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Muhammad Adek
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Lingua Susastra
Published by Universitas Negeri Padang
ISSN : -     EISSN : 2746704X     DOI : https://doi.org/10.24036/ls.vix.xxx
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences
Lingua Susastra (2746-704X) menerima naskah orisinal yang memuat kajian Linguistik, Sastra, Budaya dan Pembelajaran Bahasa yang ditulis dalam bahasa Indonesia, Melayu maupun bahasa Inggris. Bidang Linguistik meliputi cabang makro dan mikro linguistik; Bidang Sastra meliputi kritik sastra, teori sastra, sejarah sastra, sastra lisan, dan filologi; Bidang Budaya meliputi cultural studies dan budaya populer; Bidang Pembelajaran meliputi media dan inovasi pembelajaran, asesmen, teori dan pendekatan pembelajaran dan BIPA.
Arjuna Subject : Seni dan Humaniora - Bahasa dan Linguistik
Articles 9 Documents
 1 
Search results for , issue "Vol 6, No 1 (2025)" : 9 Documents clear
Interferensi Fonologis Penggunaan Bahasa Sunda pada Penutur Sunda Kelahiran Banten di Karawang Masitoh, Siti; Nurfadilah, Kurnia Dewi
Lingua Susastra Vol 6, No 1 (2025)
Publisher : Departemen Bahasa dan Sastra Indonesia dan Daerah

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ls.v6i1.422

Abstract

This study aims to describe and identify several differences in language use by Sundanese Karawang speakers born in Banten (PS-KKB). In this study, a qualitative method with a case study approach at PS-KKB in Karawang was carried out using participatory observation techniques and interviews with 30 informants which were carried out naturally through ethnographic techniques. The analysis was carried out using the determinant element separation technique and 4 additional phonemes were found in the form of paragogue, epenthesis and prothesis such as [ña] becomes [ñah], [ka] becomes [kana], [atɔs] becomes [əntɔs] and [əŋké] becomes [engkin], as well as 5 phoneme substitutions such as [waé] becomes [baé], [dUh] becomes [bUh], [néng] becomes [nong], [da] becomes [ja], [arék] becomes [adék]. There were also 10 word substitutions from [atUh] to [géh], [tərUs] to [lajU], [pisan] to [amat], [manéh] to [dĩa], [mit-amit] to [tĩŋ-batĩŋ], [siga] to [dowaŋ], [ayɤna] to [kĩwari], [uwa] to [əndé], [dɤh] to [aĩh], [nəmən] to [kabina-bina]. The factors causing the interference of Sundanese Banten dialect are mostly dominated by the lack of adaptation to the Sundanese Karawang dialect and the influence of bilingualism possessed by the speaker, while the rest is influenced by the lack of exploration of the speaker towards the use of the Sundanese Karawang dialect. The results of this study can contribute to the study of phonology related to interlanguage, especially in understanding the patterns of sound interference from the mother tongue into the second language.
What Has Man Made of Man? An Examination of the Epic Self Saputra, Buyung Ade; Sari, Hanifah Yulia; Indriyani, Vivi
Lingua Susastra Vol 6, No 1 (2025)
Publisher : Departemen Bahasa dan Sastra Indonesia dan Daerah

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ls.v6i1.424

Abstract

This research examines the concept of the Epic Self in William Wordsworth's poem "Lines Written in Early Spring." The Epic concept predates the Romantic Era, but its meaning has evolved. While epic literature focuses on famous figures, the Romantic Era centres the author as the hero. This study utilizes the dialectical method, involving thorough readings of the poem and related sources. The analysis examines each stanza and line, linking them to illustrate the Epic Self. The dialectical method is suitable as it reveals the Epic Self by connecting the poem's content to the author's history. The research finds that the Epic Self emerges as a rejection of Reason's dogmas, prioritizing human emotions and freedom in daily life. An example is the line, "And 'tis my faith that every flower / Enjoys the air it breathes," suggesting that happiness can arise from any moment. This research aims to provide a foundation for understanding the Epic Self, offering an alternative perspective on non-popular works like "Lines Written in Early Spring."
Islamic Film and Pierce’s Semiotic Theory Kusuma, Dimas Yuda; Alfarisy, Fitri
Lingua Susastra Vol 6, No 1 (2025)
Publisher : Departemen Bahasa dan Sastra Indonesia dan Daerah

