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Repertoar Journal Prodi Seni Musik Jurusan Seni Drama, Tari dan Musik Fakultas Bahasa dan Seni (FBS) Universitas Negeri Surabaya Gedung T14 Lantai 2 Kampus UNESA Lidah Wetan Surabaya 60213 Jawa Timur - Indonesia email : repertoarmusik@unesa.ac.id
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Jawa timur
INDONESIA
Repertoar Journal
Published by Universitas Negeri Surabaya
ISSN : -     EISSN : 27461718     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
Repertoar is a periodical scientific journal dedicated to publishing papers and research works in the field of music. This journal includes research articles along with ideas, which fall into the scope of: 1. Music 2. Music Works 3. Ethnomusicology 4. Music Therapy 5. Film Music 6. Digital Music
Arjuna Subject : Seni dan Humaniora - Musik
Articles 200 Documents
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The Keroncong Song Jembatan Suramadu by Orkes Keroncong Kurmunadi: A Study of Arrangement and Characteristics -, Kholifatul Amalia
Repertoar Vol 6 No 2 (2026)
Publisher : Universitas Negeri Surabaya

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Abstract

This study aims to analyze the arrangement and describe the musical characteristics of the Keroncong Jembatan Suramadu song composed by Orkes Keroncong Kurmunadi, which reflects the group's musical identity. The method used is qualitative descriptive, with data collection techniques through observation, interviews, and documentation. Data analysis was conducted through reduction, presentation, and conclusion drawing. The results of the study show that this song has a complex structure (prelude, intro, phrases A, B, C, interlude, ole-ole, coda) with a distinctive repetition pattern. The song uses the key of G major, 4/4 time, Allegretto tempo, and I–IV–V–I chord progression. The arrangement combines varied melodic techniques, improvisation, and rich harmonies, along with a blend of classic keroncong style and modern elements. Instruments such as the cak, cuk, cello, violin, flute, and keyboard create harmonious colors and expressive dynamics. Overall, this song strongly and distinctively represents the musical character of the Kurmunadi Keroncong Orchestra.
The Effectiveness of Soulface Band's Music Presentation on the Attractiveness of Fameliza Cafe Visitors Mayang Sari, Nisa Aprilia
Repertoar Vol 6 No 2 (2026)
Publisher : Universitas Negeri Surabaya

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Abstract

Music plays an important role in life, especially in the entertainment industry. Live music performances in cafes provide direct entertainment, creating a relaxed atmosphere and attracting visitors. This study uses a mixed-methods design that combines qualitative and quantitative approaches. In the initial qualitative stage, the study explored the form of the Soulface band's music presentation through observation and interviews with band members. The quantitative stage involved distributing questionnaires to 66 cafe visitors to measure the effectiveness of the presentation in attracting visitors. The data were analyzed using simple linear regression to assess the relationship between presentation format and visitor attraction. The second qualitative stage then explored the impact of music presentation descriptively through interviews with three visitors. The study's results show that Soulface's performance is compelling and significant in attracting visitors. In addition, live music has a positive impact on visitors' cognitive, emotional, behavioral, social, and symbolic aspects. These findings confirm that music has a strategic role in supporting business success, especially in creating appeal and positive experiences in cafes.
A Review of Musical Content Creativity in the Vocal Groove Community Adelya Annisa Marfirasari
Repertoar Vol 6 No 2 (2026)
Publisher : Universitas Negeri Surabaya

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Abstract

This study aims to describe in depth the various stages of the creative process undertaken by Vocal Groove in creating music content, as well as to analyze creative solutions to overcome constraints in creating music content.  This study uses qualitative methods, with data collection based on observation of Vocal Groove content on TikTok, in-depth interviews with members and the founder of the Vocal Groove community, and supporting documentation.  This research examines the creative process of the Vocal Groove community in creating music content on TikTok, focusing on the case study " Never Enough ." This research uses Graham Wallas' four-stage theory of creativity, namely preparation, incubation, illumination, and verification.  The results show that the creative process is iterative.  Various obstacles, such as member absences, differences in understanding the song, and technical problems, are overcome through creative solutions such as role-sharing, independent practice, group practice, and team collaboration.  Despite limitations, Vocal Groove is still able to produce engaging, high-quality music content through collective work and social media adaptation.
The Arrangement of the song Nyello' Aeng by Jaka Mahendra Hafizahrawani in the UL – Daul Lancenk Tresna music group, Pamekasan Regency Andika Budiono, Louis
Repertoar Vol 6 No 2 (2026)
Publisher : Universitas Negeri Surabaya

