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JNANASIDDHÂNTA : JURNAL TEOLOGI HINDU
Published by Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja
ISSN : 26865203     EISSN : 26864509     DOI : -
Core Subject : Religion, Humanities, Art,
Religion Arts Humanities
Jurnal Jñānasiddhânta merupakan Jurnal Teologi Hindu yang terbit tiap semester. Artikel dalam jurnal mengadopsi nilai Teologi Hindu dan teologi lokal yang bekembang. Penulis dalam Jurnal Jñānasiddhânta berasal dari kalangan akademis di lingkungan STAH N Mpu Kuturan Singaraja serta masyarakat umum bisa mengajukan artikel ilmiah untuk diterbitkan di Jurnal Jñānasiddhânta.
Arjuna Subject : Seni dan Humaniora - Studi Agama
Articles 80 Documents
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Estetika Panca Suaradalam Upacara Yadnya di Bali I Putu Ariyasa Darmawan
Jnanasidanta Vol 2, No 1 (2020): Teologi Hindu
Publisher : Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55115/jnana.v2i1.821

Abstract

One form of offering to God Almighty is the use of the Panca Suara element in every yajña ceremony in Bali. To obtain valid data, this article uses literature study, by examining books, similar scientific articles, and references related to theology and aesthetics of Panca Suara. The five voices are the five voices that must be present in every yajña ceremony. The five sounds are: 1) the sound of a genta, 2) the sound of a mantra, 3) the sound of song or kekawin, 4) the sound of unemployment or gamelan, 5) the sound of kulkul or sunari. Panca Suara cannot be separated from the aesthetic concepts of Hindu Satyam, Siwam, and Sundaram. Each sound that is generated has the meaning of worship of a certain god and has powers such as Sang Hyang Smara Ratih, Panca Brahma, Panca Bhuta, and Panca Dewata, Catur Loka Phala. The sacredness of this sound is indicated by a special ritual before using these sounds. Panca Suara that is present in every religious ceremony in Bali, is not only as entertainment and complementary, but has magical values that can vibrate the atmosphere. The sacredness of these sounds is indicated by the existence of several rituals that must be performed to initiate these sounds, so as to convey the intent of the community to the power worshiped in the temple.
HAKIKATPENYATUAN DALAM SAMADHI PADA PATANJALA YOGADARSANA I Gede Agus Suparta
Jnanasidanta Vol 1, No 2 (2020): Teologi Hindu
Publisher : Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55115/jnana.v1i2.495

Abstract

The nature of unity in Samadhi Pada (Patanjala Yogadarsana) is a collection of interactions for a sadhaka who understands spiritual life with the aim of achieving freedom. Practicing yoga is not just training the body and flexibility of the body, helping to train oneself as a form of devotion or devotion that is really sincere, change the caution that leads to the creation of defilements or kle. Yoga teaches one not to cling to results (vairagya), focus on continuous effort, determination and concentration of consciousness. Maintaining awareness of inner recovery is very important to do by convincing it. So as not to be carried away by the illusions of the five senses and the mind which leads one to mistake in perspective. Mistakes in the way of viewing phenomena that are accepted by the mind, can give a wrong perception. Therefore, improving yoga must be very careful in carrying out every process of practice. In other words, it must be complete yoga must always be introspective, aware and conscious in every action both externally and internally.
KELEPASAN DALAM PANDANGAN SIWA TATTWA PURANA I Wayan Titra Gunawijaya
Jnanasidanta Vol 1, No 1 (2019): Teologi Hindu
Publisher : Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55115/jnana.v1i1.348

Abstract

Kelepasan are the ultimate goal of the Hindus, in so far as various references have been made available, including the throw-outs.Siva Tattwa Purana teaches about the liberation of the soul from the unsure of the infinite being.The relieved relief is attributed to the release of death by the implementation of religious rituals, the banten / means believed by Shiva Tattwa Purana to deliver the deceased to attain relief.Keyword: Kelepasan, Siwa Tattwa Purana
Eksistensi Ajaran Tantrayana dalam Kehidupan Beragama Hindu di Bali Ida Ayu Devi Arini; Ida Bagus Gede Paramita
Jnanasidanta Vol 2, No 2 (2021): TEOLOGI HINDU
Publisher : Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55115/jnana.v2i2.1134