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ls.v6i1.419

Abstract

This study aims to determine how a film is represented through various aspects contained within it so that it can be categorized as an Islamic film. The definition and criteria for a film to be considered an Islamic film are still debated and require analysis to determine its category. This study uses Peirce's semiotics theory, which explains three important aspects of semiotics known as the triadic model: Representamen, Object, and Interpretant. Qualitative descriptive analysis was employed in this study using the non-participant observation method, involving repeated viewings of the film used as the data source. The study presents data from the analysis conducted through the audio and visual elements of the Islamic film. The results of the study indicate that a film is considered an Islamic film if it has one main point, namely the story presented, along with supporting points such as the film poster, symbols, dialogue, and scenes depicted in it. This study expands the use of Peirce's semiotics theory, which was previously more commonly used to identify signs as interpretations of elements in films, into a tool for determining criteria for categorizing film genres.
Can Chaos Explain Tragic Fate? Othello and Oedipus Rex Revisited Ardana, Stefanus Galang
Lingua Susastra Vol 6, No 1 (2025)
Publisher : Departemen Bahasa dan Sastra Indonesia dan Daerah

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ls.v6i1.413

Abstract

This paper employs chaos theory to analyze Shakespeare's Othello and Sophocles' Oedipus Rex, contrasting traditional interpretations of tragedy with the insights offered by chaos theory. Challenging analyses based on tragic flaws, this study reveals how minor initial deviations—Iago's manipulations in Othello and the priestly vagueness in Oedipus Rex—generate cascading feedback loops leading to catastrophic outcomes. Utilizing Prigogine's theory of bifurcation and Paulson's information theory, the paper traces how ambivalent or incomplete information triggers these trajectories, identifying pivotal bifurcation points like the handkerchief in Othello and the Shepherd's revelation in Oedipus Rex. While Othello's conclusion shows systemic collapse, Oedipus Rex demonstrates a form of reorganization. This approach uniquely contributes to literary studies by challenging linear causality and illustrating how meaning emerges unpredictably from instability within structurally chaotic tragic systems, particularly offering a rigorous examination of Oedipus Rex through the lens of chaos theory, a novel approach in existing scholarship. The study demonstrates that tragedy in these plays is not merely about disorder but a system governed by it, where causality is nonlinear and indeterminate.
Implikatur dalam Novel Lakon karya Ardini Pangastuti BN: Kajian Pragmatik Listiyani, Arifah; Widodo, Widodo
Lingua Susastra Vol 6, No 1 (2025)
Publisher : Departemen Bahasa dan Sastra Indonesia dan Daerah

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ls.v6i1.438

Abstract

This study examines the forms of implicature in Ardini Pangastuti B.N.'s novel Lakon using a pragmatic approach. Pragmatic analysis of contemporary Javanese novels that integrate wayang cultural values is still limited, so this study fills that gap by systematically examining the types of implicatures in dialogues between characters that reflect implicit communication in the Javanese cultural context. A qualitative descriptive method with content analysis techniques was used to analyze 86 implicative utterances obtained through the read-and-record technique from the novel Lakon. The analysis was conducted using Grice's (1975) implicature theory framework, which distinguishes between conventional, non-conventional (conversational), and presuppositional implicatures. The results of the study show that out of a total of 86 data, 37 (43%) were conventional implicatures, 29 (33.7%) were non-conventional implicatures, and 20 (23.2%) were presuppositions. The dominance of conventional implicatures indicates a tendency toward indirect communication in Javanese culture, which emphasizes politeness and social harmony. This study contributes to the development of pragmatic theory by revealing distinctive implicature patterns in literature rooted in local culture and offers an applicable analytical framework for teaching pragmatics and analyzing Indonesian literary discourse.
Ketimpangan Sosial dalam Novel Pincuk Garing karya Tulus Setiyadi Fajarwati, Kinanti Dwi; Widagdo, Sungging; Anggraeni, Sri Prastiti Kusuma
Lingua Susastra Vol 6, No 1 (2025)
Publisher : Departemen Bahasa dan Sastra Indonesia dan Daerah

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ls.v6i1.470

Abstract

The issue of social inequality in Indonesia remains a critical topic, particularly concerning access to education, the economy, and social justice, which are often marginalized in rural communities. This phenomenon is also reflected in literary works, including the novel Pincuk Garing by Tulus Setiyadi. This study aims to explore the manifestations of social inequality as depicted in the novel. The central research question concerns how forms of social inequality are represented through the characters and their relationships within the narrative. This research adopts a qualitative descriptive method with an objective literary approach, employing Pierre Bourdieu’s theory of capital (economic, cultural, social, and symbolic) to identify various forms of capital, alongside Robert Stanton’s theory of story facts to analyze how these capitals are embedded in character construction and depiction. The findings reveal a disproportionate distribution of capital: economic (12 instances, 31%), cultural (6 instances, 15.3%), social (8 instances, 20.5%), and symbolic (13 instances, 33.3%). This imbalance directly influences disparities in power, recognition, and opportunity, wherein characters with greater capital are portrayed as dominant, while those with limited capital are frequently marginalized. These findings underscore the significant role of literature as a mirror of social realities and contribute to addressing gaps in existing scholarship by applying Bourdieu’s capital theory to Pincuk Garing, thereby offering a comprehensive analysis of multidimensional social inequality.
Dari Objek Kekuasaan ke Subjek Perlawanan: Agensi Perempuan dalam Lakon Kethoprak Rara Mendut-Pranacitra Ningsih, Santini Ayu; Purnomo, Sucipto Hadi; Widagdo, Sungging
Lingua Susastra Vol 6, No 1 (2025)
Publisher : Departemen Bahasa dan Sastra Indonesia dan Daerah