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Abstract

The song Nyello' Aeng tells of an activity carried out by villagers who still use or utilize water for their daily needs. The song Nyello' Aeng also tells the story of a village maiden and her activity, Nyello' Aeng, which in Indonesian means "to fetch water." Ul-Daul's musical arrangement of Nyello' Aeng is more interesting and encourages the community to sing along. The presentation is now modern, so the community can clearly hear Nyello' Aeng. The selection of the song Nyello' Aeng for the Ul-Daul musical arrangement was based on the opportunity within the scope of Ul-Daul music. According to Jaka Mahendra, it is rare for Ul-Daul music groups to arrange the song Nyello' Aeng, so Jaka Mahendra wanted to take advantage of this moment to give a new touch to the song Nyello' Aeng.
Asmalibrasi by Soegi Bornean: A Study of Song Form and Meaning Nada Satyawidya, Alya
Repertoar Vol 6 No 2 (2026)
Publisher : Universitas Negeri Surabaya

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Abstract

This study aims to examine the structure and musical meaning in Soegi Bornean's song Asmalibrasi using a musical form analysis and musical aesthetics approach. As a popular musical work rich in expression, Asmalibrasi is worth further analysis, not only in its lyrics but also in its musical elements as written in the score. The method used is a qualitative descriptive approach with score analysis, including observation of song form, expression marks, dynamics, articulation, and harmonic progression. The results of the study show that this song has a three-part form (A–B–A′) with divisions into intro, verse, chorus, bridge, interlude, and coda. Expression marks play an important role in shaping emotional meaning. Changes in dynamics, chord progressions, and phrase structure show an emotional journey from calm to climax and back to silence. In conclusion, Asmalibrasi is not only pleasant to listen to but also features a strong, expressive musical structure. This song shows that popular music can be analyzed scientifically and contains deep aesthetic value.
The Song Tau Nduweni by Keroncong Group Titi Laras: A Perspective on Song Form and Marketing Strategy Sa'diyah, Lailatus
Repertoar Vol 6 No 2 (2026)
Publisher : Universitas Negeri Surabaya

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Abstract

Surabaya is home to many keroncong music groups, one of which is Titi Laras. This group blends traditional keroncong with other musical genres, creating a distinctive musical style. Based on this background, the study addresses two main research questions: (1) What is the management concept of Titi Laras? and (2) What are its marketing strategies?This research employs a qualitative method, utilizing observation, interviews, and documentation techniques. The validity of the data is tested through triangulation, and the data analysis process involves collection, reduction, and presentation of data.The findings indicate that Titi Laras applies the fundamental management functions: planning, organizing, directing, and controlling. Its marketing strategy leverages social media platforms such as YouTube, TikTok, Instagram, and Spotify. This approach has enabled Titi Laras to enhance the quality of its performances.
Music Training as a Therapeutic Medium for Students with Autism at Sforzando Music School Liadi, Gregory
Repertoar Vol 6 No 2 (2026)
Publisher : Universitas Negeri Surabaya

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Abstract

This study explores the effectiveness of music training as a therapeutic medium for students with autism at the Sforzando Music School, using a descriptive qualitative approach. Data were collected through passive participant observation, structured interviews with the school founder, teachers, and parents, and document analysis. The analysis shows Sforzando's structured program, which covers nine aspects of development (Salim, 2006) and five main benefits of music as therapy (Salim, 2009), significantly supports the holistic development of autistic children. Case studies of five students demonstrate substantial progress in communication, self-regulation, and social interaction. This study concludes that music training at Sforzando is not merely an additional activity but a powerful therapeutic tool for the comprehensive development of autistic students.
The Creative Process and Melodic Structure Analysis of Mahalini's Song Sial, Mawang's Version -, Farika Nur Damayanti
Repertoar Vol 6 No 2 (2026)
Publisher : Universitas Negeri Surabaya

