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Ranang Agung Sugihartono
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Jl. Ki Hadjar Dewantara 19, Surakarta, Jawa Tengah, Indonesia 57126
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INDONESIA
ARTISTIC : International Journal of Creation and Innovation
Published by Institut Seni Indonesia Surakarta
ISSN : 27219445     EISSN : 27219321     DOI : https://doi.org/10.33153/artistic
Core Subject : Education, Art,
Arts Languange, Linguistic, Communication & Media
The publishing of "ARTISTIC: International Journal of Creation and Innovation" specializes within the focus and scope including: 1. Creative and conceptual thinking related to the practice of art works and creative problems (Artistic Creation Thought). 2. The results of artistic research in the fields of : a. Batik b. Keris c. Crafts d. Karawitan e. Pedalangan (Puppetry) f. Dance g. Music h. Theater i. Painting j. Sculpture k. Graphics l. Interior Design m. Stage Design n. Visual Communication Design o. Product Design p. Television q. Film r. Photography s. Animation t. Games u. Visual Effects, and v. other arts. 3. New insights about the practice of art, resulting from the creative process. 4. New knowledge generated from the practice of art and artwork produced. 5. Values and meanings of novelty produced in the creation of art works, or studies of innovation in art.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 5 Documents
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Search results for , issue "Vol 2, No 2 (2021)" : 5 Documents clear
MINIPRINT ARTWORK CREATION WITH SATO KEWAN OBJECT Sigit Purnomo Adi, S.Sn, M.Sn; Mohammad Khizal Mohamed Saat; I Gusti Ngurah Tri Marutama
ARTISTIC : International Journal of Creation and Innovation Vol 2, No 2 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2331.448 KB) | DOI: 10.33153/artistic.v2i1.3989

Abstract

Animals have provided humans with everything from meat to eggs to pleasure. Thus, animals, including chameleons, must be rescued from extinction. The chameleon's uniqueness makes it an intriguing subject for artistic creation. The purpose of this artwork is to visualize the concept of personal expression through miniprint works using Sato Kewan (variety of animals) object, specifically the chameleon. The creation of this printmaking work is part of artistic research, more specifically research into art practice, which is conducted using plywood as a medium, an abstract expressionism style, and the concept of art as personal expression. The stages of creation include experimentation, contemplation, and formation. A chameleon miniprint reflecting personal expression is created as a result of the creation process. Hence, visualization of chameleon miniprints using advanced printing techniques can result in abstract expressionism-inspired printmaking works. The creation, which incorporates traditional and contemporary art elements, is expected to be competitive nationally and internationally.
DIRECTING A DRAMA-COMEDY FILM ENTITLED “HANI” Mahammad Saleh; Cito Yasuki Rahmad
ARTISTIC : International Journal of Creation and Innovation Vol 2, No 2 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2674.918 KB) | DOI: 10.33153/artistic.v2i2.3979

Abstract

Early marriage remains a social problem, especially among less-educated urban people, including in Tamanan District, Bondowoso Regency, East Java Province. The community has a distinctive and unique Pandalungan language that offers an interesting idea source for filmmaking. Thus, this creation seeks to illustrate how “Hani”, a drama-comedy film, was directed with a local-culture approach. The production of  “Hani” referred to the existing Standard Operating Procedures (SOP) in the audiovisual profession and combined the visual comedy and slapstick approaches. The direction of “Hani” indicates that using local culture (Pandalungan language) in each storyline and local actor character can create an entertaining and educating comedy film. Further, the film produced is an audiovisual work that is easily understandable by the local community.
RICE STRAW FOR INTERIOR ELEMENTS OF A LOCAL “WEDANGAN” CULINARY BUSINESS IN SURAKARTA Sumarno Sumarno; Dharsono Dharsono; N.R. Ardi Candra Dwi Atmaja
ARTISTIC : International Journal of Creation and Innovation Vol 2, No 2 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (740.705 KB) | DOI: 10.33153/artistic.v2i2.3999

Abstract

Rice straw is abundant and inexpensive as post-harvest crop residue. Rice straw can be processed into a variety of products for interior space filling through creative efforts. This research seeks to empower farmers by utilizing rice straw as crop residue and to create natural-style products for the interior space-filling of a local culinary business (wedangan), as wedangan is a typical culinary business that is traditional, fast-growing, and trendy in Surakarta City and its surroundings. The design method is based on design thinking procedures, which include empathizing, defining, ideating, prototyping, and testing. Empathy for low-income farmers is expected to add value and profit through rice straw processing. Wedangan's interior space-filling products are designed around the kantong semar flower (Nepenthes sp.). The prototype (as a design embodiment) is developed in collaboration with the farmers. This type of experience is intended to serve as training and assistance. Product testing is conducted through market research and product application in  wedangan interiors in this city. As a result, business managers and visitors alike appreciate interior space-filling products. Economically, this product development for interior space filling represents a viable business opportunity for farmers to pursue as a secondary occupation.
KYAI RAJAMALA BOAT’ CANTHIK IN COUTURE BATIK PATTERN Kristanti Kristanti; Guntur Guntur
ARTISTIC : International Journal of Creation and Innovation Vol 2, No 2 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (765.49 KB) | DOI: 10.33153/artistic.v2i2.4047

Abstract

The Historically, the Javanese palaces relied on boats for transportation, like the Kyai Rajamala boat used by the Surakarta palace. At the time, Paku Buwana IV used the boat to cross the Bengawan Solo river. Kyai Rajamala boat’s canthik is a decorative element on the end bow of the Surakarta palace's boat. Apart from being a decorative element on the boat's end bow, the Kyai Rajamala boat’s canthik is also an heirloom used to ward off bad luck. Because the Kyai Rajamala boat’s canthik has a high value for life, it is critical to communicate the Kyai Rajamala boat’s canthik through easily accepted media. One medium that can convey the beauty of the Kyai Rajamala boat’s canthik is the batik textile art, which can be used to meet basic human needs. Clothing is not only a means of covering the body; it can also be used to convey messages. The Kyai Rajamala boat’s canthik was reinterpreted and dyed with remasol into handmade batik.
“BEAUTY OF MEN” DANCE CHOREOGRAPHY Arrofan Ryan Trisnawan; Nur Rokhim
ARTISTIC : International Journal of Creation and Innovation Vol 2, No 2 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (555.554 KB) | DOI: 10.33153/artistic.v2i2.4093

Abstract

The evolution of high heels from women’s to men’s and finally to jockeys’ footwear in horse racing has attracted the authors. The wearers’ poses and movements can be elevated to a level of dance. Likewise, the drag queen in the Cabaret show faces difficulties in his personal and professional life. The choreographic form of “Beauty of Men” entails the creation of this dance. The dance work of  “Beauty of Men” is presented in ensembles. This dance work is composed and presented by developing dance movements. The dance work consists of four sections, beginning with introducing the self’s inner conflict. The first section designates the issues that confront families and communities. The second section describes the difficulties associated with social friendship. The third section illustrates the self’s difficulties and the quest for self-identity. Lastly, the fourth section expresses how the problems encountered were resolved. The process of creating the dance work of “Beauty of Men” reflects the dancer’s creative ability as a result of his experience.

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