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ls.v6i1.473

Abstract

Traditional kethoprak performances often portray women as passive figures, but the play Rara Mendut-Pranacitra challenges this by presenting an active female protagonist. This study analyzes how the central character, Rara Mendut, demonstrates female agency by fighting for her desires and freedom against a patriarchal social structure. Using a qualitative, descriptive-analytical approach grounded in Anthony Giddens's theory of agency, the research examines specific dialogues and scenes from a performance available on the Balkam TV YouTube channel. The analysis reveals that Rara Mendut exhibits her agency through three key indicators: reflective agency (subtly rejecting marriage proposals), symbolic negotiation (using humor to challenge authority), and personal decision-making (gaining economic independence). Her ultimate act of agency is her radical choice to control her own destiny. The findings confirm that traditional performing arts can serve as a powerful medium for female resistance. This study demonstrates that female characters in Javanese narratives are not merely passive objects but active agents capable of shaping social structures from within, providing a valuable theoretical perspective beyond traditional feminist criticism.
Representasi Perempuan dalam Majalah Feminis Online Magdalene: Analisis Wacana Multimodal pada Postingan Instagram @Magdaleneid Kurniati, Rima; Sawirman, Sawirman; Usman, Fajri
Lingua Susastra Vol 6, No 1 (2025)
Publisher : Departemen Bahasa dan Sastra Indonesia dan Daerah

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ls.v6i1.420

Abstract

Women in media discourse are often marginalized, considered always wrong and given negative labels. The purpose of this study is to determine the representation of women in verbal texts and visual texts on the Instagram of the Magdalene Online Feminist Magazine. This study uses a qualitative method with a multimodal discourse analysis approach on the Instagram posts of the Magdalene Online Feminist Magazine. Verbal text analysis uses Halliday's Transitional Structure theory and visual text analysis uses Kress Leeuwen's Narrative Representation System. Data analysis is carried out through three stages including identification of processes, participants and circumstances, then multimodal interpretation and triangulation of findings. This study analyzes 42 illustrations from the Instagram account @magdaleneid selected using a purposive sampling technique from January to October 2024. The analysis is carried out in stages by identifying Halliday's transitivity structure in verbal texts and Kress Leeuwen's narrative representation system in visual texts, then interpreting the representational meaning of women based on the findings of both. The results of the study on verbal texts show that the dominant process is the material process, the dominant participants are actors and goals. The dominant circumstance is the cause circumstance. In the visual text, the most processes were action processes, the most participants were actors and goals, and the most circumstance was place circumstance. Verbal text analysis and visual text analysis show the representation of women in the Magdalene Online Feminist Magazine Instagram as active, dynamic subjects, and have important roles in various contexts. Verbal text analysis and visual text also have a complementary relationship and strengthen each other's meaning regarding the representation of women. This research adds to the literature on the analysis of transitivity structures, expands macrolinguistic studies, adds to media studies and gender studies.
Identitas Kuliner Nusantara dalam Novel Namaku Alam karya Leila S. Chudori Darmawan, Isnaini; Hartati, Dian; Sugiarti, Dewi Herlina; Nurfadilah, Kurnia Dewi
Lingua Susastra Vol 6, No 1 (2025)
Publisher : Departemen Bahasa dan Sastra Indonesia dan Daerah

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ls.v6i1.464

Abstract

The popularity of foreign cuisine among Indonesia’s young generation has increased in line with the massive efforts of gastrodiplomacy, which has led to a decline in interest in Nusantara cuisine. The novel serves as a medium capable of creatively and symbolically exploring culinary themes. This study aims to analyze the representation of Nusantara culinary identity in Namaku Alam, a novel by Leila S. Chudori, through a literary gastrocriticism approach, focusing on the function of culinary elements as narrative devices, story settings, and the artistic values contained within. Data were collected through observation, documentation, and note-taking techniques on Namaku Alam. This study employs a descriptive qualitative method. The data, in the form of narrative excerpts containing culinary elements, were analyzed to interpret their symbolic and cultural meanings, thereby revealing the representation of Nusantara culinary identity in the text. The findings show that culinary elements in the novel function as a multifaceted narrative device that builds setting and plot while simultaneously constructing characters and triggering emotional conflict. Culinary aspects are also portrayed aesthetically through symbolic language that reflects the artistic value of origin, taste, presentation, and the manner of enjoying the food. This representation demonstrates that culinary elements in literary works are not merely decorative, but serve as an essential component in shaping the cultural identity of Nusantara.

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