Abstract

Tantrayana is a teaching found in the books of Tantra-Sastra which in the development of Shiva Siddhanta in Bali is mentioned based on: Catur Marga (Bhakti Marga Yoga which pays main respect to Karma Marga yoga and Jnana Marga Yoga). Tantrayana emphasized the importance of religious ceremonies (rituals), because the role of religious ceremonies is an activity to create a balance of life in this world. In the Mahanirwana Tantra book, the principles of the Panca Yadnya ceremony are laid out that need to be carried out. It also mentions the means related to caru, such as animal sacrifice. The Tantrayana describes in detail the procedures for performing the yadnya and to whom it is offered. By paying attention to the contents of the Tantra Sastra books containing Tantrayana teachings, it can be understood that the forms of ceremonies and yajna ceremonies that are held in Bali, it is clear that there is an influence from Tantrayana.The purpose of writing this article is to know in general the existence of Tantrayana understanding in religious life in Bali, especially among the younger generations.This research is a qualitative descriptive research with a functional approach. The data collection method in this article is literature study. The results of this study are the knowledge of the concept of Tantrayana teachings, how much this teaching is adopted by Hindu religious life, including the way of art and the lifestyle of the younger generation.
Keindahan Dewi Sri sebagai Dewi Kemakmuran dan Kesuburan di Bali Putu Maria Ratih Anggraini
Jnanasidanta Vol 2, No 1 (2020): Teologi Hindu
Publisher : Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55115/jnana.v2i1.817

Abstract

The concept of god for Hindus is described through Nirguna Brahman and Saguna Brahman. The depiction of both is a point of view on the form of god. In agricultural life in Bali, the depiction of the beauty of Dewi Sri as the goddess of rice is depicted as the goddess of prosperity and prosperity and is believed to be the source of all prosperity in the world. Dewi Sri is considered as a spirit who brings joy, happiness and prosperity. The figure of Dewi Sri is always depicted as beautiful, able to fly and always smiling gracefully, depicted not only as the goddess of food, but also a symbol of a beautiful woman, a symbol of the beauty of the earth. In Hindu society in Bali he is also referred to as Sri Sadha, Dewi Danu and Dewa Ayu Manik Galih which are all related to agriculture, food, wealth, prosperity and fertility. Dewi Sri as the goddess of fertility and prosperity is worshiped or simplified by the Hindu community in Bali, especially those who work as farmers and traders.
KONSEP TEOLOGI HINDU DALAM GEGURITAN GUNATAMA (Tattwa, Susila, dan Acara) I Wayan Titra Gunawijaya
Jnanasidanta Vol 1, No 2 (2020): Teologi Hindu
Publisher : Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55115/jnana.v1i2.491

Abstract

Literary works are the author's intuition in delivering the message to all communities. Also, the creation of the Kakawin/Hindu literature contains a variety of moral messages. However, it must be done in advance for the study of the moral messages contained therein, as well as Geguritan Gunatama which is a literary work in the form of songs/themes which are usually sung on various occasions.The existence of Gunatama's rash in society should certainly be examined in more detail about the story being raised into a rash. Some moral messages that are delivered are not separated from the basic teachings of Hindu religion, the falsafat of life, the way of ethics or behaviour in daily life in accordance with the prevailing norms, then not apart from the event that is the implementation of yajna ritual that is done by the people of Bali in general. Through Gunatama's Geguriatan, the author wants to convey to the wider community about the guidelines of life in accordance with Hindu teachings.
Teo Estetis Dalam Ritual Tumpek Krulut Pada Masyarakat Bali (Suatu Upaya dalam Mewujudkan Etika Kasih Sayang) I Wayan Sunampan Putra
Jnanasidanta Vol 2, No 2 (2021): TEOLOGI HINDU
Publisher : Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55115/jnana.v2i2.1139

