil Syahputra Siregar Rifandi, Ilham Ruth Hertami Dyah Nugrahaningsih Samosir, Rully Yohanes Sembiring, Adina S Sembiring, Adina Sastra Sembiring, Hendy Obed Simanjuntak, Angelina Natalia Sitti Rahmah Sitti Rahmah Sugito - Suharyanto Tarigan, Brepin Togatorop, Merdy R. S Wiflihani Wiflihani