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Abstract

This study aims to describe Mawang's creative process in arranging the song "Sial" and to analyze its melodic structure.  The research used qualitative methods, including observation, online interviews via WhatsApp video calls, and document analysis.  Mawang took a creative approach by listening to the original version of the song in depth and developing musical ideas spontaneously, without altering its structure, arrangement, or musical elements, as a form of respect for Mahalini's work.  The production process involved simultaneous recording of vocals and instruments, followed by mixing and mastering.  The song's melodic structure consists of Verse I, Pre-Chorus, Chorus, Verse II, Pre-Chorus, Chorus, Bridge, and Coda.  Analysis of the melodic motifs reveals four in the Verse section, two in the Pre-Chorus, five in the Chorus, four in the Bridge, and five in the Coda.  These motifs involve literal repetition techniques, ascending and descending sequences, and augmentation.  This study shows that the creative process is an important medium for developing ideas for unique and diverse arrangements.
The Presentation Form of the song "Toba Dream: Theme Song" by the Marture Music Group in the Batak Toba Ulaon Unjuk Wedding Ceremony Manurung, Nandita Aurel
Repertoar Vol 6 No 2 (2026)
Publisher : Universitas Negeri Surabaya

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Abstract

This study aims to describe the components of the presentation and analyze the structure of the song "Toba Dream: Theme Song" during the ulaon unjuk manomu-nomu stage of a Batak Toba wedding. This study uses a descriptive qualitative method through non-participant observation, structured interviews, and documentation. Data analysis techniques included data collection, data observation and presentation, and data conclusion. The results of this study show that the presentation form of the song "Toba Dream: Theme Song" in the Ulaon Unjuk procession has components that support the performance, namely musicians, musical instruments, songs presented, fashion, stage setting, sound system, audience, as well as the time and place of the event. The presentation form of the song "Toba Dream: Theme Song' during the initial procession of ulaon unjuk manomu-nomu, performed by the Marture music group, was presented in the form of Gondang music with a presentation structure divided into Intro, verse I, chorus I, verse II, chorus II, verse III, chorus III, verse IV, interlude, chorus IV, and ending. From the results of this analysis, it can be seen that Gondang music serves as entertainment and accompanying music, as well as providing structure and rhythm for the entire wedding ceremony.
The Presentation Form and Function of Gondang Uning-uningan by the Sabas Group in the Traditional Batak Toba Wedding Ceremony in Jambi Gultom, Rian Naftanael
Repertoar Vol 6 No 2 (2026)
Publisher : Universitas Negeri Surabaya

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Abstract

This study aims to describe the presentation and function of Gondang Uning-uningan Grup Sabas in traditional Batak Toba wedding ceremonies in Jambi. This study uses a descriptive qualitative method. Data collection techniques include observation, interviews, documentation, and literature study. The compilation process begins with the first stage of data reduction, followed by data presentation and conclusion drawing. The analysis found elements of presentation in the traditional Batak Toba wedding ceremony in Jambi that are incorporated into the ceremony, including the presentation, number of musicians, performance time, number of songs, and performance venue. In the presentation of Gondang uning-uningan, the songs performed are correlated with the wedding party. These include the procession of making tua ni gondang (gondang mula mula), the presentation of tintin marangkup (tintin marangkup), the presentation of ulos (ulos passamot), kasihnya seperti sungai, emeni simbolon), and paulak une (gondang hasahatan and si tio-tio). Seven functions of the Sabas Group's Gondang uning-uningan in Batak Toba traditional wedding ceremonies were found, including emotional expression, aesthetic appreciation, entertainment, communication, symbolism, physical response, and social norms.

Page 20 of 20 | Total Record : 200

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