Abstract

Hinduism is inseparable from the cultural aspect, between religion and culture can go hand in hand. One of the most visible cultures is art. Art or art in Balinese Hindu society has the most important position. This can be seen from all forms of religious ceremony implementation inseparable from art. Art in Bali is grouped into sacred art and profane art. Art is also inseparable from theological relationships. This can be seen from the concept of gods in the aspect of art. This paper tries to elaborate on the theology of art in krulut tumpek ritual in Balinese society. Where tumpek krulut is a feast of worship kepafda aspect of the Godhead that has conferred kehgran. Tumpek krulut is also a form of moral value that teaches the love of living beings.
KONTEMPLASI DIANTARA MITOS DAN REALITAS (CONTEMPLATION BETWEEN MYTHS AND REALITIES) I Wayan Kariarta
Jnanasidanta Vol 1, No 1 (2019): Teologi Hindu
Publisher : Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55115/jnana.v1i1.344

Abstract

Myth is a story of a nation that contains an interpretation of the origin of the universe. Myth gives its own color to its supporting community, so it displays a unique pattern of action and contains its own special characteristics. Myths are often displayed with mystical wrapping, so they tend to be on the metaphysical side. So then it causes supporters of myths to be claimed to be conservative and dogmatic. Although in fact, this is a view that only rests on one perspective. The variety of myths circulating in the community shows that there are a variety of values that the ancient scholars wanted to inherit. However, there are positive values that still need to be explored through contemplation in order to bring out the reality side. The positive values contained in myths are: a) myths act as educational facilities, b) myths serve as a medium for conservation of natural resources, and c) myths play roles as a stimulus for the creativity of new thinking. All of these positive values aim to prosper human life and make human beings humane.Keywords : Contemplation, Myth and Reality
Suara Genta dalam Ajaran Kediatmikan Ni Kade Seri Andayani
Jnanasidanta Vol 2, No 1 (2020): Teologi Hindu
Publisher : Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55115/jnana.v2i1.822

Abstract

The beauty of kasanah and the ritual implementation of yajna balinese Hindu community is seen from various activities carried out as well as supporting facilities of yajna activities. The performance of yajna is actually a theatrical performance that is undiscised when reviewed from an art point of view. Later in its implementation there are five tones as a complement to the activity and one of them is the voice of Genta also called Nada Brahman. Genta is a tool used by stakeholders / pinandita to accompany the spell chanted. In addition to being a means of puja genta from ampek sound that gives rise to cosmic vibrations can also support kundalini fire in humans. Through a qualitative approach and various text studies, further assessment of this needs to be done. It can be explained that Genta corresponds to the concept of the pengiders to the east, with the aksarasuci being 'Sa', the god is Iswara, the war is white and inside man is housed in the Heart. In addition to the concept of sound and tone in the use of genta as its facilities, from the aspect of voice dialogue genta also plays a role in improving the science of dialogue. This is supported by various lontang that explain that the genta that emits the loud sound is the generator of cosmic vibrations and can evoke 7 (seven) chakras that exist in humans. The rise of these 7 chakras will raise the fire of kundalini which affects the disusedness that a person has. Genta in this case became known as Genta pinaruh pitu, a aguron-gorun concept that gave teachings to the people, especially Hindus in Bali about ancient teachings as one of the ways to achieve release.
PARADOKS MITOLOGI HINDU DI JAWA (Relevansinya sebagai Tutur dan Batur Umat Hindu) Miswanto Miswanto
Jnanasidanta Vol 1, No 2 (2020): Teologi Hindu
Publisher : Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55115/jnana.v1i2.496

Abstract

Hindu mythology in Java developed since the entry of Hindu civilization into Indonesia. Javanese people believe these myths as a local wisdom that must be maintained. Although there are some Javanese people who doubt it, the existence of Hindu mythology in Java is maintained and even becomes a source of inspiration in their social and religious life. This phenomenon makes Hindu mythology in Java as a paradox, whose existence is still needed even though some people doubt it. Up to now the values contained in Hindu mythology are integrated in the Javanese way of life (tutur) of the people and are rooted in the breath of their spiritual life and make them survive (batur) as Javanese people who ‘njawani’. For Hindus on Java, Hindu mythology has also become one of the mediums of teaching religion, especially if it is related to its origins from Itihāsa and Purāṇa.

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