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gempur sentosa
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Program Studi Seni Karawitan - Fakultas Seni Pertunjukan Institut Seni Budaya Indonesia (ISBI) Bandung Jl. Buah Batu No. 212 Bandung 40265, Telp. (022)-7314982, 7315435; Fax. (022) – 7303021
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INDONESIA
PARAGUNA : Jurnal Ilmiah Pengetahuan, Pemikiran dan Kajian Tentang Seni Karawitan
Published by Institut Seni Budaya Indonesia Bandung
ISSN : 24076716     EISSN : 28284240     DOI : 10.26742/para
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Education Environmental Science Social Sciences Other
Jurnal Paraguna merupakan jurnal di lingkungan Jurusan Karawitan, Fakultas Seni Pertunjukan ISBI Bandung, yang mengedepankan pelestarian, pengelolaan dan pengembangan potensi seni, serta budaya dan kearifan lokal nusantara yang berdaya saing dalam percaturan global. Karawitan secara khusus dapat diartikan sebagai seni musik tradisional yang terdapat di seluruh wilayah etnik Indonesia. Khususnya di Pulau Jawa, Madura dan Bali. Dalam hal ini, jurusan karawitan ISBI Bandung menjadikan kebudayan Sunda sebagai kekhususan etnis yang dimaksud.
Arjuna Subject : Seni dan Humaniora - Musik
Articles 6 Documents
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Search results for , issue "Vol 3, No 1 (2016): FENOMENOLOGI KARAWITAN II" : 6 Documents clear
LAKON BANJARAN BHISMA VERSI KI NARTOSABDO Timbul Subagya
Paraguna Vol 3, No 1 (2016): FENOMENOLOGI KARAWITAN II
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1588.971 KB) | DOI: 10.26742/jp.v3i1.1856

Abstract

The aim of this article is to find out the position ofLakon Banjaran Bhisma in the field ofpuppetry and the existence of Bhisma according to Indian and Java tradition, especially Surakarta puppetry tradition. The approach used is descriptive method to describe mythology of Bhisma stories both in Indian and Wagang Surakarta tradition, The result shows that lakonBanjaran Bhisma is lakon model ever performed by Ki Narto Sabdo. This Lakon tells about the life of Bhisma since his birth until his death in Bharatadha war, the great war ofPandawa against Korawa. Based on Bhisma stories in lakon Banjaran Bhisma above, it is concluded that KiNartosabdo in presenting this lakon refers to the sources of lakoninSurakartapuppetry tradition.Keywords : Bhisma, lakon, puppetry, Surakarta.
DAMPAK HUKUM KEMBALINYA HAK EKONOMI KEPADA PENCIPTA PADA PERJANJIAN JUAL PUTUS ATAS LAGU DAN LIRIK Budi Kurniawan
Paraguna Vol 3, No 1 (2016): FENOMENOLOGI KARAWITAN II
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1632.978 KB) | DOI: 10.26742/jp.v3i1.1864

Abstract

Based on the articles number 18 and  122  of Copyright Act  No. 28, 2014, Sold  Flat  Contract will be  ended in  some  conditions.   Therefore   anyEcono mic   Rights   of  songwriter   and   arrangers  will   be  transferred automatically by music producers after  passing 25 ears plus 2 ears of contract, or in another case after waiting until passing to 25 years plus 2 ears if the contract  has  not come to an  end,  The legal effects with  theother parties especially between  music producers as copyright holders andthe third parties whose some Economic  Rights and  Mechanical   Rights being transferred are not simple.  The ending time of the contract by an Act is unusual since  it is a private area. It is also an unusual term to be applied in different effect from the  existing legal terms such  as Null and  Void, and Invalida te. This legal  research will find any  legal aspects caused  b thesearticles  application.  It will  also examine a preferred and suggested contractby government to transfer a copyright of license contract. In this case songwriters  and  arrange rs,  music producer or any other parties can  avoid  ancircumstances indicated as an act against law in the future. 
PROSES MANAJEMEN DALAM PRODUKSI SENI PERTUNJUKAN Dadang Suganda
Paraguna Vol 3, No 1 (2016): FENOMENOLOGI KARAWITAN II
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1735.531 KB) | DOI: 10.26742/jp.v3i1.1866

Abstract

Production  Management of Performing Arts is an activity to organize and coordinate the use of human,   material,  financial,   and information resources. This activity is conducted effectively and efficiently to create and enlarge benefits for the performing arts produced.  Management   of thePerforming Arts  can be considered as  the process of achieving  a variety ofresources to produce multipurpose performing arts. It  is also the process ofreaching the goals and  objectives of the organization,  both  commercially,socially,  as well  as potentially to maintain  the existence of performance artitself.
PENELUSURAN PERKEMBANGAN KACAPI SUNDA Asep Nugraha
Paraguna Vol 3, No 1 (2016): FENOMENOLOGI KARAWITAN II
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1277.792 KB) | DOI: 10.26742/jp.v3i1.1868

Abstract

In the Sundanese  society the  existence of kacapi has passed through a long period of time and space.  This instrument is able to adapt to the social and cultural dynamics ofthe Sundanese society. The instrument has also been well documented by both local and foreign researchers. On one hand, some   kacap i  are  extict   because  they   have   been  left   by  their  main supporters.  On the  other  hand,  some of them   are   remains,  change inshape, and even integrating with other types of art  that emerged at thatcertain  time.   This  phenomenon is   interesting   because   it  shows   theemergence of the various shapes of chordophone  (kacapi) in the Snda region.  This paper describes the assorted shapes of kacapi by tracing  the literatures  about kacapi from old times to today.
ETNOGRAFI SENI PERTUNJUKAN RITUAL DI KABUPATEN SUMEDANG Dede Suryamah
Paraguna Vol 3, No 1 (2016): FENOMENOLOGI KARAWITAN II
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2160.744 KB) | DOI: 10.26742/jp.v3i1.1867

Abstract

This article  is  an  ethnographic stud  that explores   the  phenomenon of performing arts which functioned as a means  of rituals in the society.  The assumption ocused  in this paper is  the social fact  that the inception of a culture    work  in  society   can   not   be  separated   from   the   historical background of the community.   To uncover  the  truth  of this  assumption, Sumedang area is selected as  an area that presumably has  the potentials of rituals culture    which  still alive  today.  In the  midst  of today's socio-cultural changes with a mind set oriented on logical and objective thinking, in Sumedang society,   there are still some arts  oriented on non-logical and subjective thinking  such as  the arts  that  serves  as a means  of rituals. Associated with the existence of these arts,  through ethnograp hic studies it will   be   revealed   the   historical   background  of   belief  system   in   the Sumed ang  society,  rituals  performing arts   in  the  Sumedang community, and the types of today's arts used for ritual performances.
LAGU-LAGU TEMBANG SUNDA CIGAWIRAN Oman Resmana
Paraguna Vol 3, No 1 (2016): FENOMENOLOGI KARAWITAN II
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1358.232 KB) | DOI: 10.26742/jp.v3i1.1865

Abstract

Tembang Sunda  Cigiawiran  is a  kind  of tembang presented by sekar (vocals)  without gending accompaniment.   The form of Ruumpaka used in this   tembang  is pupuh 17. I holds an important   role as a  medium of Islamic siar dissemination especially  in Cigawir Village Sela Awi  District Garut Regency. A Cigawiran singer must be sensitive towards laras  that is delivered.    Besides  she  must  have   a  wide  range  of voice  due   to  the coverage  of varies  tone area.

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